Redemption and the Merchant God
| Author | : Susan Mcreynolds |
| Publisher | : |
| Total Pages | : |
| Release | : 2007-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 9780810124684 |
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Redemption and the Merchant God
| Author | : Susan McReynolds |
| Publisher | : Northwestern University Press |
| Total Pages | : 258 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 0810124394 |
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Dostoyevsky's antisemitism, manifested in his writings of the 1870s, seems to contradict his humanism, and many critics have tended to dismiss it as a marginal detail of the writer's views. Argues, however, that antisemitism held an important place in Dostoyevsky's ethical system, and was linked to his vexed relationship with Christianity. Notes that he staunchly held three ethical principles: sanctity of children, incompatibility of ethics with utilitarianism and calculation, and the view that every kind of authority was bound by the same moral strictures as individuals. Thus, he could not accept a God who had sacrificed his "son" or a redemption brought about by the suffering of a child (Jesus). Dostoyevsky invented the image of a Jew onto whom he could project everything that was unacceptable to him in religion and Western ethics. He considered the "merchant ethics" of both liberalism and socialism to be a Jewish idea and, in particular, regarded the politics of the "Jew" Disraeli as an embodiment of such ethics: to sacrifice innocent Balkan Slavs in the name of supreme political principles. In the 1870s, Dostoyevsky increasingly contrasted the Russian conception of God and compassion for the weak with the Jewish-Western "merchant God" and the idea of obtaining benefits for one person from the suffering of another, innocent person. He developed a conception of principal opposition between things Russian and things Jewish.
Conversations with Dostoevsky
| Author | : George Pattison |
| Publisher | : Oxford University Press |
| Total Pages | : 318 |
| Release | : 2024-03-14 |
| Genre | : Religion |
| ISBN | : 0198881568 |
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Conversations with Dostoevsky presents a series of fictional conversations taking place between November 2018 and Spring 2019 in the narrator's Glasgow apartment and elsewhere in the city. At the beginning of the conversations, the narrator has been reading Dostoevsky's story A Gentle Spirit, which concludes with a dramatic statement of protest atheism. This statement suggests that love is not possible in a purely mechanical universe in which all living beings are condemned to death and ultimate extinction. The conversations spell out Dostoevsky's response to this view and his advocacy of faith in God, Christ, and immortality. The themes discussed include suicide, truth and lies, guilt, determinism, literature, the Bible, Mary, Christ, Dostoevsky and film, 'the woman question', nationalism, war, the Church, the Jewish question, immortality, and God. In addition to conversations between the narrator and Dostoevsky, we drop in on a dinner party at which Dostoevsky is discussed from various points of view and in another conversation Dostoevsky is joined by the philosopher Vladimir Solovyov to discuss nationalism, the Church, and life. We also attend a seminar on 'Dostoevsky, Anti-Semitism, and Nazism', and visit Glasgow's Necropolis on Easter Eve. The conversations in the first part of the volume are accompanied by a series of commentaries in a second part, which contextualize the issues discussed in the conversations with references to his novels, journalism, letters, and notebooks as well as engaging the relevant critical literature.
The Story of Redemption
| Author | : Ellen G. White |
| Publisher | : Review and Herald Pub Assoc |
| Total Pages | : 450 |
| Release | : 2002 |
| Genre | : Bible |
| ISBN | : 9780828016407 |
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Is God changeable? Does He have different gospels for different people? The story of redemption takes you behind the scenes in the struggle between God and Satan. It explains how the conflict began, what the issues are, and how the outcome is already assured. It traces the theme of God's relationship with man from the garden of Edan to the return of Christ and beyond.
The Devil's Rights and the Redemption in the Literature of Medieval England
| Author | : C. William Marx |
| Publisher | : Boydell & Brewer |
| Total Pages | : 208 |
| Release | : 1995 |
| Genre | : Literary Collections |
| ISBN | : 9780859914550 |
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A study of the theory of the devil's rights in relation to medieval theology of the redemption, as this is treated in the popular literature of medieval England.
