Quartet No. 58 [i.e. 59]
Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 20 |
Release | : |
Genre | : String quartets |
ISBN | : |
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Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 20 |
Release | : |
Genre | : String quartets |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 122 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
Author | : Amy C. Beal |
Publisher | : University of Illinois Press |
Total Pages | : 153 |
Release | : 2015-02-28 |
Genre | : Biography & Autobiography |
ISBN | : 0252097130 |
Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. As a hard-working German émigré piano teacher and accompanist living in and around New York City during the New Deal era, she composed plentiful music for piano, percussion ensemble, chamber groups, choir, band, and orchestra. A one-time student of Ruth Crawford, Charles Seeger, and Henry Cowell, Beyer was an ultramodernist, and an active member of a community that included now-better-known composers and musicians. Only one of her works was published and only one recorded during her lifetime. But contemporary musicians who play Beyer's compositions are intrigued by her originality. Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor. The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.
Author | : Eric Gilder |
Publisher | : Holt McDougal |
Total Pages | : 602 |
Release | : 1986 |
Genre | : Music |
ISBN | : |
This dictionary spans almost 700 years of musical history--from 1300 to the present--and details the works of 425 of the world's most important composers of music for the concert hall, church, opera and ballet. Part One arranges the composers alphabetically with a chronological listing of all their major and minor works. Also included are their dates of birth and death, their nationality, the instruments for which each work was written and the age of the composer at the time of composition. Part Two is a year-by-year survey of music that shows at a glance precisely what was happening in the musical world in any given year. Part Three is a time-line that graphically plots the lifetime of each composer, enabling the reader to see instantly which of them were contemporaries.
Author | : Joseph Haydn |
Publisher | : |
Total Pages | : 36 |
Release | : 1957 |
Genre | : Chamber music |
ISBN | : |
Author | : Nancy November |
Publisher | : Cambridge University Press |
Total Pages | : 297 |
Release | : 2013 |
Genre | : Music |
ISBN | : 1107035457 |
The first detailed contextual study of Beethoven's middle-period quartets, encompassing reception history, early performance practices, aesthetic contexts and theatrical impetus.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 708 |
Release | : 1972 |
Genre | : Catalogs, Union |
ISBN | : |
Author | : Lawrence M. Zbikowski |
Publisher | : Oxford University Press |
Total Pages | : 377 |
Release | : 2002-11-14 |
Genre | : Music |
ISBN | : 019803217X |
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Author | : Johannes Brahms |
Publisher | : |
Total Pages | : 136 |
Release | : 1988 |
Genre | : Piano trios |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 740 |
Release | : 1960-09 |
Genre | : Music |
ISBN | : |