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| Author | : Laura Martínez-García |
| Publisher | : |
| Total Pages | : 165 |
| Release | : 2020-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 9781501517839 |
| Author | : Will Fisher |
| Publisher | : Cambridge University Press |
| Total Pages | : 94 |
| Release | : 2006-07-06 |
| Genre | : Drama |
| ISBN | : 0521858518 |
Analyses the construction of gender through bodily elements and clothing in early modern England.
| Author | : Theodora A. Jankowski |
| Publisher | : University of Illinois Press |
| Total Pages | : 262 |
| Release | : 1992 |
| Genre | : Drama |
| ISBN | : 9780252062384 |
| Author | : Ania Loomba |
| Publisher | : Routledge |
| Total Pages | : 292 |
| Release | : 2016-07-12 |
| Genre | : Literary Criticism |
| ISBN | : 1317064240 |
Winner of the Society for the Study of Early Modern Women’s Collaborative Book Prize 2017 Rethinking Feminism in Early Modern Studies is a volume of essays by leading scholars in the field of early modern studies on the history, present state, and future possibilities of feminist criticism and theory. It responds to current anxieties that feminist criticism is in a state of decline by attending to debates and differences that have emerged in light of ongoing scholarly discussions of race, affect, sexuality, and transnationalism-work that compels us continually to reassess our definitions of ’women’ and gender. Rethinking Feminism demonstrates how studies of early modern literature, history, and culture can contribute to a reimagination of feminist aims, methods, and objects of study at this historical juncture. While the scholars contributing to Rethinking Feminism have very different interests and methods, they are united in their conviction that early modern studies must be in dialogue with, and indeed contribute to, larger theoretical and political debates about gender, race, and sexuality, and to the relationship between these areas. To this end, the essays not only analyze literary texts and cultural practices to shed light on early modern ideology and politics, but also address metacritical questions of methodology and theory. Taken together, they show how a consciousness of the complexity of the past allows us to rethink the genealogies and historical stakes of current scholarly norms and debates.
| Author | : Eve Rachele Sanders |
| Publisher | : Cambridge University Press |
| Total Pages | : 288 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : 9780521582346 |
This 1999 book examines the role of literacy-education in promoting gender difference, as shown in English Renaissance texts.
| Author | : Karen Raber |
| Publisher | : University of Delaware Press |
| Total Pages | : 356 |
| Release | : 2001 |
| Genre | : Drama |
| ISBN | : 9780874137576 |
"Dramatic Difference offers an important contribution to the study of early modern women writers, and at the same time invites scholars and critics of the theater to reassess the place of closet drama - and the presence of women dramatists - in the early modern dramatic tradition."--BOOK JACKET.
| Author | : Sarah E. Johnson |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2016-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317050657 |
Though the gender-coded soul-body dynamic lies at the root of many negative and disempowering depictions of women, Sarah Johnson here argues that it also functions as an effective tool for redefining gender expectations. Building on past criticism that has concentrated on the debilitating cultural association of women with the body, she investigates dramatic uses of the soul-body dynamic that challenge the patriarchal subordination of women. Focusing on two tragedies, two comedies, and a small selection of masques, from approximately 1592-1614, Johnson develops a case for the importance of drama to scholarly considerations of the soul-body dynamic, which habitually turn to devotional works, sermons, and philosophical and religious treatises to elucidate this relationship. Johnson structures her discussion around four theatrical relationships, each of which is a gendered relationship analogous to the central soul-body dynamic: puppeteer and puppet, tamer and tamed, ghost and haunted, and observer and spectacle. Through its thorough and nuanced readings, this study redefines one of the period’s most pervasive analogies for conceptualizing women and their relations to men as more complex and shifting than criticism has previously assumed. It also opens a new interpretive framework for reading representations of women, adding to the ongoing feminist re-evaluation of the kinds of power women might actually wield despite the patriarchal strictures of their culture.
| Author | : Jennifer C. Vaught |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351919393 |
The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
| Author | : Mary Ellen Lamb |
| Publisher | : Routledge |
| Total Pages | : 388 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351913603 |
Proposing a fresh approach to scholarship on the topic, this volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. The collection is divided into three sections. Part One investigates the evocations of the 'old nurse' as storyteller so prominent in early modern fictions. The essays in Part Two investigate women's fashioning of oral traditions to serve their own purposes. The third section disturbs the exclusive associations between the feminine and oral traditions to discover implications for masculinity, as well. Contributors explore the plays of Shakespeare and writings of Spenser, Sidney, Wroth and the Cavendishes, as well as works by less well known or even unknown authors. Framed by an introduction by Mary Ellen Lamb and an afterword by Pamela Allen Brown, these essays make several important interventions in scholarship in the field. They demonstrate the continuing cultural importance of an oral tradition of tales and ballads, even if sometimes circulated in manuscript and printed forms. Rather than in its mode of transmission, contributors posit that the continuing significance of this oral tradition lies instead in the mode of consumption (the immediacy of the interaction of the participants). Oral Traditions and Gender in Early Modern Literary Texts confirms the power of oral traditions to shape and also to unsettle concepts of the masculine as well as of the feminine. This collection usefully complicates any easy assumptions about associations of oral traditions with gender.
| Author | : Jennifer Higginbotham |
| Publisher | : Springer |
| Total Pages | : 281 |
| Release | : 2018-05-14 |
| Genre | : Literary Criticism |
| ISBN | : 3319727699 |
This volume analyzes early modern cultural representations of children and childhood through the literature and drama of Shakespeare and his contemporaries. Contributors include leading international scholars of the English Renaissance whose essays consider asexuals and sodomites, roaring girls and schoolboys, precocious princes and raucous tomboys, boy actors and female apprentices, while discussing a broad array of topics, from animal studies to performance theory, from queer time to queer fat, from teaching strategies to casting choices, and from metamorphic sex changes to rape and cannibalism. The collection interrogates the cultural and historical contingencies of childhood in an effort to expose, theorize, historicize, and explicate the spectacular queerness of early modern dramatic depictions of children.
