Recueil factice d'articles de presse sur Frédéric Lefèvre, 1924-1933
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Total Pages | : 40 |
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Author | : Philo (of Alexandria.) |
Publisher | : |
Total Pages | : 530 |
Release | : 1895 |
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Author | : Anthony L. Cardoza |
Publisher | : |
Total Pages | : 281 |
Release | : 2006 |
Genre | : History |
ISBN | : 9788806181246 |
Author | : P. Stokes |
Publisher | : Springer |
Total Pages | : 232 |
Release | : 2009-11-18 |
Genre | : Philosophy |
ISBN | : 0230251269 |
What is it to see the world, other people, and imagined situations as making personal moral demands of us? What is it to experience stories as speaking to us personally and directly? Kierkegaard's Mirrors explores Kierkegaard's answers to these questions, with a new phenomenological interpretation of Kierkegaardian 'interest'.
Author | : |
Publisher | : BRILL |
Total Pages | : 401 |
Release | : 2015-10-27 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004308237 |
Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.
Author | : Clarissa Campbell Orr |
Publisher | : Cambridge University Press |
Total Pages | : 456 |
Release | : 2004-08-12 |
Genre | : Biography & Autobiography |
ISBN | : 9780521814225 |
Publisher Description
Author | : Victor Biceaga |
Publisher | : Springer Science & Business Media |
Total Pages | : 157 |
Release | : 2010-06-16 |
Genre | : Philosophy |
ISBN | : 9048139155 |
Building upon Husserl’s challenge to oppositions such as those between form and content and between constituting and constituted, The Concept of Passivity in Husserl’s Phenomenology construes activity and passivity not as reciprocally exclusive terms but as mutually dependent moments of acts of consciousness. The book outlines the contribution of passivity to the constitution of phenomena as diverse as temporal syntheses, perceptual associations, memory fulfillment and cross-cultural communication. The detailed study of the phenomena of affection, forgetting, habitus and translation sets out a distinction between three meanings of passivity: receptivity, sedimentation or inactuality and alienation. Husserl’s texts are interpreted as defending the idea that cultural crises are not brought to a close by replacing passivity with activity but by having more of both.
Author | : Sir William de Wiveleslie Abney |
Publisher | : |
Total Pages | : 192 |
Release | : 1895 |
Genre | : Photography |
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Author | : Divya P. Tolia-Kelly |
Publisher | : Routledge |
Total Pages | : 234 |
Release | : 2016-02-11 |
Genre | : History |
ISBN | : 1317001117 |
Two of the key theoretical shifts over the past two decades of critical work have been the 'visual turn' and the 'material turn'. This book argues that these hitherto distinct fields should be understood as in continual dialogue and co-constitution and focuses on reconceptualising the visual as an embodied, material, and often politically-charged realm. This edited volume elaborates this conceptual argument through a series of contemporary case studies, drawn from the disciplines of Architecture, Sociology, Media Studies, Geography and Cultural Studies. The case studies included are paired around four themes: consumption, translation, practice and ethics. As well as exploring the bringing together of visuality and materiality studies, the contributors raise questions of social identity and social critique, and also focus on the ethics of material visualities.
Author | : Jeffrey Ruoff |
Publisher | : Duke University Press |
Total Pages | : 316 |
Release | : 2006-01-24 |
Genre | : Performing Arts |
ISBN | : 9780822337133 |
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div