Rembrandt van Rhyn
Author | : John Smith |
Publisher | : |
Total Pages | : 384 |
Release | : 1836 |
Genre | : Painters |
ISBN | : |
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Author | : John Smith |
Publisher | : |
Total Pages | : 384 |
Release | : 1836 |
Genre | : Painters |
ISBN | : |
Author | : Malcolm Bell |
Publisher | : |
Total Pages | : 444 |
Release | : 1899 |
Genre | : Etchers |
ISBN | : |
Author | : John Smith |
Publisher | : |
Total Pages | : |
Release | : 1836 |
Genre | : |
ISBN | : |
Author | : Charles Henry Middleton- Wake |
Publisher | : |
Total Pages | : 516 |
Release | : 1878 |
Genre | : Etching |
ISBN | : |
Author | : afterwards MIDDLETON-WAKE MIDDLETON (Charles Henry) |
Publisher | : |
Total Pages | : 0 |
Release | : 1878 |
Genre | : |
ISBN | : |
Author | : Edme-François Gersaint |
Publisher | : |
Total Pages | : 204 |
Release | : 1752 |
Genre | : Engraving, Dutch |
ISBN | : |
Author | : Charles Henry Middleton-Wake |
Publisher | : Franklin Classics |
Total Pages | : 434 |
Release | : 2018-10-10 |
Genre | : |
ISBN | : 9780342032365 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Emile Michel |
Publisher | : |
Total Pages | : 390 |
Release | : 1906 |
Genre | : |
ISBN | : |
Author | : Susan Grange |
Publisher | : Flame Tree Illustrated |
Total Pages | : 0 |
Release | : 2016-04-07 |
Genre | : Art |
ISBN | : 9781783619085 |
Rembrandt Harmenszoon van Rijn was the leading painter and graphic artist of the ‘Golden Age of Dutch Art’. He excelled in imbuing his art with the ‘deepest and most lifelike emotion’, with rich detail and stunning lighting. This richly enjoyable book gives the reader an illuminating overview of the life, work and influences of the artist, before going on to showcase the most stunning and varied examples of his oeuvre, broken down into themes – Portraits, Landscape & Narrative, Self-portraits, and Etchings & Drawings. Discover his versatility in the range of works selected, from the electric The Storm on the Sea of Galilee to the treasured The Night Watch, with its triumph in chiaroscuro and energy. A visual feast, it will underline the artist’s status as a true master.
Author | : Charles Henry Middleton- Wake |
Publisher | : Rarebooksclub.com |
Total Pages | : 140 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230163222 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1878 edition. Excerpt: ... 1st. As described. The impressions of this, the perfect state of the plate when in good condition, are very beautiful Some are on India paper and have all the richness of tone which the tint of the paper imparts. Coll: BM. C. O. P. A. H. 2nd. A window is introduced in the right background; on the sill is placed a water bottle; in the upper left of this window is Rembrandt, and below it/ 1656; on the wall above the table is engraved in a different hand Joannes Lutma Auri/ex, and below natus Groningae. Coll: BM. C. P. AH. yd. The plate is reduced in height, it now measures 7, 6 (193), and has a clear space-f3 ('007) below; this impression appeared in the Van Leyden Collection. Coll: A. Copy. Same d. of 1st State, BibL IX. Copy. By M. Charles Blanc. Copy. An almost exact imitation of the 2nd State of this print has recently been produced by the Photogravure process of Messrs. Goupil; a slight difference in the size excepted, it is hardly possible to point out any variation which distinguishes it from the original, for which it might easily be mistaken. Before issuing the impressions the publishers stamp each at the back to guard against deception. If the student will carefully examine the shading of the background to the left of the plate, which is undoubtedly by Rembrandt, and compare it with the shading on the wall to the right, and the shading round the window, which appear only in the 2nd State, he will I think agree with me that in all this new work the hand of the master is conspicuous by its absence.' I am rather surprised that no one has made this observation before, or asked how it could possibly be that Rembrandt, having completed so superb a print, should deliberately mar the harmony of the piece and weaken its effect by the...