Quartet G Major, Op. 3, No. 3 (Cello).
Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
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Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Haydn |
Publisher | : |
Total Pages | : 3 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Karl Ditters von Dittersdorf |
Publisher | : |
Total Pages | : 8 |
Release | : 1965 |
Genre | : String quartets |
ISBN | : |
Author | : Haydn |
Publisher | : |
Total Pages | : 3 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Georges Jean-Aubry |
Publisher | : |
Total Pages | : 488 |
Release | : 1925 |
Genre | : Music |
ISBN | : |
Author | : Harold Reeves (Firm) |
Publisher | : |
Total Pages | : 700 |
Release | : 1919 |
Genre | : Music |
ISBN | : |
Author | : Haydn |
Publisher | : |
Total Pages | : 4 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Carl Philipp Emanuel Bach |
Publisher | : |
Total Pages | : 40 |
Release | : 1955 |
Genre | : Trios (Piano, clarinet, flute), Arranged |
ISBN | : |
Author | : W. Dean Sutcliffe |
Publisher | : Cambridge University Press |
Total Pages | : 613 |
Release | : 2019-10-10 |
Genre | : Music |
ISBN | : 110701381X |
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
Author | : Robert Gauldin |
Publisher | : Waveland Press |
Total Pages | : 351 |
Release | : 2013-03-04 |
Genre | : Music |
ISBN | : 1478608765 |
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.