The History of Redemption
| Author | : Jonathan Edwards |
| Publisher | : |
| Total Pages | : 332 |
| Release | : 1836 |
| Genre | : |
| ISBN | : |
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Dostoevsky and the Riddle of the Self
| Author | : Yuri Corrigan |
| Publisher | : Northwestern University Press |
| Total Pages | : 359 |
| Release | : 2017-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 081013571X |
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Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
Christian Fiction and Religious Realism in the Novels of Dostoevsky
| Author | : Wil van den Bercken |
| Publisher | : Anthem Press |
| Total Pages | : 164 |
| Release | : 2011-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0857289454 |
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This study offers a literary analysis and theological evaluation of the Christian themes in the five great novels of Dostoevsky - 'Crime and Punishment', 'The Idiot', 'The Adolescent', 'The Devils' and 'The Brothers Karamazov'. Dostoevsky's ambiguous treatment of religious issues in his literary works strongly differs from the slavophile Orthodoxy of his journalistic writings. In the novels Dostoevsky deals with Christian basic values, which are presented via a unique tension between the fictionality of the Christian characters and the readers' experience of the existential reality of their religious problems.
The Nature of God's Divine Redemption
| Author | : John R. Matthew |
| Publisher | : Author House |
| Total Pages | : 165 |
| Release | : 2014 |
| Genre | : Religion |
| ISBN | : 1496988590 |
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The book was born out of a desire to lift your spirit. As we look around us today, we see a lot of pain and sorrow and misery. The concept of ?The Nature of God's Divine Redemption? is a deliberate intention to encourage you and to lift your hope, to put your mind on something better and a superior way. The book tells you, ?If the son of man set you free, you are free indeed? (John 8: 36, King James Bible). That is what is ?The Nature of God's Redemption? is about. We are told that whatsoever a man thinks in his heart so is he. The idea behind the book is to help you to think good thoughts and to lift your minds from horizontal things to vertical things. God's love is the most amazing thing. The book tells that faith is also amazing. ?It takes far more faith to believe in the intellectually chic and fashionable evolutionary myth than it does to believe in the existence of God.' Moreover, it says, ?Evolution is based entirely on faith because no facts or proof have ever been found to support it ? Faith does play a primary role in the life of a Christian. For the person who truly wants to seek God and learn to please Him, Hebrews 11:6 tells us that: ?But without faith it is impossible to please God: for him that cometh to God must believe that He is and that He is a rewarded of them that diligently seek Him? Faith is vital to a Christian. In fact, without it, no one can please God. Notice this verse says that those seeking God ?must believe that He is.' Also the book articulates that ?a deep belief in God, who ?rewards? all who ?diligently seek Him, requires proof of His existence.' It says it is ?After proof has been established, then'and only then can one have faith'absolute confidence that what man does is being recorded in God's mind, to be remembered when he receives his reward.' If you are uncertain that God exists because proof of that existence has not been firmly established, then, under fire, your faith will wane or disappear. But when you truly believe in what Jesus Christ did on the Cross of Calvary, God's Divine love will redeem you and set you free from the heavy load of sin.
Dostoevsky at 200
| Author | : Katherine Bowers |
| Publisher | : University of Toronto Press |
| Total Pages | : 264 |
| Release | : 2021-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1487538650 |
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Marking the bicentenary of Dostoevsky’s birth, Dostoevsky at 200: The Novel in Modernity takes the writer’s art – specifically the tension between experience and formal representation – as its central theme. While many critical approaches to Dostoevsky’s works are concerned with spiritual and philosophical dilemmas, this volume focuses instead on questions of design and narrative to explore Dostoevsky and the novel from a multitude of perspectives. Contributors situate Dostoevsky’s formal choices of narrative, plot, genre, characterization, and the novel itself within modernity and consider how the experience of modernity led to Dostoevsky’s particular engagement with form. Conceived as a forum for younger scholars working in new directions in Dostoevsky scholarship, this volume asks how narrative and genre shape Dostoevsky’s works, as well as how they influence the way modernity is represented. Of interest not only to readers and scholars of Russian literature but also to those curious about the genre of the novel more broadly, Dostoevsky at 200 is pathbreaking in its approach to the question of Dostoevsky’s contribution to the novel as a form.
