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| Author | : Tara T. Green |
| Publisher | : |
| Total Pages | : 180 |
| Release | : 2018 |
| Genre | : Drama |
| ISBN | : 9780814254714 |
Examines how contemporary Black artists envision the Middle Passage as an original site of social death and a space of potential rebirth.
| Author | : Charles Johnson |
| Publisher | : Simon and Schuster |
| Total Pages | : 229 |
| Release | : 2012-02-21 |
| Genre | : Fiction |
| ISBN | : 1439125031 |
A twenty-fifth anniversary edition of Charles Johnson’s National Book Award-winning masterpiece—"a novel in the tradition of Billy Budd and Moby-Dick…heroic in proportion…fiction that hooks the mind" (The New York Times Book Review)—now with a new introduction from Stanley Crouch. Rutherford Calhoun, a newly freed slave and irrepressible rogue, is lost in the underworld of 1830s New Orleans. Desperate to escape the city’s unscrupulous bill collectors and the pawing hands of a schoolteacher hellbent on marrying him, he jumps aboard the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a voyage of metaphysical horror and human atrocity, a journey which challenges our notions of freedom, fate and how we live together. Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative and philosophical allegory. Now with a new introduction from renowned writer and critic Stanley Crouch, this twenty-fifth anniversary edition of Middle Passage celebrates a cornerstone of the American canon and the masterwork of one of its most important writers. "Long after we’d stopped believe in the great American novel, along comes a spellbinding adventure story that may be just that" (Chicago Tribune).
| Author | : Stacie Selmon McCormick |
| Publisher | : Black Performance and Cultural |
| Total Pages | : 192 |
| Release | : 2019-09-09 |
| Genre | : Literary Criticism |
| ISBN | : 9780814255445 |
Argues that contemporary black dramas use the slave past to complicate views of the history of slavery, of the realities of racial progress, and of black subjectivity.
| Author | : Lucinda Herring |
| Publisher | : North Atlantic Books |
| Total Pages | : 313 |
| Release | : 2019-01-08 |
| Genre | : Self-Help |
| ISBN | : 1623172934 |
Honor your loved ones and the earth by choosing practical, spiritual, and eco-friendly after-death care Natural, legal, and innovative after-death care options are transforming the paradigm of the existing funeral industry, helping families and communities recover their instinctive capacity to care for a loved one after death and do so in creative and healing ways. Reimagining Death offers stories and guidance for home funeral vigils, advance after-death care directives, green burials, and conscious dying. When we bring art and beauty, meaningful ritual, and joy to ease our loss and sorrow, we are greening the gateway of death and returning home to ourselves, to the wisdom of our bodies, and to the earth.
| Author | : Habiba Ibrahim |
| Publisher | : NYU Press |
| Total Pages | : 269 |
| Release | : 2021-09-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 1479810894 |
"Black Age argues that age tracks the struggle between the abuses of black exclusion from western humanism, and the reclamation of non-normative black life"--
| Author | : Cheryl Finley |
| Publisher | : Princeton University Press |
| Total Pages | : 320 |
| Release | : 2018-07-24 |
| Genre | : Art |
| ISBN | : 069113684X |
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.
| Author | : Christopher L. Miller |
| Publisher | : Duke University Press |
| Total Pages | : 596 |
| Release | : 2008-01-11 |
| Genre | : History |
| ISBN | : 9780822341512 |
A study of representations of the French Atlantic slave trade in the history, literature, and film of France and its former colonies in Africa and the Caribbean.
| Author | : Celeste-Marie Bernier |
| Publisher | : Oxford University Press |
| Total Pages | : 323 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 1781382670 |
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.
| Author | : Daniel Black |
| Publisher | : St. Martin's Press |
| Total Pages | : 128 |
| Release | : 2015-10-06 |
| Genre | : Fiction |
| ISBN | : 1466890673 |
"The Coming is powerful. And beautiful...This is a work to be proud of."--Charles Johnson, National Book Award winner for Middle Passage Lyrical, poetic, and hypnotizing, The Coming tells the story of a people's capture and sojourn from their homeland across the Middle Passage--a traumatic trip that exposed the strength and resolve of the African spirit. Extreme conditions produce extraordinary insight, and only after being stripped of everything do they discover the unspeakable beauty they once took for granted. This powerful, haunting novel will shake readers to their very souls. "Part homage to the proud and diverse cultures of Africa, part nightmare of the people stolen from those lands, The Coming seduces us with poetry, then breaks our hearts, but ultimately inspires us to celebrate the indomitable soul of humanity." —George Weinstein, author of Hardscrabble Road
| Author | : Ira Berlin |
| Publisher | : Harvard University Press |
| Total Pages | : 310 |
| Release | : 2004-09-30 |
| Genre | : History |
| ISBN | : 9780674020832 |
Ira Berlin traces the history of African-American slavery in the United States from its beginnings in the seventeenth century to its fiery demise nearly three hundred years later. Most Americans, black and white, have a singular vision of slavery, one fixed in the mid-nineteenth century when most American slaves grew cotton, resided in the deep South, and subscribed to Christianity. Here, however, Berlin offers a dynamic vision, a major reinterpretation in which slaves and their owners continually renegotiated the terms of captivity. Slavery was thus made and remade by successive generations of Africans and African Americans who lived through settlement and adaptation, plantation life, economic transformations, revolution, forced migration, war, and ultimately, emancipation. Berlin's understanding of the processes that continually transformed the lives of slaves makes Generations of Captivity essential reading for anyone interested in the evolution of antebellum America. Connecting the Charter Generation to the development of Atlantic society in the seventeenth century, the Plantation Generation to the reconstruction of colonial society in the eighteenth century, the Revolutionary Generation to the Age of Revolutions, and the Migration Generation to American expansionism in the nineteenth century, Berlin integrates the history of slavery into the larger story of American life. He demonstrates how enslaved black people, by adapting to changing circumstances, prepared for the moment when they could seize liberty and declare themselves the Freedom Generation. This epic story, told by a master historian, provides a rich understanding of the experience of African-American slaves, an experience that continues to mobilize American thought and passions today.
