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| Author | : Jan Mrázek |
| Publisher | : U of M Center for South East Asian Studi |
| Total Pages | : 396 |
| Release | : 2002 |
| Genre | : Puppet theater |
| ISBN | : |
Solid and accessible scholarship about a multifaceted form of art.
| Author | : Mimi Herbert |
| Publisher | : University of Hawaii Press |
| Total Pages | : 262 |
| Release | : 2002 |
| Genre | : Drama |
| ISBN | : |
"Indonesia's wayang golek puppet theater is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. The puppet masters, many of whom trace their skills back through seven or eight generations, are extraordinary artists. Some are shamans, and many are charismatic performers. The master carvers who create these three-dimensional wooden puppets boast similarly impressive genealogies, and their work draws equally on ancient mystical practices. As the puppet master Tizar Purbaya once explained, "The wayang puppet is not a doll. It follows the dalang [puppet master], but the dalang must also follow it. He gives it soul and it, in return, gives life to him."" "Voices of the Puppet Masters is based on five years of intensive research in Indonesia, including hundreds of hours of discussions and interviews with puppet masters and craftsmen. The author and her Indonesian collaborator visited the artists in their homes, in villages scattered across the length and breadth of Java, attending performances, and even participating in an exorcism ceremony. These performances typically last for many hours, sometimes through the night - theatrical extravaganzas blending religious mysticism with all of the frailties and strengths of the human condition, accompanied by song and a gamelan orchestra"--Publisher's description.
| Author | : Andrew Noah Weintraub |
| Publisher | : Ohio University Press |
| Total Pages | : 314 |
| Release | : 2004 |
| Genre | : Electronic books |
| ISBN | : 089680240X |
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society. Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, the art of the puppeteer. He focuses on "superstar" performers and the musical troupes that dominated wayang golek during the New Order political regime of former president Suharto (1966-98) and the ensuing three years of the post-Suharto period. Studies of actual performances illuminate stylistic and formal elements and situate wayang golek as a social process in Sundanese culture and society. Power Plays includes an interactive multimedia CD-ROM of wayang golek. Power Plays shows how meanings about identity, citizenship, and community are produced through theater, music, language, and discourse. While based in ethnographic theory and methods, this book is at the center of a new synthesis emerging among ethnomusicology, anthropology, and cultural studies. Its cross-disciplinary approach will inspire researchers studying similar struggles over cultural authority and popular representation in culture and the performing arts.
| Author | : Jan Mrázek |
| Publisher | : U of M Center for South East Asian Studi |
| Total Pages | : 400 |
| Release | : 2002 |
| Genre | : Performing Arts |
| ISBN | : |
Solid and accessible scholarship about a multifaceted form of art.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 281 |
| Release | : 2015-02-04 |
| Genre | : Performing Arts |
| ISBN | : 9004284931 |
Performance events have long had a central place in Indonesian societies in displaying power, affirming social relations, celebrating shared values, and at times conveying potent political critique. How have they responded to the momentous social and political changes of recent years - the dismantling of the centralised, authoritarian Suharto regime and its replacement with a more open, regionally-focused political system, the rapid expansion of global cultural influence? Investigations of diverse performance genres from different regions illustrate the way general socio-political processes play out locally, and how particular groups are responding. Exploring performed understandings of identity and community, such studies expand knowledge of a complex, contested period of change in Indonesia and the workings of contemporary performance in giving it expression. With contributions by Chua Beng Huat, Alexandra Crosby, Barbara Hatley, Ariel Heryanto, Brett Hough, Rachmah Ida, Reza Idria, Edwin Jurriens, Yoshi Fajar Kresno Murti, Neneng Yanti K Lahpan, Ugoran Prasad, Wawan Sofwan, Aline Scott-Maxwell, Fridus Steijlen, Alia Swastika, Denise Varney.
| Author | : Yvonne Spielmann |
| Publisher | : NUS Press |
| Total Pages | : 189 |
| Release | : 2017-02-28 |
| