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| Author | : Raymond Bellour |
| Publisher | : Indiana University Press |
| Total Pages | : 330 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9780253213648 |
The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.
| Author | : Hilary Radner |
| Publisher | : Edinburgh University Press |
| Total Pages | : 222 |
| Release | : 2018-03-07 |
| Genre | : Performing Arts |
| ISBN | : 147442290X |
Istanbul's Ã++emberlitaÅY Hamamı provides a case study for the cultural, social and economic functions of Turkish bathhouses over time.
| Author | : Raymond Bellour |
| Publisher | : Jrp Ringier |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Cinematography |
| ISBN | : 9783037641446 |
This volume brings together 20 illustrated essays written between 1981 and 1989 by Raymond Bellour, one of the world's most prominent film theorists.
| Author | : Marshall Deutelbaum |
| Publisher | : John Wiley & Sons |
| Total Pages | : 425 |
| Release | : 2009-02-24 |
| Genre | : Performing Arts |
| ISBN | : 1405155566 |
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
| Author | : Raymond Bellour |
| Publisher | : |
| Total Pages | : 244 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Karen Redrobe |
| Publisher | : Duke University Press |
| Total Pages | : 325 |
| Release | : 2008-09-17 |
| Genre | : Performing Arts |
| ISBN | : 0822391430 |
In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suárez
| Author | : Agnès Blandeau |
| Publisher | : McFarland |
| Total Pages | : 219 |
| Release | : 2006-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 0786422475 |
Pier Pasolini's "trilogy of life" is a series of film adaptations of major texts of the past: The Decameron, The Canterbury Tales, and One Thousand and One Nights. The movies demonstrate a film author's acute aesthetic sensibility through a highly original cinematic rendering of the sources. The first two films, closely examined in this book, offer a personal, purposefully stylized vision of the Middle Ages, as though Pasolini were dreaming Boccaccio's and Chaucer's texts through the filter of his "heretic" consciousness. The unusual poetic visualization of the source works, which could be described as irreverent cinematic homage, has the potential to renew the traditional reading of such literature. This book shows how cinema becomes an alternative form of storytelling. It first studies the two films in detail, putting them in perspective within the trilogy. Next it interprets them, recounting misinterpretations and expounding upon Pasolini's ideological perception, and defends the oft-criticized adaptations. Finally, it discusses how the films represent innovation over strict adaptation. Appendices offer charts with information on the narrative structures of the films and the correspondences between them.
| Author | : W. J. T. Mitchell |
| Publisher | : University of Chicago Press |
| Total Pages | : 419 |
| Release | : 2005-06-15 |
| Genre | : Art |
| ISBN | : 9780226532455 |
The author argues that we need to reckon with images not merely as inert objects that convey meaning but as animated beings with desires, needs, appetites, and drives of their own. He explores this idea and highlights his innovative and profoundly influential thinking on picture theory and the lives and loves of images.
| Author | : Marc Gervais |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 337 |
| Release | : 1999 |
| Genre | : Biography & Autobiography |
| ISBN | : 0773518436 |
Ingmar Bergman has long been revered as a master craftsman of cinema, whose works are intensely revealing of himself while resonating powerfully with his audience. This book explores how Bergman achieves this cinematic magic through specific choices in the use of film language and the texturing and structuring of his images, sounds, and rhythms.
| Author | : Felicity Colman |
| Publisher | : Routledge |
| Total Pages | : 596 |
| Release | : 2014-12-05 |
| Genre | : Philosophy |
| ISBN | : 1317492439 |
Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.
