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Rembrandt's Roughness

Rembrandt's Roughness
Author: Nicola Suthor
Publisher: Princeton University Press
Total Pages: 240
Release: 2018-04-03
Genre: Art
ISBN: 0691172447

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Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.


Rembrandt's Roughness

Rembrandt's Roughness
Author: Nicola Suthor
Publisher: Princeton University Press
Total Pages: 240
Release: 2018-04-03
Genre: Art
ISBN: 1400890209

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Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today.


Quid est secretum?

Quid est secretum?
Author: Ralph Dekoninck
Publisher: BRILL
Total Pages: 780
Release: 2020-09-10
Genre: Art
ISBN: 9004432264

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This book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it.


A Corpus of Rembrandt Paintings IV

A Corpus of Rembrandt Paintings IV
Author: Ernst van de Wetering
Publisher: Springer Science & Business Media
Total Pages: 724
Release: 2005-10-18
Genre: Art
ISBN: 1402032803

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Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.


The Visible and the Invisible

The Visible and the Invisible
Author: Daniela Hammer-Tugendhat
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 340
Release: 2015-03-10
Genre: Art
ISBN: 3110423014

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The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.


Rembrandt in the Collections of the National Gallery of Victoria

Rembrandt in the Collections of the National Gallery of Victoria
Author: Rembrandt Harmenszoon van Rijn
Publisher: Harvard University Art Museums
Total Pages: 164
Release: 1988
Genre: Art
ISBN:

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This comprehensive and lushly illustrated volume considers Rembrandt from three basic viewpoints -- collecting; paintings; drawings and prints. As he was an enormously prolific draftsman (over 2,000 of his drawings survive) and 300 etchings (a third of which are housed in the National Gallery of Victoria, Melbourne), the information on his prints is especially informative, covering his techniques, the Dutch tradition, self-portraits, religious subjects, landscapes, nudes, genre, illustration. Provocative text covers periods of art collecting, issues of attribution, and varying patterns of estimation about him during the 20th century. Analyses of works are original and thought-provoking. (National Gallery of Victoria)


Art and Artists

Art and Artists
Author:
Publisher:
Total Pages: 474
Release: 1968
Genre: Art
ISBN:

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Penny Cyclopaedia of the Society for the Diffusion of Useful Knowledge

Penny Cyclopaedia of the Society for the Diffusion of Useful Knowledge
Author:
Publisher:
Total Pages: 1040
Release: 1841
Genre: Encyclopedias and dictionaries
ISBN:

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V.1-20 are, like missing vols. 21-26, also freely available online at the the China-America Digital Academic Library (CADAL), & can be accessed with the following individual urls: http://lookup.lib.hku.hk/lookup/bib/B3144507Xv1 Note: Click to view v.1 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv2 Note: Click to view v.2 via CADAL http://lookup.lib.hku.hk/lookup/bib/B3144507Xv3 Note: Click to view v.3 via CADAL http://lookup.lib.hku.hk/lookup/bib/B3144507Xv4 Note: Click to view v.4 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv5 Note: Click to view v.5 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv6 Note: Click to view v.6 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv7 Note: Click to view v.7 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv8 Note: Click to view v.8 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv9 Note: Click to view v.9 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv10 Note: Click to view v.10 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv11 Note: Click to view v.11 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv12 Note: Click to view v.12 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv13 Note: Click to view v.13 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv14 Note: Click to view v.14 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv15 Note: Click to view v.15 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv16 Note: Click to view v.16 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv17 Note: Click to view v.17 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv18 Note: Click to view v.18 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv19 Note: Click to view v.19 via CADAL. -- http://lookup.lib.hku.hk/lookup/bib/B3144507Xv20 Note: Click to view v.20 via CADAL.


Current Opinion

Current Opinion
Author: Edward Jewitt Wheeler
Publisher:
Total Pages: 368
Release: 1914
Genre: Literature
ISBN:

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The Unseen Rembrandt

The Unseen Rembrandt
Author: William Mills Ivins
Publisher: Metropolitan Museum of Art
Total Pages: 99
Release: 1942-01-15
Genre: Art
ISBN:

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The Unseen Rembrandt attempts to achieve a greater understanding of Rembrandt's paintings, drawings, and prints in The Metropolitan Museum of Art's collection by showcasing details if the works displaying Rembrandt's distinct brush, pen, and point movement. This unique examination reveals a detailed quality of his painting that is otherwise impossible to see under ordinary museum gallery conditions.