Rare And Valuable Japanese Color Prints From Three Different Collections Also A Collection Of Extremely Rare Chinese Color Prints Of The Kang Hsi Period PDF Download

Excerpt from Rare and Valuable Japanese Color Prints From Three Different Collections: Rare and Beautiful Examples of the Primitives, Excellent Examples of Harunobu, Koriusai, Kiyonaga, and Utamaro, Including Fine Triptychs, an Unusually Important Series of Landscapes by Hokusai and Hiroshige A series of about thirty Chinese color prints may, however, deserve a word of comment. We have all seen Chinese color prints that are in reality hasty reprints of the chieh-tse-yuan hua-chuan or Treatise on Painting from the Mustard Seed Garden, printed in Japan towards 1812, or printed in China about 1890 and 1906. Color and lines of these worthless reprints are equally lacking in character, and give no more idea of the charm and quality of the old prints than an oleograph sold in the country fair gives an idea of the Sistine Madonna. The early Chinese color prints have never been offered in this country and have escaped everybody's vigilance. Only Mr. Langdon Warner, in Philadelphia, treasures an early edition of another Chinese book With color prints, the shi-chu-chai-shu Hua or Register of the Ten Bamboo Hall in Word and Picture and the Far Eastern department of the Metropolitan Museum of Art possesses several of the early prints and also a stone printing slab Which, in my opinion, has been used for color printing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.