Queen Shebas Ring PDF Download

Excerpt from Queen Sheba's Ring My name is Richard Adams, and I am the son of a Cumberland yeoman who married a Welshwoman. Therefore I have Celtic blood in my veins, which per haps accounts for my love of roving and other things. I am now an old man, near the end of my course, I sup pose at any rate, I was sixty-five last birthday This is my appearance as I see it in the glass before me: tall, spare (i don't weigh more than a hundred and forty pounds-the desert has any superfluous flesh that I ever owned, my lot having been, like Falstaff, to lard the lean earth, but in a hot climate); my eyes are brown, my face is long, and I wear a pointed white beard, which matches the white hair above. Truth compels me to add that my general appearance, as seen in that glass which will not lie, reminds me of that of a rather aged goat; indeed, to be frank, by the natives among whom I have sojourned, and especially among the Khalifa's people when I was a prisoner there, I have often been called the White Goat. Of my very commonplace outward self let this suffice. As for my record, I am a doctor of the old school. Think of it! When I was a student at Bart.'s the antiseptic treatment was quite a new thing, and administered, when at all, by help of a kind of engine on wheels, out of which disinfectants were dispensed with a pump, much as the advanced gardener sprays a greenhouse to-day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.