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How to Read the Victorian Novel

How to Read the Victorian Novel
Author: George Levine
Publisher: Wiley-Blackwell
Total Pages: 192
Release: 2008
Genre: Language Arts & Disciplines
ISBN:

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How to Read the Victorian Novel unpicks our comfortable expectations of the genre to fully explore just how unfamiliar its familiarity is: emphasizing the complexity and contradictions in Victorian writers' attempts to deal with a world heading into modernity at full speed.


The Feeling of Reading

The Feeling of Reading
Author: Rachel Ablow
Publisher: University of Michigan Press
Total Pages: 226
Release: 2010
Genre: Literary Criticism
ISBN: 0472051075

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The first collection of criticism devoted to the problem of reading in Victorian literature


How to Do Things with Books in Victorian Britain

How to Do Things with Books in Victorian Britain
Author: Leah Price
Publisher: Princeton University Press
Total Pages: 361
Release: 2012-04-09
Genre: Literary Criticism
ISBN: 1400842182

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How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.


The House of Fiction

The House of Fiction
Author: Henry James
Publisher: London : Mercury Books
Total Pages: 286
Release: 1962
Genre: Fiction
ISBN: 9789080040281

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Companion to Victorian Popular Fiction

Companion to Victorian Popular Fiction
Author: Kevin A. Morrison
Publisher: McFarland
Total Pages: 318
Release: 2018-10-10
Genre: Literary Criticism
ISBN: 1476633592

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 This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.


The Victorian Novel

The Victorian Novel
Author: Harold Bloom
Publisher: Infobase Publishing
Total Pages: 421
Release: 2004
Genre: Literary Criticism
ISBN: 0791076784

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Victorian England produces some the the greatest novelists in Western history, including Charles Dickens, Thomas Hardy, and George Eliot. Critical analysis focuses on the development of the Victorian novel through the second half of the 19th century.


Modes of Production of Victorian Novels

Modes of Production of Victorian Novels
Author: N. N. Feltes
Publisher: University of Chicago Press
Total Pages: 140
Release: 1989-05-15
Genre: Language Arts & Disciplines
ISBN: 0226241181

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In this sophisticated application of modern Marxist thought, N. N. Feltes demonstrates the determining influence of nineteenth-century publishing practices on the Victorian novel. His dialectical analysis leads to a comprehensive explanation of the development of capitalist novel production into the twentieth century. Feltes focuses on five English novels: Dickens's Pickwick Papers, Thackeray's Henry Esmond, Eliot's Middlemarch, Hardy's Tess of the d'Urbervilles, and Forster's Howards End. Published at approximately twenty year intervals between 1836 and 1920, they each represent a different first-publication format: part-issue, three-volume, bimonthly, magazine-serial, and single-volume. Drawing on publishing, economic, and literary history, Feltes offers a broad, synthetic explanation of the relationship between the production and format of each novel, and the way in which these determine, in the last instance, the ideology of the text. Modes of Production in Victorian Novels provides a Marxist structuralist analysis of historical events and practices described elsewhere only empirically, and traces their relationship to literary texts which have been analyzed only idealistically, thus setting these familiar works firmly and perhaps permanently into a framework of historic materialism.


The Oxford Handbook of the Victorian Novel

The Oxford Handbook of the Victorian Novel
Author: Lisa Rodensky
Publisher: Oxford University Press
Total Pages: 829
Release: 2013-07-11
Genre: History
ISBN: 0199533148

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The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.


Reading for Health

Reading for Health
Author: Erika Wright
Publisher: Ohio University Press
Total Pages: 266
Release: 2016-03-15
Genre: Literary Criticism
ISBN: 0821445634

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In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading practices that emerge around the concept of health. By shifting attention to the ways that prevention of illness and the preservation of well-being operate in fiction, both thematically and structurally, Wright offers a new approach to reading character and voice, order and temporality, setting and metaphor. As Wright reveals, while canonical works by Austen, Brontë, Dickens, Martineau, and Gaskell register the pervasiveness of a conventional “therapeutic” form of action and mode of reading, they demonstrate as well an equally powerful investment in the achievement and maintenance of “health”—what Wright refers to as a “hygienic” narrative—both in personal and domestic conduct and in social interaction of the individual within the community.


Reading with the Senses in Victorian Literature and Science

Reading with the Senses in Victorian Literature and Science
Author: David Sweeney Coombs
Publisher: University of Virginia Press
Total Pages: 281
Release: 2019-11-19
Genre: Literary Criticism
ISBN: 0813943434

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The nineteenth-century sciences cleaved sensory experience into two separate realms: the bodily physics of sensation and the mental activity of perception. This division into two discrete categories was foundational to Victorian physics, physiology, and experimental psychology. As David Sweeney Coombs reveals, however, it was equally important to Victorian novelists, aesthetes, and critics, for whom the distinction between sensation and perception promised the key to understanding literature’s seemingly magical power to conjure up tastes, sights, touches, and sounds from the austere medium of print. In Victorian literature, science, and philosophy, the parallel between reading and perceiving gave rise to momentous debates about description as a mode of knowledge as well as how, and even whether, reading about the world differs from experiencing it firsthand. Examining novels and art criticism by George Eliot, Thomas Hardy, Vernon Lee, and Walter Pater alongside scientific works by Hermann von Helmholtz, William James, and others, this book shows how Victorian literature offers us ways not just to touch but to grapple with the material realities that Clifford Geertz called the "hard surfaces of life."