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Authoritarianism in Mexico

Authoritarianism in Mexico
Author: José Luis Reyna
Publisher: Philadelphia : Institute for the Study of Human Issues
Total Pages: 266
Release: 1977
Genre: History
ISBN:

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The Mexican Revolution

The Mexican Revolution
Author: Adolfo Gilly
Publisher:
Total Pages: 0
Release: 2006
Genre: Mexico
ISBN: 9781595581235

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The classic account of the mexican revolution from the acclaimed author. First published in Spanish in 1971, "The Mexican Revolution" has been praised by Mexico's Nobel Prize-winning author Octavio Paz as a notable contribution to history and is widely recognized as a seminal account of the Mexican Revolution. Written during the author's time as a political prisoner in the famous penitentiary of Lecumberri in Mexico, it sold thousands of copies in its first edition, becoming widely accepted as the official textbook by history faculties in Mexico despite Gilly's continued incarceration. It has gone through more than thirty editions in Mexico and been translated into French and Greek. This is a comprehensively revised and updated edition of the original text with a foreword by Latin American history scholar Friedrich Katz and a new preface to the English edition by the author. A true "people's history," "The Mexican Revolution" is a stirring, bottom-up account of an event whose reverberations are still felt throughout Latin America and the rest of the world. What you didn't know about the Mexican Revolution: - In December 1914 the peasant armies of Pancho Villa and Emiliano Zapata conquered Mexico City and established a peasant government there. - Mexico's 1917 constitution granted the right of peasants and peasant communities to own the land they tilled. - Mexico's 1917 constitution established an eight-hour workday, a minimum wage, the rights to establish unions and to collectively bargain, and a right to strike--rights not seen in the United States until the 1930s and later.


Deleuze and Contemporary Art

Deleuze and Contemporary Art
Author: Stephen Zepke
Publisher: Edinburgh University Press
Total Pages: 336
Release: 2010-05-27
Genre: Art
ISBN: 0748642404

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What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabate. Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.


The Electronic Disturbance

The Electronic Disturbance
Author: Critical Art Ensemble
Publisher:
Total Pages: 172
Release: 1994
Genre: Business & Economics
ISBN:

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Short pieces and essays examining the changing rules of cultural and political resistance: The current technological revolution has created a new geography of power relationsas data, human beings confront an authoritarial impulse that thrives on absence. As a virtual geography of cognizance and action, resistance must assert itself in electronic space.


The Current Situation in Mexican Immigration

The Current Situation in Mexican Immigration
Author: Georges Vernez
Publisher:
Total Pages: 22
Release: 1991
Genre: Mexicans
ISBN:

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By 1988, the Mexican-origin population of the United States had grown to 12.1 million, largely from recent sharp increases in immigration. The policy concerns raised by this phenomenon have been influenced by some perceptions that available research contradicts. Today most Mexican immigrants come to stay, about half are female, and they have increasingly less schooling compared with the native-born workers, and, across generations, their language and political assimilation is proceeding well. They put greater demands on education than on other public services. However, the Mexican-origin population affects the economy and public services more and differently in the areas where it is concentrated, primarily in the western United States and large urban areas. Further, the recent legalization of 2.3 million Mexican immigrants can be expected to increase the demand on public services, especially in those areas.


Félix Guattari

Félix Guattari
Author: Gary Genosko
Publisher:
Total Pages: 268
Release: 2002
Genre: Electronic books
ISBN: 9781472546449

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This is the first detailed assessment of the life and work of Felix Guattari--"Mr. Anti" as the French press labelled him--the friend of and collaborator with Gilles Deleuze, Jacques Lacan and Antonio Negri, and one of the 20th Century's last great activist-intellectuals. Guattari is widely known for his celebrated writings with Deleuze, but these writings do not represent the true breadth and impact of his thinking, writing and activism. Guattari's major work as a clinical and theoretical innovator in psychoanalysis was closely linked to his participation in struggles against Europe.


Aesthetics and Its Discontents

Aesthetics and Its Discontents
Author: Jacques Rancière
Publisher: Polity
Total Pages: 152
Release: 2009-08-24
Genre: Philosophy
ISBN: 0745646301

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Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution. Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.