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Remastering Music and Cultural Heritage

Remastering Music and Cultural Heritage
Author: Stephen Bruel
Publisher: CRC Press
Total Pages: 162
Release: 2023-09-20
Genre: Music
ISBN: 1000960013

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Remastering Music and Cultural Heritage presents a detailed account of the culture and practice of remastering music recordings. By investigating the production processes and the social, nostalgic and technological components of remastering practice, the book demonstrates the application of these techniques to iconic recordings by artists including The Beatles, Elton John and Oasis. Through comprehensive interviews with music production professionals directly involved in both the original productions and remastered releases of these iconic recordings – and detailed digital audio analysis – this book offers an extensive insight into music production and remastering practice. Readers learn about the music production techniques behind creating some of the most well-recognised and loved albums of all time, as well as the processes used to create the remasters, to help guide their own projects. Remastering Music and Cultural Heritage is essential reading for students and teachers of music production, professional practitioners and musicians.


Mastering in Music

Mastering in Music
Author: John Paul Braddock
Publisher: CRC Press
Total Pages: 297
Release: 2020-12-29
Genre: Computers
ISBN: 1000281469

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Mastering in Music is a cutting-edge edited collection that offers twenty perspectives on the contexts and process of mastering. This book collects the perspectives of both academics and professionals to discuss recent developments in the field, such as mastering for VR and high resolution mastering, alongside crucial perspectives on fundamental skills, such as the business of mastering, equipment design and audio processing. Including a range of detailed case studies and interviews, Mastering in Music offers a comprehensive overview of the foremost hot topics affecting the industry, making it key reading for students and professionals engaged in music production.


Innovation in Music: Cultures and Contexts

Innovation in Music: Cultures and Contexts
Author: Jan-Olof Gullö
Publisher: CRC Press
Total Pages: 331
Release: 2024-03-27
Genre: Music
ISBN: 1003848702

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Innovation in Music: Cultures and Contexts is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices. Including chapters on Dolby Atmos, the history of distortion, creativity in the pandemic, and remote music collaboration, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.


Innovation in Music: Technology and Creativity

Innovation in Music: Technology and Creativity
Author: Jan-Olof Gullö
Publisher: CRC Press
Total Pages: 348
Release: 2024-03-27
Genre: Music
ISBN: 100384796X

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Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.


Noise Uprising

Noise Uprising
Author: Michael Denning
Publisher: Verso Books
Total Pages: 253
Release: 2015-08-18
Genre: Music
ISBN: 1781688575

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Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.


Music Preservation and Archiving Today

Music Preservation and Archiving Today
Author: Norie Guthrie
Publisher: Rowman & Littlefield
Total Pages: 211
Release: 2018-04-18
Genre: Language Arts & Disciplines
ISBN: 1538102951

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Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as community­driven preservation projects.


The Routledge Companion to Popular Music History and Heritage

The Routledge Companion to Popular Music History and Heritage
Author: Sarah Baker
Publisher: Routledge
Total Pages: 416
Release: 2018-05-16
Genre: Social Science
ISBN: 1315299291

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The Routledge Companion to Popular Music History and Heritage examines the social, cultural, political and economic value of popular music as history and heritage. Taking a cross-disciplinary approach, the volume explores the relationship between popular music and the past, and how interpretations of the changing nature of the past in post-industrial societies play out in the field of popular music. In-depth chapters cover key themes around historiography, heritage, memory and institutions, alongside case studies from around the world, including the UK, Australia, South Africa and India, exploring popular music’s connection to culture both past and present. Wide-ranging in scope, the book is an excellent introduction for students and scholars working in musicology, ethnomusicology, popular music studies, critical heritage studies, cultural studies, memory studies and other related fields.


The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music
Author: J.W. Love
Publisher: Routledge
Total Pages: 1116
Release: 2017-09-25
Genre: Music
ISBN: 1351544322

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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.


The Social Life of Sound

The Social Life of Sound
Author: Sophia Maalsen
Publisher: Springer
Total Pages: 267
Release: 2019-01-28
Genre: Social Science
ISBN: 9811334536

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The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that ‘things’ – sounds, samples, and recorded music – and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.


Preserving Popular Music Heritage

Preserving Popular Music Heritage
Author: Sarah Baker
Publisher: Routledge
Total Pages: 266
Release: 2015-05-01
Genre: Music
ISBN: 1317670752

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There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.