RAGAMALA PAINTING IN THE MUSEUM OF FINE ARTS, BOSTON.
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Total Pages | : 84 |
Release | : 1968 |
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Author | : |
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Total Pages | : 84 |
Release | : 1968 |
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Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 84 |
Release | : 1967 |
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Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 96 |
Release | : 1967 |
Genre | : Illumination of books and manuscripts, Indic |
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Author | : Anna L. Dallapiccola |
Publisher | : Philip Wilson Publishers |
Total Pages | : 96 |
Release | : 2011-11-09 |
Genre | : Art |
ISBN | : 9780856676987 |
Ragamala, literally a garland of ragas, is a unique form of Indian miniature painting developed by combining a variety of sources including musical codes and accomanying poetry to indicate the time of day, or season, in which the melody should be performed. These miniatures were executed in India from 1400 and by the late 1700s had died out. This new book, and the exhibition it accompanies, presents a fine and rare collection of twenty-four ragamala from the collection of Claudio Moscatelli, a painting conservator based in London. Over fifteen years he has amassed one of the finest collections of ragamala in Britain comprising three different groups, Pahari, Rajasthani and Deccani, displaying regional variations.
Author | : Pratapaditya Pal |
Publisher | : |
Total Pages | : 84 |
Release | : 1967 |
Genre | : Art, Indic |
ISBN | : |
Author | : Jiwan Sodhi |
Publisher | : Abhinav Publications |
Total Pages | : 376 |
Release | : 1999 |
Genre | : Miniature painting |
ISBN | : 9788170173472 |
Author | : Klaus Ebeling |
Publisher | : |
Total Pages | : 316 |
Release | : 1973 |
Genre | : Miniature painting, Indic |
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Author | : Vidya Dehejia |
Publisher | : Columbia University Press |
Total Pages | : 262 |
Release | : 2009-02-26 |
Genre | : History |
ISBN | : 9780231512664 |
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Author | : Joan Cummins |
Publisher | : |
Total Pages | : 244 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
From refined portraits of resplendent maharajas to earthy depictions of divine rogues cavorting with milkmaids, Indian miniature paintings depict the world as it should be: radiant, plentiful and passionate. These manuscript illustrations combine vibrant color with exquisite delicacy, offering immediate impact while also rewarding lengthy examination. Alone on the market, this beautiful volume presents the art form for non-specialists, surveying the most notable styles and periods of Indian painting and offering an introduction to the legends and historic personalities that inspire its entertaining subjects. The text covers such diverse topics as scriptures written on palm leaves, likenesses of favorite animals, images inspired by music, techniques and materials, and Indian reactions to European art. The Boston Museum of Fine Art's collection of Indian paintings, assembled by the esteemed scholar A. K. Coomaraswamy, is justly renowned as one of the finest in the world, and Indian Painting, one of the only readily available comprehensive histories of the subject, is the first book since Coomaraswamy's seminal catalogues of the 1920s to draw so extensively on the MFA's collection. It includes 120 of the most remarkable pieces, many of which are reproduced here in color for the first time
Author | : Saroj Panthey |
Publisher | : Mittal Publications |
Total Pages | : 164 |
Release | : 1987 |
Genre | : Art |
ISBN | : 9788170990161 |