Quartet, B Flat Major, Op. 40, No. 3
Author | : Franz Danzi |
Publisher | : |
Total Pages | : 66 |
Release | : 1960 |
Genre | : Quartets (Bassoon, violin, viola, cello) |
ISBN | : |
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Author | : Franz Danzi |
Publisher | : |
Total Pages | : 66 |
Release | : 1960 |
Genre | : Quartets (Bassoon, violin, viola, cello) |
ISBN | : |
Author | : Franz Danzi |
Publisher | : |
Total Pages | : 90 |
Release | : 1960 |
Genre | : Quartets (Bassoon, violin, viola, cello) |
ISBN | : |
Author | : James M. Keller |
Publisher | : Oxford University Press, USA |
Total Pages | : 518 |
Release | : 2011 |
Genre | : Music |
ISBN | : 0195382536 |
Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Classical and Romantic composers, to modern masterpieces rich in political, psychological, and sometimes comical overtones. For each piece, from Bach through to contemporary figures like George Crumb and Steve Reich, the author includes an astute musical analysis that casual music lovers can easily appreciate yet that more experienced listeners will find enriching. Keller shares the colorful, often surprising stories behind the compositions while revealing the delights of an art form once described by Goethe as the musical equivalent of "thoughtful people conversing."
Author | : Eric Wen |
Publisher | : Rowman & Littlefield |
Total Pages | : 390 |
Release | : 2019-02-14 |
Genre | : Music |
ISBN | : 1538104679 |
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author | : John Ireland |
Publisher | : |
Total Pages | : 62 |
Release | : 1923 |
Genre | : Orchestral music |
ISBN | : |
Author | : Siegwart Reichwald |
Publisher | : Indiana University Press |
Total Pages | : 274 |
Release | : 2008-09-25 |
Genre | : Music |
ISBN | : 0253002613 |
Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
Author | : Grosvenor W. Cooper |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 1963-04-15 |
Genre | : Music |
ISBN | : 9780226115221 |
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Author | : Peter Russell |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 220 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780754655442 |
The relationship between the composer Johannes Brahms and the poet Klaus Groth was a very special one, and one that deserves greater recognition. Peter Russell has made careful selections from the 89 letters between the two that illuminate the personalities, lives and works of both men. Alongside the letters, Russell provides a substantial commentary that includes analyses of Brahms's music and critical assessment of Groth's poems.
Author | : Novello, Ewer and Co., firm, music publishers, London & New York |
Publisher | : |
Total Pages | : 302 |
Release | : 1890 |
Genre | : Music |
ISBN | : |