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| Author | : Guthrie P. Ramsey |
| Publisher | : Univ of California Press |
| Total Pages | : 296 |
| Release | : 2004-11-22 |
| Genre | : Art |
| ISBN | : 0520243331 |
Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
| Author | : Ronald M. Radano |
| Publisher | : University of Chicago Press |
| Total Pages | : 728 |
| Release | : 2000-12 |
| Genre | : History |
| ISBN | : 9780226701998 |
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
| Author | : Peter Wade |
| Publisher | : University of Chicago Press |
| Total Pages | : 340 |
| Release | : 2000-08 |
| Genre | : History |
| ISBN | : 9780226868455 |
Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
| Author | : Marc Kaplan |
| Publisher | : Xlibris Corporation |
| Total Pages | : 178 |
| Release | : 2012-04-19 |
| Genre | : Fiction |
| ISBN | : 1469177609 |
Into the newly-settled (in 1910) Mississippi Delta country comes Sam Schwartz, a Russian immigrant, one of the many wandering Jewish peddlers who comb the backwoods of the American South, a man fleeing an oppressive country and a painful past. He experiences an emotional rebirth with Leafy, a black Delta woman. Race Music (the original term for blues recordings) is the story of Sam and Leafy's relationship, of the family they start and of a love betrayed - a betrayal that has consequences that will span fifty years and reach all the way from the Delta to Chicago's South Side. Delta music - the blues - is always in the background. Celebrated figures like Charlie Patton and Bessie Smith and the fabled Robert Johnson are encountered as they create the Delta's truest history and cultural legacy.
| Author | : Hisham Aidi |
| Publisher | : Vintage |
| Total Pages | : 434 |
| Release | : 2014-12-02 |
| Genre | : Social Science |
| ISBN | : 0307279979 |
In this pioneering study, Hisham Aidi—an expert on globalization and social movements—takes us into the musical subcultures that have emerged among Muslim youth worldwide over the last decade. He shows how music—primarily hip-hop, but also rock, reggae, Gnawa and Andalusian—has come to express a shared Muslim consciousness in face of War on Terror policies. This remarkable phenomenon extends from the banlieues of Paris to the favelas of Rio de Janeiro, from the park jams of the South Bronx to the Sufi rock bands of Pakistan. The United States and other Western governments have even tapped into these trends, using hip hop and Sufi music to de-radicalize Muslim youth abroad. Aidi situates these developments in a broader historical context, tracing longstanding connections between Islam and African-American music. Thoroughly researched, beautifully written, Rebel Music takes the pulse of a revolutionary soundtrack that spans the globe.
| Author | : Paul McCann |
| Publisher | : Associated University Presse |
| Total Pages | : 198 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 9780838641408 |
Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.
| Author | : Erich Nunn |
| Publisher | : University of Georgia Press |
| Total Pages | : 224 |
| Release | : 2015-06-01 |
| Genre | : Music |
| ISBN | : 082034835X |
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.
| Author | : Adriana N. Helbig |
| Publisher | : Indiana University Press |
| Total Pages | : 258 |
| Release | : 2014-05-07 |
| Genre | : Music |
| ISBN | : 0253012082 |
“[A] magnificent study . . . adds to the burgeoning scholarship on global hip hop and furthers our knowledge of the African diaspora in Eastern Europe.” —Anthropology of East Europe Reviews Featured in NPR’s “Read These 6 Books About Ukraine” In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change. “This is a unique and admirable book that traces a complex trail from hip hop created by African migrants in Ukraine through remote African-American influences to their origins in Uganda and back again.” —Slavic Review “Portrays the music as a forceful influence on worldwide social and cultural expression.” —Slavonic and East European Review “A well-conceived study of the role and significance of hip hop in Ukraine. It joins the ranks of other very timely chronicles on the impact of hip hop in various societies around the world.” —Allison Blakely, Boston University
| Author | : Charles L. Hughes |
| Publisher | : UNC Press Books |
| Total Pages | : 277 |
| Release | : 2015-03-23 |
| Genre | : Music |
| ISBN | : 1469622440 |
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
| Author | : Josh Kun |
| Publisher | : Univ of California Press |
| Total Pages | : 321 |
| Release | : 2005-11 |
| Genre | : History |
| ISBN | : 0520244249 |
“With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and theorist of inter-ethnic dialogue in US music, literature, and visual art. This book is a guide to how scholarship will look in the future—the first fully realized product of a new generation of scholars thrown forth by tumultuous social ferment and eager to talk about the world that they see emerging around them.”—George Lipsitz, author of Time Passages: Collective Memory and American Popular Culture "The range and depth of Audiotopia is thrilling. It's not only that Josh Kun knows so much-it's that he knows what to make of what he knows."—Greil Marcus, author of Lipstick Traces: A Secret History of the 20th Century "The way Josh Kun writes about what he hears, the way he unravels word, sound, and power is breathtaking, provocative, and original. A bold, expansive, and lyrical book, Audiotopia is a record of crossings, textures, tangents, and ideas you will want to play again and again."—Jeff Chang, author of Can't Stop Won't Stop: A History of the Hip-Hop Generation
