Quartet No. 9 in F Major, Op. 2, No. 4 (Violin 2).
Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
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Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Brendan Slocumb |
Publisher | : Anchor |
Total Pages | : 353 |
Release | : 2022-02-01 |
Genre | : Fiction |
ISBN | : 059331543X |
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Author | : Oscar Thompson |
Publisher | : |
Total Pages | : 2506 |
Release | : 1975 |
Genre | : Music |
ISBN | : |
Author | : Walter Frisch |
Publisher | : Princeton University Press |
Total Pages | : 479 |
Release | : 2009-07-06 |
Genre | : Music |
ISBN | : 1400833620 |
Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.
Author | : Alberto Bachmann |
Publisher | : Courier Corporation |
Total Pages | : 498 |
Release | : 2013-07-24 |
Genre | : Music |
ISBN | : 0486318249 |
First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Author | : Eric Wen |
Publisher | : Rowman & Littlefield |
Total Pages | : 390 |
Release | : 2019-02-14 |
Genre | : Music |
ISBN | : 1538104679 |
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author | : Rodgers and Hammerstein Archives of Recorded Sound |
Publisher | : |
Total Pages | : 942 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
Author | : John W. Barker |
Publisher | : Boydell & Brewer |
Total Pages | : 368 |
Release | : 2017 |
Genre | : Biography & Autobiography |
ISBN | : 158046906X |
An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.
Author | : Michael Spitzer |
Publisher | : Indiana University Press |
Total Pages | : 437 |
Release | : 2021-08-31 |
Genre | : Music |
ISBN | : 0253060885 |
Beethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary. Spitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer's last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.