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| Author | : James Berardinelli |
| Publisher | : Justin, Charles & Co. |
| Total Pages | : 627 |
| Release | : 2005 |
| Genre | : Performing Arts |
| ISBN | : 1932112405 |
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
| Author | : Susanne Zhanial |
| Publisher | : BRILL |
| Total Pages | : 319 |
| Release | : 2019-12-16 |
| Genre | : Performing Arts |
| ISBN | : 9004416099 |
Postmodern Pirates offers a comprehensive analysis of Disney’s Pirates of the Caribbean series and the pirate motif in British literature and Hollywood movies through the lens of postmodern film theories.
| Author | : Rama Venkatasawmy |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 345 |
| Release | : 2013 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0739176218 |
The Digitization of Cinematic Visual Effects: Hollywood's Coming of Age, by Rama Venkatasawmy, analyzes how the Hollywood cinema industry's visual effects applications have not only motivated the expansion of filmmaking praxis, they have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitization of their associated technologies, VFX have been responsible for multiplying the strategies of representation and storytelling, as well as extending the range of stories that can potentially be told onscreen. By the same token, the visual standards of the Hollywood film's production and exhibition have been growing in sophistication. On the basis of displaying groundbreaking VFX--immaculately realized through the application of cutting-edge technologies and craftsmanship--and of projecting such a significant degree of visual innovation and originality, certain Hollywood movies have established techno-visual trends and industrial standards for subsequent filmmaking practice. Hollywood cinema's entry into the digital realm is intertwined with the intensification of conglomeratic practices within the movie business, the domain of techno-scientific R&D in filmmaking, and the unification of corporate media, information technology, and entertainment. Hence, the standardization of, and convergence toward, the digital medium is emblematic of Hollywood cinema's techno-industrial evolution in the late twentieth century. Accordingly, this volume identifies various synergies and partnerships--between VFX providers, movie studios, graphic designers, and more--that have emerged from a progressive growth of awareness in Hollywood of the digital medium's potential.
| Author | : Anthony Mills |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2013-10-01 |
| Genre | : Religion |
| ISBN | : 1135014361 |
Stan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.
| Author | : Christopher K. Brooks |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 198 |
| Release | : 2019-09-24 |
| Genre | : Performing Arts |
| ISBN | : 1527540413 |
This volume offers film enthusiasts and teachers an investigation into what film critics do and examines what ideologies inform their evaluations. By employing recent television programs and films and comparing them to older ones, the study is able to trace changes in the methodologies of film and media critics. The work argues for the emergence of neofuturism as a chosen method of interpretation, contrasting with the dominance of postmodernism as the evaluative method through the early years of the new millennium. It also asks the questions who evaluates film and why? In doing so, the study questions the criteria for film evaluation, the validity of some reviews, and asks the question whether the evaluative system needs to change altogether.
| Author | : James Berardinelli |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2017-03-20 |
| Genre | : |
| ISBN | : 9781520762029 |
For 18-year old Janelle, the transition from high school senior to practitioner of the magic arts is traumatic. Ripped from her comfortable suburban life, she is stranded in a wild land where elemental monsters roam the countryside. With her memories in tatters and her magical abilities inconsistent and limited by debilitating headaches, Janelle struggles to find her standing in this world, unsure whether it's a "real" place or the product of a comatose or diseased mind. After proving her value to the citizens of a small community, Janelle must travel on a journey of self-discovery, seeking not only to better understand her talents but to determine how the secrets of her past might inform her present. And, even as she attempts this, genocidal forces begin massing with the goal of claiming the world as their own by annihilating its current inhabitants.From James Berardinelli, the author of "The Last Whisper of the Gods" trilogy, comes a new saga that combines epic fantasy, subtle romance, and dimension hopping. "Lingering Haze" is the first book of "The Elusive Strain", a series that invites readers to accompany Janelle as she battles evil while exploring a fantastical new world and seeking to uncover the truth about the events that led to her being summoned.
| Author | : Seth Friedman |
| Publisher | : SUNY Press |
| Total Pages | : 280 |
| Release | : 2017-08-16 |
| Genre | : Performing Arts |
| ISBN | : 1438465912 |
Identifies a new genremisdirection filmsand explains its appeal to contemporary producers and audiences. Are You Watching Closely? is the first book to explore the recent spate of misdirection films, a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what actually occurred and who was really responsible for events at a time when it is also becoming increasingly recognized that truth is relative. Are You Watching Closely? shows how Hollywoods effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling.
| Author | : Laura Lindenfeld |
| Publisher | : Columbia University Press |
| Total Pages | : 278 |
| Release | : 2016-11-29 |
| Genre | : Performing Arts |
| ISBN | : 0231542976 |
Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.
| Author | : Nicholas Pileggi |
| Publisher | : Open Road Media |
| Total Pages | : 275 |
| Release | : 2016-10-18 |
| Genre | : True Crime |
| ISBN | : 1504041623 |
The true story behind the Martin Scorsese film: A “riveting . . . account of how organized crime looted the casinos they controlled” (Kirkus Reviews). Focusing on Chicago bookie Frank “Lefty” Rosenthal and his partner, Anthony Spilotro, and drawing on extensive, in-depth interviews, the #1 New York Times–bestselling author of the Mafia classic Wiseguy—basis for the film Goodfellas—Nicholas Pileggi reveals how the pair worked together to oversee Las Vegas casino operations for the mob. He unearths how Teamster pension funds were used to take control of the Stardust and Tropicana and how Spilotro simultaneously ran a crew of jewel thieves nicknamed the “Hole in the Wall Gang.” For years, these gangsters kept a stranglehold on Sin City’s brightly lit nightspots, skimming millions in cash for their bosses. But the elaborate scheme began to crumble when Rosenthal’s disproportionate ambitions drove him to make mistakes. Spilotro made an error of his own, falling for his partner’s wife, a troubled showgirl named Geri. It would all lead to betrayal, a wide-ranging FBI investigation, multiple convictions, and the end of the Mafia’s longstanding grip on the multibillion-dollar gaming oasis in the midst of the Nevada desert. Casino is a journey into 1970s Las Vegas and a riveting nonfiction account of the world portrayed in the Martin Scorsese film of the same name, starring Robert DeNiro, Joe Pesci, and Sharon Stone. A story of adultery, murder, infighting, and revenge, this “fascinating true-crime Mob history” is a high-stakes page-turner (Booklist).
| Author | : Allen Redmon |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 193 |
| Release | : 2015-02-02 |
| Genre | : Performing Arts |
| ISBN | : 1442244852 |
The films of Ethan and Joel Coen have been embraced by mainstream audiences, but also have been subject to intense scrutiny by critics and cinema scholars. Movies such as Barton Fink, The Hudsucker Proxy, and Raising Arizona represent the filmmakers’ postmodern tendencies, a subject many academics have written about at length. But is it enough to reduce their features as expressions of postmodernism or are there other ways of viewing their work—not only their individual films but their entire output as a collective whole? In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen H. Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. In this volume, Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters look at their films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work. Considering the whole of the Coens’ output, as well as many of the topics being discussed in contemporary film studies, this book challenges viewers to reexamine their initial responses to these movies. By engaging both the familiar and foreign elements in each film, Constructing the Coens will appeal to fans of the brothers’ cinema, but also to students and scholars of film theory, adaptation studies, queer theory, and gender studies.
