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| Author | : Charles F. B. Miller |
| Publisher | : Univ of California Press |
| Total Pages | : 315 |
| Release | : 2022-01-11 |
| Genre | : Art |
| ISBN | : 0520290143 |
Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.
| Author | : Pepe Karmel |
| Publisher | : |
| Total Pages | : 233 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780300094367 |
This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics.
| Author | : T. J. Clark |
| Publisher | : Princeton University Press |
| Total Pages | : 342 |
| Release | : 2023-10-17 |
| Genre | : Art |
| ISBN | : 0691209529 |
A groundbreaking reassessment of Picasso by one of today's preeminent art historians Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined—too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works—the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)—and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art—humane and appalling, naïve and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
| Author | : Eugenia Tusquets |
| Publisher | : Eugenia Tusquets |
| Total Pages | : 178 |
| Release | : |
| Genre | : Fiction |
| ISBN | : |
It is 1998. Madame Claudel is on one of her customary rambles around the Marché aux Puces in Paris, the source of many of her findings. Suddenly, a painting grabs her attention, and she is immediately drawn to it. After a few years and many adventures, the antiquarian discovers that the painting she bought for a few francs is the lost piece from Picasso’s first exhibit in Paris, in 1901. The investigation to gather enough proof to obtain the official certification starts. She arrives to the conclusion that Pablo Picasso had painted this picture in the midst of a whirlwind of feelings, after the most awful tragedy of his youth: his best friend, who had fallen in love with him, died in the worst of circumstances. This narrative, based on real facts, presents two stories separated in time: that of the historical events in Paris, Barcelona and Malaga which led to the creation of the painting, and that of the actual investigation by an expert, both equally real. The stories alternate as the historical facts corroborate the discoveries of the investigation.
| Author | : Miles J. Unger |
| Publisher | : Simon & Schuster |
| Total Pages | : 480 |
| Release | : 2019-03-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476794227 |
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
| Author | : Hugh Eakin |
| Publisher | : Crown |
| Total Pages | : 489 |
| Release | : 2023-09-26 |
| Genre | : Art |
| ISBN | : 0451498496 |
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of twenty-seven, became the director of New York’s new Museum of Modern Art. Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s persecuted dealer, to get Picasso’s most important paintings out of Europe. Mounted in the shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris to New York. Picasso’s War is the never-before-told story about how a single exhibition, a decade in the making, irrevocably changed American taste, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis. Through a deft combination of new scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with Picasso changed the art world forever.
| Author | : John Richardson |
| Publisher | : Knopf |
| Total Pages | : 657 |
| Release | : 2008-12-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 030749649X |
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
| Author | : Arthur I Miller |
| Publisher | : Basic Books |
| Total Pages | : 370 |
| Release | : 2008-08-01 |
| Genre | : Science |
| ISBN | : 0786723130 |
The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.
| Author | : Robert W. Weisberg |
| Publisher | : John Wiley & Sons |
| Total Pages | : 640 |
| Release | : 2006-04-28 |
| Genre | : Psychology |
| ISBN | : 0471739995 |
A name="DESCRIPTIONP̲ROFESSIONALC̲ATALOG"The big new trend in psychology is to focus on the positive. Experienced expert on creativity Robert Weisberg has written a new book on the theories of creativity for upper-class and graduate-level courses and an educated lay readership.
| Author | : Suzanne Preston Blier |
| Publisher | : Duke University Press |
| Total Pages | : 625 |
| Release | : 2019-12-13 |
| Genre | : Art |
| ISBN | : 1478002042 |
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
