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“Pablo Tac's life was both tragic and victorious, and his experiences echo down through the years, offering the light of understanding to us in our world today. A thought-provoking book and a must-read for students of indigenous California.” —Ernest Siva, author of Voices of the Flute: Songs of Three Southern California Indian Nations "This is an exceptional piece of research and the definitive work on Pablo Tac. For the first time the entire corpus of the known writings of this ground-breaking Native Californian scholar are presented without editing, in their original languages (Latin, Luiseño) and in English translation. Lisbeth Haas presents a lucid and insightful account on the life, times, and significance of this important figure, while James Luna provides provocative commentary and striking images about Indian life today in the footsteps of Pablo Tac. This book belongs in the library of anyone interested in California history, Native Californians, and the Franciscan missions." —Kent Lightfoot, author of Indians, Missionaries, and Merchants: The Legacy of Colonial Encounters on the California Frontiers “Lisbeth Haas must be praised for gathering an exceptional team of scholars for the transcription, editing, and translation of Pablo Tac's Luiseño grammar, dictionary, and history. Haas's introductory essay situates Tac in a global context, defined by the fellow students Tac found in Rome in the 1830s while studying for the priesthood. Performance artist James Luna complements Haas's lucid assessment of Tac's brilliance as an indigenous scholar with a verbal and visual testimony of shared struggles as cultural warriors.” —José Rabasa, author of Without History: Subaltern Studies, the Zapatista Insurgency, and the Specter of History “The important manuscripts of the young nineteenth-century Luiseño scholar Pablo Tac are available at last to the American public, and most importantly to the people of Tac’s homeland. This faithful representation and translation of his work is fascinating in its own right, and enriched further by the insightful introductions by scholar Lisbeth Haas and Luiseño artist and wordsmith James Luna. Tac interweaves his masterful linguistic description and unfinished dictionary of nineteenth-century Luiseño with an illuminating account of Luiseño life and history before and during the mission era. Haas provides an equally interesting description of the scholarly and political environment of Rome where Tac lived, learned, and created from 1834 to 1841. Luna’s introduction and a foreword by the Luiseño tribal chair bring a twenty-first century indigenous interpretation to Tac’s long-ago life and work. Yet there is a freshness to Tac’s writing that is ageless, and makes us wish we could learn even more about this talented young man who participated in so many worlds, and whose life and career were too short.” —Leanne Hinton, author of Flutes of Fire: Essays on California Indian Languages