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Challenging Canada

Challenging Canada
Author: Gabriele Helms
Publisher: McGill-Queen's Press - MQUP
Total Pages: 230
Release: 2003
Genre: Literary Collections
ISBN: 9780773525870

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In Challenging Canada Gabriele Helms examines novels by Jeannette Armstrong, Joy Kogawa, Daphne Marlatt, Sky Lee, Aritha van Herk, Thomas King, and Margaret Sweatman. As resistance literature, these novels question the idea of a homogeneous Canadian culture based on the idea of "a peaceable kingdom." Helms shows how narrative techniques can contribute to or impede a text's challenges to hegemonic discourses and social injustices; novels become valuable sources for cultural studies because cultural experiences are translated into and meanings are produced by their narrative forms.Challenging Canada is the first book-length study to bring a Bakhtinian approach to bear on Canadian literature. Gabriele Helms develops a cultural narratology to argue that the contemporary Canadian novels in English considered in this book challenge dominant constructions of Canada from positions of difference and resistance, inscribing previously oppressed and silenced voices through dialogic relations. She makes Mikhail Bakhtin's concept of dialogism amenable to textual analysis and problematizes its ideological forces by emphasizing elements of struggle and conflict. Challenging Canada rejects dialogism as a normative liberal pluralism and understands the inequality between voices as historically and socially constructed.


Narrative Developments from Chaucer to Defoe

Narrative Developments from Chaucer to Defoe
Author: Gerd Bayer
Publisher: Routledge
Total Pages: 281
Release: 2011-02-07
Genre: Language Arts & Disciplines
ISBN: 1136821252

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This book analyzes how narrative technique developed from the late Middle Ages to the beginning of the eighteenth-century. The contributors address issues such as subjectivity, performance, voice, narrative time, character development and genre, placing their readings of early modern prose texts within the diachronic frame of the overall topic. Individual chapters will treat texts from a variety of genres, offering analyses of individual texts in the context of changes and developments within literary forms. The book in its entirety will cover a period of approximately 350 years, from 1370 to 1720.


Level 7

Level 7
Author: Mordecai Roshwald
Publisher: Terrace Books
Total Pages: 270
Release: 2004-07-15
Genre: Fiction
ISBN: 0299200639

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Level 7 is the diary of Officer X-127, who is assigned to stand guard at the "Push Buttons," a machine devised to activate the atomic destruction of the enemy, in the country’s deepest bomb shelter. Four thousand feet underground, Level 7 has been built to withstand the most devastating attack and to be self-sufficient for five hundred years. Selected according to a psychological profile that assures their willingness to destroy all life on Earth, those who are sent down may never return. Originally published in 1959, and with over 400,000 copies sold, this powerful dystopian novel remains a horrific vision of where the nuclear arms race may lead, and is an affirmation of human life and love. Level 7 merits comparison to Huxley’s A Brave New World and Orwell’s 1984 and should be considered a must-read by all science fiction fans.


Ratology

Ratology
Author: Ecallaw Leachim
Publisher: Michael Wallace
Total Pages: 220
Release: 2009
Genre: Self-Help
ISBN: 0975699423

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Fun, Punchy and to the point - Ratology offers a whole new way to remove the logjams and confusions about who and what you are from your life, and to replace it with clarity, wisdom and common sense.


Travelling Concepts for the Study of Culture

Travelling Concepts for the Study of Culture
Author: Birgit Neumann
Publisher: Walter de Gruyter
Total Pages: 428
Release: 2012-10-01
Genre: Business & Economics
ISBN: 3110227622

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Bringing together innovative and internationally renowned experts, this volume provides concise presentations of the main concepts and cutting-edge research fields in the study of culture (rather than the infinite multitude of possible themes). More specifically, the volume outlines different models for the study of culture, explores avenues for interdisciplinary exchange, assesses key concepts and traces their travels across various disciplinary, historical and national contexts. To trace the travelling of concepts means to map both their transfer from one discipline, approach or culture of research to another, and also to identify the transformations which emerge through these processes of transfer. The volume serves to show that working with (travelling) concepts provides a unique strategy for research and research design which can open up a wide range of promising perspectives for interdisciplinary exchange. It offers an exemplary overview of an interdisciplinary and international approach to the travelling concepts that organize, structure and shape the study of culture. In doing so, the volume serves to initiate a dialogue that exceeds disciplinary and national boundaries and introduces a self-reflexive dimension to the field, thus affording a recognition of how deeply disciplinary premises and nation-specific research traditions affect different approaches in the study of culture.


Unnatural Narratives - Unnatural Narratology

Unnatural Narratives - Unnatural Narratology
Author: Jan Alber
Publisher: Walter de Gruyter
Total Pages: 281
Release: 2011-09-29
Genre: Literary Criticism
ISBN: 3110229048

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In recent years, the study of unnatural narratives has become an exciting new but still disparate research program in narrative theory. For the first time, this collection of essays presents and discusses the new analytical tools that have so far been developed on the basis of unnatural novels, short stories, and plays and extends these findings through analyses of testimonies, comics, graphic novels, films, and oral narratives. Many narratives do not only mimetically reproduce the world as we know it but confront us with strange narrative worlds which rely on principles that have very little to do with the actual world around us. The essays in this collection develop new narratological tools and modeling systems which are designed to capture the strangeness and extravagance of such anti-realist narratives. Taken together, the essays offer a systematic investigation of anti-mimetic techniques and strategies that relate to different narrative parameters, different media, and different periods within literary history.


Intermediality and Storytelling

Intermediality and Storytelling
Author: Marina Grishakova
Publisher: Walter de Gruyter
Total Pages: 360
Release: 2010
Genre: Computers
ISBN: 3110237733

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The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.


Routledge Encyclopedia of Narrative Theory

Routledge Encyclopedia of Narrative Theory
Author: David Herman
Publisher: Routledge
Total Pages: 728
Release: 2010-06-10
Genre: Literary Criticism
ISBN: 1134458401

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The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.


The Self After Postmodernity

The Self After Postmodernity
Author: Calvin O. Schrag
Publisher: Yale University Press
Total Pages: 182
Release: 1997-01-01
Genre: Philosophy
ISBN: 9780300078763

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A portrait of the human self by way of a critical engagement with the proponents of postmodernity. It experiments with an innovative vocabulary so as to describe self-understanding and self-formation in its discursive, action-oriented, communal, and transcending dynamics.


The Narrator

The Narrator
Author: Sylvie Patron
Publisher: U of Nebraska Press
Total Pages: 385
Release: 2023-09
Genre: Literary Criticism
ISBN: 1496236971

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The narrator (the answer to the question “who speaks in the text?”) is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be “narratorless”? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.