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Refiguring Modernism: Women of 1928

Refiguring Modernism: Women of 1928
Author: Bonnie Kime Scott
Publisher: Indiana University Press
Total Pages: 376
Release: 1995
Genre: English fiction
ISBN: 9780253209955

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"... an invaluable aid to the reconfiguration of literary modernism and of the history of the fiction of the first three decades of the twentieth century." --Novel "... her readings of texts are quite smart and eminently readable." --Tulsa Studies in Women's Literature "... a challenging and discerning study of the modernist period." --James Joyce Broadsheet (note: review of volume 1 only) "... highly important and beautifully written, constructing a contextually rich cultural history of Anglo-American modernism. It wears its meticulous erudition lightly, synthesizing an enormous amount of research, much of it original archival work." --Signs "Through her thoughtful exploration of the lives and work of these three female modernists, Scott shapes a new feminist literary history that successfully reconfigures modernism." --Woolf Studies Annual In this revisionary study of modernism, Bonnie Kime Scott focuses on the literary and cultural contexts that shaped Virginia Woolf, Rebecca West, and Djuna Barnes. Her reading is based upon fresh archival explorations, combining postmodern with feminist theory.


Refiguring Modernism, Volume 1

Refiguring Modernism, Volume 1
Author: Bonnie Kime Scott
Publisher: Indiana University Press
Total Pages: 376
Release: 1996-01-22
Genre: Literary Criticism
ISBN: 9780253115485

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"... an invaluable aid to the reconfiguration of literary modernism and of the history of the fiction of the first three decades of the twentieth century." -- Novel "... her readings of texts are quite smart and eminently readable." -- Tulsa Studies in Women's Literature "... a challenging and discerning study of the modernist period." -- James Joyce Broadsheet (note: review of volume 1 only) "... highly important and beautifully written, constructing a contextually rich cultural history of Anglo-American modernism. It wears its meticulous erudition lightly, synthesizing an enormous amount of research, much of it original archival work." -- Signs "Through her thoughtful exploration of the lives and work of these three female modernists, Scott shapes a new feminist literary history that successfully reconfigures modernism." -- Woolf Studies Annual In this revisionary study of modernism, Bonnie Kime Scott focuses on the literary and cultural contexts that shaped Virginia Woolf, Rebecca West, and Djuna Barnes. Her reading is based upon fresh archival explorations, combining postmodern with feminist theory.


Refiguring modernism

Refiguring modernism
Author:
Publisher:
Total Pages: 0
Release: 19??
Genre:
ISBN:

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Refiguring Modernism

Refiguring Modernism
Author: Bonnie Kime Scott
Publisher:
Total Pages:
Release:
Genre: 1900-tallet
ISBN:

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Refiguring Modernism: Postmodern feminist readings of Woolf, West, and Barnes

Refiguring Modernism: Postmodern feminist readings of Woolf, West, and Barnes
Author: Bonnie Kime Scott
Publisher: Indiana University Press
Total Pages: 248
Release: 1995
Genre: Literary Criticism
ISBN: 9780253210029

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"... an invaluable aid to the reconfiguration of literary modernism and of the history of the fiction of the first three decades of the twentieth century." --Novel "... her readings of texts are quite smart and eminently readable." --Tulsa Studies in Women's Literature "... a challenging and discerning study of the modernist period." --James Joyce Broadsheet (note: review of volume 1 only) "... highly important and beautifully written, constructing a contextually rich cultural history of Anglo-American modernism. It wears its meticulous erudition lightly, synthesizing an enormous amount of research, much of it original archival work." --Signs "Through her thoughtful exploration of the lives and work of these three female modernists, Scott shapes a new feminist literary history that successfully reconfigures modernism." --Woolf Studies Annual In this revisionary study of modernism, Bonnie Kime Scott focuses on the literary and cultural contexts that shaped Virginia Woolf, Rebecca West, and Djuna Barnes. Her reading is based upon fresh archival explorations, combining postmodern with feminist theory.


