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Questions of Poetics

Questions of Poetics
Author: Barrett Watten
Publisher: University of Iowa Press
Total Pages: 309
Release: 2016-07
Genre: Literary Criticism
ISBN: 160938430X

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Object Lessons -- Subject Formations -- Notes -- Bibliography -- Index


The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher: Createspace Independent Publishing Platform
Total Pages: 82
Release: 2017-03-07
Genre:
ISBN: 9781544217574

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In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."


The Poetics of Aristotle

The Poetics of Aristotle
Author: Aristotle
Publisher:
Total Pages: 280
Release: 1907
Genre: Aesthetics
ISBN:

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This Tilted World Is Where I Live

This Tilted World Is Where I Live
Author: Henry Taylor
Publisher: LSU Press
Total Pages: 194
Release: 2020-08-12
Genre: Poetry
ISBN: 0807174165

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This Tilted World Is Where I Live presents one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. The volume gathers seventy-five poems from previous books, including the Pulitzer Prize–winning The Flying Change, along with twenty-five more recent poems collected for the first time. Throughout his remarkable career, Taylor has worked in both traditional and open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he now lives. In tones and moods ranging from grief to explosive hilarity, Taylor’s verse considers what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. This Tilted World Is Where I Live encapsulates the keen attention, vital humanism, and mastery of craft that have characterized a long and distinguished poetic career.


Narrative Theories and Poetics

Narrative Theories and Poetics
Author: Peer F. Bundgaard
Publisher: Automatic Press Publishing
Total Pages: 324
Release: 2012
Genre: Philosophy
ISBN: 9788792130426

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Narrative Theories and Poetics: 5 Questions is a collection of short interviews based on five provoking questions presented to some of the most influential and prominent scholars in these fields. They present us with their views on narrative theories and poetics, its aim, scope, use, the future direction of the fields and how their work fits in these respects.


Sovereignties in Question

Sovereignties in Question
Author: Jacques Derrida
Publisher: Fordham Univ Press
Total Pages: 223
Release: 2005
Genre: Literary Criticism
ISBN: 0823224376

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This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.


Ontology and the Art of Tragedy

Ontology and the Art of Tragedy
Author: Martha Husain
Publisher: State University of New York Press
Total Pages: 163
Release: 2012-02-01
Genre: Philosophy
ISBN: 0791489795

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Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.


Configurations of Comparative Poetics

Configurations of Comparative Poetics
Author: Zong-qi Cai
Publisher: University of Hawaii Press
Total Pages: 386
Release: 2001-12-30
Genre: Literary Criticism
ISBN: 9780824823382

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This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms.