Reconsidering The Object Of Art PDF Download
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Author | : Ann Goldstein |
Publisher | : MIT Press (MA) |
Total Pages | : 340 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Download Reconsidering the Object of Art Book in PDF, ePub and Kindle
Reconsidering the Object of Artexamines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many crucial, ground-breaking works that have not been seen within their proper historical context, if they have been individually seen at all. By 1969 such artists as Michael Asher, John Baldessari, Marcel Broodthaers, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others had begun to create works using a variety of media that sought to reevaluate certain fundamental premises about the formal, material, and contextual definitions of art. This first comprehensive overview of Conceptual art in English documents the work of fifty-five artists, work that marked a significant rupture with traditional forms and concepts of painting, sculpture, photography, and film. Also included are essays that elucidate the significant aesthetic issues that gave rise, in both America and Europe, to the highly individual, but related, modes of Conceptual art. Lucy Lippard (art historian) writes on the broader sociopolitical milieu in which this work was made; Stephen Melville (Professor of Art History, Ohio State University) probes the theoretical and philosophical underpinnings of Conceptual art; and Jeff Wall (artist) discusses the relationship between Conceptual art and photography. Anne Rorimer and Ann Goldstein (curators of the exhibition the book accompanies) respectively take up the role of language in this work, and discuss each of the artists. Copublished with the Museum of Contemporary Art, Los Angeles
Author | : Alexander Alberro |
Publisher | : MIT Press |
Total Pages | : 258 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780262511841 |
Download Conceptual Art and the Politics of Publicity Book in PDF, ePub and Kindle
An examination of the origins and legacy of the conceptual art movement.
Author | : Michael Newman |
Publisher | : Reaktion Books |
Total Pages | : 266 |
Release | : 1999-12 |
Genre | : Art |
ISBN | : 9781861890528 |
Download Rewriting Conceptual Art Book in PDF, ePub and Kindle
"An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst." - back cover.
Author | : Kynaston McShine |
Publisher | : ABRAMS |
Total Pages | : 304 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9780810961975 |
Download The Museum as Muse Book in PDF, ePub and Kindle
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
Author | : David Campany |
Publisher | : Reaktion Books |
Total Pages | : 164 |
Release | : 2008-11-15 |
Genre | : Performing Arts |
ISBN | : 9781861893512 |
Download Photography and Cinema Book in PDF, ePub and Kindle
"This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker"--OCLC
Author | : Martha Buskirk |
Publisher | : MIT Press |
Total Pages | : 324 |
Release | : 2005-02-18 |
Genre | : Art |
ISBN | : 9780262524421 |
Download The Contingent Object of Contemporary Art Book in PDF, ePub and Kindle
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.
Author | : Jason Gaiger |
Publisher | : Yale University Press |
Total Pages | : 374 |
Release | : 2004-03-11 |
Genre | : Art |
ISBN | : 9780300101447 |
Download Art of the Twentieth Century Book in PDF, ePub and Kindle
This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.
Author | : Kirsi Peltomaki |
Publisher | : MIT Press |
Total Pages | : 235 |
Release | : 2014-02-14 |
Genre | : Art |
ISBN | : 0262526085 |
Download Situation Aesthetics Book in PDF, ePub and Kindle
The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object. Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomäki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomäki discusses are described here for the first time. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomäki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation.
Author | : John Dewey |
Publisher | : |
Total Pages | : 392 |
Release | : 1935 |
Genre | : |
ISBN | : |
Download Art as Experience Book in PDF, ePub and Kindle
Author | : Constance M. Lewallen |
Publisher | : Univ of California Press |
Total Pages | : 297 |
Release | : 2011-10 |
Genre | : Art |
ISBN | : 0520949870 |
Download State of Mind Book in PDF, ePub and Kindle
State of Mind, the lavishly illustrated companion book to the exhibition of the same name, investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists. The essays reveal connections between the northern and southern California Conceptual art scenes and argue that Conceptualism’s experimental practices and an array of then-new media—performance, site-specific installations, film and video, mail art, and artists’ publications—continue to exert an enormous influence on the artists working today.