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Religious Art in Jammu Hills

Religious Art in Jammu Hills
Author: Anita K. Billawaria
Publisher:
Total Pages: 208
Release: 1990
Genre: Art, Hindu
ISBN:

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Dogra Wall Paintings in Jammu and Kashmir

Dogra Wall Paintings in Jammu and Kashmir
Author: Mira Seth
Publisher: Oxford University Press, USA
Total Pages: 140
Release: 1987
Genre: Art, Dogra
ISBN: 9780195615494

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This study examines a unique group of wall paintings executed in the Jammu hills of Northern India in the first half of the 19th century. Seth explores the cultural background of the region and its artists, and provides details of the techniques and materials used in the paintings, which illustrate religious and secular themes familiar from Mughal and Rajput miniatures.


Pahāṛi Styles of Indian Murals

Pahāṛi Styles of Indian Murals
Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
Total Pages: 310
Release: 1998
Genre: Art
ISBN: 9788170173564

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The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.


Jammu Rāgamālā Paintings

Jammu Rāgamālā Paintings
Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
Total Pages: 156
Release: 1998
Genre: Art
ISBN: 9788170173557

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Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.


Arts and Crafts, Jammu and Kashmir

Arts and Crafts, Jammu and Kashmir
Author: D. N. Saraf
Publisher: Abhinav Publications
Total Pages: 302
Release: 1987
Genre: Decorative arts
ISBN: 8170172047

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Kashmir Is Known For Its Arts And Crafts. But There Is No Single Book So Far Which Deals Overall And Totally With Both Known And Lesser Known Crafts Of Jammu & Kashmir State. This Book Portrays A Comprehensive Study Providing Wealth Of Information And Visual Documentation On The Beautiful Part Of India Comprising Jammu, Kashmir Valley And Ladakh. A State With Rich Craft And Cultural Heritage Deserves To Be Better Known In Its Crafts Context Of People And Culture. As A Close And Living Relationship Ties Land To People And People To Craft And Culture, The Book Opens With Brief Description Of This Relationship. Since Traditional Skills Co-Exist And Change In The Course Of Changing Conditions, The Book Covers Some Of The More Important As Well As Lesser Known Crafts In Their Historical Background, Present And Potential For Future. Development Being A Constant Process, The Book Also Reviews The Actual Craft Situation,, Its Scope, Design, Craft Training, The Domestic Marketing And Exports Of Crafts, Concluding On The Most Important Factor-The Craftsmen And Their Welfare. The Book Is Invaluable In Many Way. Over 100 Pages Of Excellent Photographs And Typical Design Motifs. General Readers, Planners And Administrators As Well As Traders And Exporters Will Find Highly Useful The Details The Book Provides With The Personal Touch Of Author S Rich Experience Over The Years.


Centres of Pahari Painting

Centres of Pahari Painting
Author: Chandramani Singh
Publisher: Abhinav Publications
Total Pages: 294
Release: 1981
Genre: Art
ISBN: 9780391024120

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Dogra Legends of Art & Culture

Dogra Legends of Art & Culture
Author: Aśoka Jeratha
Publisher: Indus Publishing
Total Pages: 308
Release: 1998
Genre: Dogras (Indic people)
ISBN: 9788173870828

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Art, Architecture and Sculpture

Art, Architecture and Sculpture
Author: Kamal Kishor Mishra
Publisher:
Total Pages: 172
Release: 2013
Genre: Architecture
ISBN: 9788182903043

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The Splendour of Himalayan Art and Culture

The Splendour of Himalayan Art and Culture
Author: Aśoka Jeratha
Publisher: Indus Publishing
Total Pages: 196
Release: 1995
Genre: Art
ISBN: 9788173870347

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"The Himalayas are a source of inspiration and challenge to the researchers, intellectuals and adventurers. The lofty mountains with snow-clad peaks and lush green forests fascinate one and all. This work on the art and culture of people of the Himalayan region is fourth in sequence by the author. After Folk Art of Duggar; Ripples in the Himalayas; and Rajat Shikhron Ke Rupehle Swar, this work completes the first phase of studies of Himalayan culture. Earlier Kumaon, Garhwal, Kashmir and Ladakh Himalayas and their ranges were covered in detail. With the inclusion of Dhauladhar ranges and nearby surroundings of Kangra, Palampur, Baijnath, Mandi, Kullu, Manali, Lahaul & Spiti, Kinnaur and upper regions of Shimla in this book, it completes the studies of western Himalayas. The author has visited himself in most of these areas and collected the data so that first hand information can be provided to the readers. In a way it is a first endeavour in this field wherein the people and the land are discussed collectively for the first time. However, individual tribes of Himachal Pradesh do find their place in sociological studies done in the field, but we do not find a comparative study for which an objective effort has been made in this book for the benefit of readers and art historians alike. The book covers the art, architecture and cultural aspects of Himachal Pradesh. References have also been made to Basohli, Jammu, Manket, etc. as the Pahari art of minature paintings had its own legacy in these erstwhile kingdoms." -- Cover description.