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| Author | : Andrew Mousley |
| Publisher | : Edinburgh University Press |
| Total Pages | : 190 |
| Release | : 2015-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 0748691243 |
Revised throughout, the book includes: a new introduction which focuses attention on what is specific to literature's treatment of the human (as epitomised by Shakespeare); a section drawing on new work on literary genres as different forms of engagement
| Author | : Andy Mousley |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : |
Re-Humanising Shakespeare argues that although Shakespeare himself contributed to the uncertainties of modern living, his work can still serve as a source of existential wisdom and guidance.
| Author | : Andy Mousley |
| Publisher | : |
| Total Pages | : 199 |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9780748692064 |
| Author | : Neema Parvini |
| Publisher | : Edinburgh University Press |
| Total Pages | : 256 |
| Release | : 2017-11-01 |
| Genre | : LITERARY CRITICISM |
| ISBN | : 147442354X |
Shakespeare's History Plays boldly moves criticism of Shakespeare's history plays beyond anti-humanist theoretical approaches. This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, more dynamic way of reading Shakespeare as a supremely intelligent and creative political thinker, whose history plays address and illuminate the very questions with which cultural historicists have been so preoccupied since the 1980s. In providing bold and original readings of the first and second tetralogies (Henry VI, Richard III, Richard II and Henry IV, Parts 1 & 2), the book reignites old debates and re-energises recent bids to humanise Shakespeare and to restore agency to the individual in the critical readings of his plays
| Author | : Eric Harber |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 676 |
| Release | : 2020-10-19 |
| Genre | : Drama |
| ISBN | : 1527561070 |
This book shows that, when Shakespeare wrote his plays, he responded to the political, religious and social conflicts in the Christianity of the day, giving those areas a new perspective through pagan (Italian and Greek) mythology. In particular, it offers a reading of The Winter’s Tale, which it has been said is “one of the most linguistically dense, emotionally demanding and spiritually rich of all the plays”. Productions as far afield as Mexico and Paris have brought Shakespeare’s plays up to date to enhance or challenge the lives of their communities. From South Africa to Gdansk, Shakespeare has been adapted to be read in schools. His plays have prompted a dialogue with many European scholars whom this book addresses.
| Author | : Jean-Louis CLARET |
| Publisher | : Anthem Press |
| Total Pages | : 170 |
| Release | : 2024-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 1839990619 |
This study investigates the capacity of Shakespeare’s texts – obviously destined for stage performances – to generate images and mental colours in the readers’ and in the spectators’ minds. Such notions as Ut pictura poesis and the paragoneare discussed in the first part of this book, along with the function and nature of colours. After considering the sets of correspondences and the major differences between texts and images, the author presents and analyzes some of his own illustrations of Shakespearean characters. Jean-Louis Claret, both a university professor specialized in Shakespeare’s theatre and an illustrator, proposes to shed light on the process that led him from the perusal of the written text to the visualization of visages. The voice of poets is unconventionally called upon to shed light on the complex mechanisms he describes.
| Author | : Peter Holbrook |
| Publisher | : Cambridge University Press |
| Total Pages | : 257 |
| Release | : 2010-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 1139484958 |
Providing a provocative and original perspective on Shakespeare, Peter Holbrook argues that Shakespeare is an author friendly to such essentially modern and unruly notions as individuality, freedom, self-realization and authenticity. These expressive values vivify Shakespeare's own writing; they also form a continuous, and a central, part of the Shakespearean tradition. Engaging with the theme of the individual will in specific plays and poems, and examining a range of libertarian-minded scholarly and literary responses to Shakespeare over time, Shakespeare's Individualism advances the proposition that one of the key reasons for reading Shakespeare today is his commitment to individual liberty - even as we recognize that freedom is not just an indispensable ideal but also, potentially, a dangerous one. Engagingly written and jargon free, this book demonstrates that Shakespeare has important things to say about fundamental issues of human existence.
| Author | : Neema Parvini |
| Publisher | : A&C Black |
| Total Pages | : 234 |
| Release | : 2012-09-06 |
| Genre | : Literary Criticism |
| ISBN | : 144112974X |
In the 30 years since the publication of Stephen Greenblatt's Renaissance Self-Fashioning overthrew traditional modes of Shakespeare criticism, New Historicism and Cultural Materialism have rapidly become the dominant modes for studying and writing about the Bard. This comprehensive guide introduces students to the key writers, texts and ideas of contemporary Shakespeare criticism and alternatives to new historicist and cultural materialist approaches suggested by a range of dissenters including evolutionary critics, historical formalists and advocates of 'the new aestheticism', and the more politically active presentists. Shakespeare and Contemporary Theory covers such topics as: - The key theoretical influences on new historicism including Michel Foucault and Louis Althusser. - The major critics, from Stephen Greenblatt to Jonathan Dollimore and Alan Sinfield. - Dissenting views from traditional critics and contemporary theorists. Chapter summaries and questions for discussion throughout encourage students to critically engage with contemporary Shakespeare theory for themselves. The book includes a 'Who's Who' of major critics, a timeline of key publications and a glossary of essential critical terms to give students and teachers easy access to essential information.
| Author | : Nicholas Potter |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 192 |
| Release | : 2009-07-28 |
| Genre | : Literary Criticism |
| ISBN | : 1137019093 |
Shakespeare's late plays are a 'mixed bag' with a common theme: from the fiendishly jealous Leontes to the saintly Pericles; from the ineffectual Cymbeline to the omnipotent Propspero; from the 'sprites and goblins' of The Tempest to the famous bear of The Winter's Tale, the characters have excited wonder and contempt while the range of incident is almost irresponsibly extravagant. Was Shakespeare losing his grip, or his interest, or both? Was he striking out in some bold new theatrical direction? This Guide provides a critical survey of the major debates and issues surrounding the late plays, from the earliest published accounts to the present day. Nicholas Potter offers a clear guiding narrative and an exploration of literary history, focusing on how criticism of these remarkable works, and attempts to make sense of them, have developed over the years.
| Author | : Michael D. Bristol |
| Publisher | : A&C Black |
| Total Pages | : 224 |
| Release | : 2011-11-03 |
| Genre | : Literary Criticism |
| ISBN | : 1441120475 |
Shakespeare and Moral Agency presents a collection of new essays by literary scholars and philosophers considering character and action in Shakespeare's plays as heuristic models for the exploration of some salient problems in the field of moral inquiry. Together they offer a unified presentation of an emerging orientation in Shakespeare studies, drawing on recent work in ethics, philosophy of mind, and analytic aesthetics to construct a powerful framework for the critical analysis of Shakespeare's works. Contributors suggest new possibilities for the interpretation of Shakespearean drama by engaging with the rich body of contemporary work in the field of moral philosophy, offering significant insights for literary criticism, for pedagogy, and also for theatrical performance.
