Recueil factice d'articles de presse concernant Chevalier
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Author | : Patricia Tilburg |
Publisher | : Oxford University Press |
Total Pages | : 304 |
Release | : 2019-11-05 |
Genre | : History |
ISBN | : 0192578073 |
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for, at once, the superiority of French taste and craft, and the political (and sexual) subordination of French women and labour. But she was also the public face of more than 80,000 real working women whose demands for better labour conditions were inflected, distorted, and, in some cases, amplified by this ubiquitous Romantic type in the decades straddling World War I. Working Girls bridges cultural histories of the Parisian imaginary and histories of French labour, and puts them in raucous dialogue with one another: a letter by a nineteen-year-old seamstress, a speech by a government minister; a frothy Parisian guide by a bon vivant, the minutes of a union meeting; a bawdy café-concert song, a policy brief on garment working conditions.
Author | : Sofie Lachapelle |
Publisher | : Springer |
Total Pages | : 318 |
Release | : 2015-10-07 |
Genre | : History |
ISBN | : 113749297X |
Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.
Author | : JEAN JACQUES. ROUSSEAU |
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Total Pages | : 0 |
Release | : 2018 |
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ISBN | : 9781033771709 |