Rafael Ferrer
Author | : Raphael Ferrer |
Publisher | : |
Total Pages | : 24 |
Release | : 1971 |
Genre | : Biography & Autobiography |
ISBN | : |
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Author | : Raphael Ferrer |
Publisher | : |
Total Pages | : 24 |
Release | : 1971 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 36 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : Deborah Cullen |
Publisher | : Chicano Studies Research Center Publications |
Total Pages | : 152 |
Release | : 2012 |
Genre | : Art |
ISBN | : |
The first major account of the celebrated Puerto Rican artist
Author | : Rafael Ferrer |
Publisher | : |
Total Pages | : 38 |
Release | : 1987 |
Genre | : |
ISBN | : |
Author | : Rafael Ferrer |
Publisher | : |
Total Pages | : 26 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : Laura Roulet |
Publisher | : La Editorial, UPR |
Total Pages | : 128 |
Release | : 2000 |
Genre | : Art, Modern |
ISBN | : 9780847701971 |
"Laura Roulet explores the formal and thematic concerns of Puerto Rican installation artists, within the complexities of Puerto Rican Culture. This text provides an overview of the installation pieces of such groundbreaking artists as: Rafael Ferrer, Papo Calo, Pepon Osorio, Antonio Martorell, Charles Jushasz, Arnaldo Morales, among others."
Author | : |
Publisher | : |
Total Pages | : 40 |
Release | : 1982 |
Genre | : Ferrer, Raphael |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : |
Genre | : |
ISBN | : |
Author | : Luis Camnitzer |
Publisher | : University of Texas Press |
Total Pages | : 368 |
Release | : 2007-07-01 |
Genre | : Art |
ISBN | : 9780292716292 |
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."
Author | : Raphaël Ferrer |
Publisher | : |
Total Pages | : 0 |
Release | : 1971 |
Genre | : |
ISBN | : |