The Cambridge Companion to Modernist Women Writers

The Cambridge Companion to Modernist Women Writers
Author: Maren Tova Linett
Publisher: Cambridge University Press
Total Pages: 253
Release: 2010-09-23
Genre: Literary Criticism
ISBN: 052151505X

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A thorough overview of the main genres, important issues, and key figures in women's modernism during the years 1890-1945.


Women's Experience of Modernity, 1875–1945

Women's Experience of Modernity, 1875–1945
Author: Ann L. Ardis
Publisher: Johns Hopkins University Press+ORM
Total Pages: 449
Release: 2003-05-22
Genre: Literary Criticism
ISBN: 0801877601

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A collection of essays on women’s history and literary production at the turn of the twentieth century that centers the feminine phenomena. Analyzing such cultural practices as selling and shopping, political and social activism, urban field work and rural labor, radical discourses on feminine sexuality, and literary and artistic experimentation, this volume contributes to the rich vein of current feminist scholarship on the “gender of modernism” and challenges the assumption that modernism rose naturally or inevitably to the forefront of the cultural landscape at the turn of the twentieth century. During this period, “women’s experience” was a rallying cry for feminists, a unifying cause that allowed women to work together to effect social change and make claims for women’s rights. However, it also proved to be a source of great divisiveness among women, for claims about its universality quickly unraveled to reveal the classism, racism, and Eurocentrism of various feminist activities and organizations. The essays in this volume examine both literary and non-literary writings of Jane Addams, Djuna Barnes, Toru Dutt, Radclyffe Hall, H.D., Pauline Hopkins, Emma Dunham Kelley, Amy Levy, Alice Meynell, Bram Stoker, Ida B. Wells, Rebecca West, and others. Instead of focusing exclusively or even centrally on modernism and literature, these essays address a broad array of textual materials, from political pamphlets to gynecology textbooks, as they investigate women’s responses to the rise of commodity capitalism, middle-class women’s entrance into the labor force, the welfare state’s invasion of the working-class home, and the intensified eroticization of racial and class differences.


Women, Modernism, and Performance

Women, Modernism, and Performance
Author: Penny Farfan
Publisher: Cambridge University Press
Total Pages: 194
Release: 2004-10-14
Genre: Literary Criticism
ISBN: 9780521837804

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Women, Modernism, and Performance is an interdisciplinary 2004 study that looks at a variety of texts and modes of performance in order to clarify the position of women within - and in relation to - modern theatre history. Considering drama, fiction and dance, as well as a range of performance events such as suffrage demonstrations, lectures, and legal trials, Penny Farfan expands on theatre historical narratives that note the centrality of female characters in male-authored modern plays but that do not address the efforts of women artists to develop alternatives both to mainstream theatre practice and to the patriarchal avant garde. Focusing on Henrik Ibsen, Elizabeth Robins, Ellen Terry, Virginia Woolf, Djuna Barnes, Edith Craig, Radclyffe Hall and Isadora Duncan, Farfan identifies different objectives, strategies, possibilities and limitations of feminist-modernist performance practice and suggests how the artists in question transformed the representation of gender in art and life.


A History of Modernist Literature

A History of Modernist Literature
Author: Andrzej Gasiorek
Publisher: John Wiley & Sons
Total Pages: 618
Release: 2015-04-20
Genre: Literary Criticism
ISBN: 1118607341

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A History of Modernist Literature offers a critical overview of modernism in England between the late 1890s and the late 1930s, focusing on the writers, texts, and movements that were especially significant in the development of modernism during these years. A stimulating and coherent account of literary modernism in England which emphasizes the artistic achievements of particular figures and offers detailed readings of key works by the most significant modernist authors whose work transformed early twentieth-century English literary culture Provides in-depth discussion of intellectual debates, the material conditions of literary production and dissemination, and the physical locations in which writers lived and worked The first large-scale book to provide a systematic overview of modernism as it developed in England from the late 1890s through to the late 1930s


Women, Modernism and British Poetry, 1910–1939

Women, Modernism and British Poetry, 1910–1939
Author: Jane Dowson
Publisher: Routledge
Total Pages: 284
Release: 2017-03-02
Genre: Poetry
ISBN: 135187151X

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Primarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.