Radioactive Dreams
Author | : Albert Pyun |
Publisher | : |
Total Pages | : 310 |
Release | : 1988 |
Genre | : |
ISBN | : |
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Author | : Albert Pyun |
Publisher | : |
Total Pages | : 310 |
Release | : 1988 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 122 |
Release | : 1985 |
Genre | : |
ISBN | : |
Author | : Justin Decloux |
Publisher | : |
Total Pages | : 176 |
Release | : 2019-07-17 |
Genre | : |
ISBN | : 9781078206488 |
Albert Pyun is a writer/director best known for THE SWORD AND THE SORCERER, Jean-Claude Van Damme's CYBORG and Cannon's infamous CAPTAIN AMERICA...but did you also know he was mentored by Toshirô Mifune? That he secretly made a feature film on the set of CYBORG in a single weekend? And directed three pictures that starred Snoop Dogg and Ice-T in an ex-communist country? And that he was on the frontlines of a studio going bankrupt, the straight-to-video market exploding, and the collapse of an entire industry? In the first book dedicated to Albert Pyun, Justin Decloux reviews all 44 of the auteur's films and interviews key collaborators, taking a critical journey through the life of an artist who was passionate, driven and unstoppable in the face of impossible odds.
Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 1986-09-29 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : David L. Pike |
Publisher | : Manchester University Press |
Total Pages | : 266 |
Release | : 2024-04-09 |
Genre | : Literary Criticism |
ISBN | : 1526174030 |
After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world’s peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
Author | : R. G. Young |
Publisher | : Hal Leonard Corporation |
Total Pages | : 1028 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9781557832696 |
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Author | : Toni A. Perrine |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2019-01-22 |
Genre | : History |
ISBN | : 1317732197 |
Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)
Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 1986-09-29 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : |
Publisher | : |
Total Pages | : 152 |
Release | : 1986-09-29 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : Mike Bogue |
Publisher | : McFarland |
Total Pages | : 270 |
Release | : 2023-10-23 |
Genre | : Performing Arts |
ISBN | : 1476650705 |
During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.