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Fernando Pessoa : The Bilingual Portuguese Poet

Fernando Pessoa : The Bilingual Portuguese Poet
Author: Anne Terlinden
Publisher: Publications Fac St Louis
Total Pages: 244
Release: 1990
Genre: English poetry
ISBN: 9782802800750

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The purpose of this book is to shed light on the rather unexplored "English facet" of Fernando Pessoa, considered one of the major Portuguese poets of the twentieth century. The originality of this study also lies in its extensive use of unpublished documents. Out of the bulk of Pessoa's English writings, The Mad Fiddler has been selected; it offers not only poems of better quality than most of his writings in English but it also has the advantage of being a complete and coherent suite of " mystical " poems. A systematic comparative study of the themes in The Mad Fiddler and in the poems by the four Portuguese heteronyms reveals a claer continuity and shows that Pessoa's bilingual Poetry is based on his main ontological quest, which he tried to solve by means of his dramatic scattering into " masks ". After this comparative analysis, the individuality of The Mad Fiddler is defined. Following an overwiew of the unpublished English writings found in the Pessoan legacy, The Mad Fiddler is analysed by means of Pessoa's own unpublished comments. An investigation of Pessoa's private French library and of his un published Literary Appreciations proves how fully he understood the impact of Symbolism on the evolution of Modern Art. The Mad Fiddler could indeed be viewed as an English echo of Pessoa's interest in modern trends in Literature and as a kind of " English microcosm " of Pessoa's aesthetic theory.


Quatre poètes portugais

Quatre poètes portugais
Author: Luiz de Camões
Publisher:
Total Pages: 334
Release: 1979
Genre:
ISBN:

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Quatre poètes portugais

Quatre poètes portugais
Author: Sophía de Mello Breyner Andresen
Publisher: Fondation Calouste Gulbenkian, Centre culturel portugais
Total Pages: 334
Release: 1970
Genre: French poetry Translations from Portuguese
ISBN:

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Quatre poètes portugais

Quatre poètes portugais
Author:
Publisher:
Total Pages: 334
Release: 1979
Genre: Portuguese poetry
ISBN:

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Poets, Patronage, and Print in Sixteenth-Century Portugal

Poets, Patronage, and Print in Sixteenth-Century Portugal
Author: Simon Park
Publisher: Oxford University Press
Total Pages: 208
Release: 2021-06-24
Genre: Literary Criticism
ISBN: 0192650254

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Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 1580, and ongoing religious controversy, poets struggled to articulate their worth to rulers and patrons. This did not prevent them, however, from persisting in their craft. Indeed, many of their works reflected precisely on the question of what poetry could do and what, ultimately, its value was. The answers that poets like Luís de Camões, Francisco de Sá de Miranda, António Ferreira, and Diogo Bernardes offered to these questions, and which are explored in this book, ranged from lofty ideals to the more practical concerns of making ends meet when one depended on the whims of the powerful. This volume articulates a 'pragmatics of poetry' that combines literary analysis and book history with methods from sociology (network analysis, sociology of professions, valuation studies) to explore how poets thought about themselves and negotiated the value of their verse in the court, with patrons, or in the marketplace for books. It reveals how poets compared their work to that of lawyers and doctors and tried to set themselves apart as a special group of professionals. It shows how they threatened their patrons as well as flattered them and tried to turn their poetry from a gift into something like a commodity or service that had to be paid for. While poets set out to write in the most ambitious genres and to better their European rivals, they sometimes refused to spend months composing an epic without the prospect of reward. Their books of verse, when printed, were framed as linguistic propaganda as well as objects of material and aesthetic worth at a time when many said that non-devotional poetry was a sinful waste of time. This is a book about the various ways in which poets, metaphorically and more literally, tried to turn poetry and the paper it was written on into gold.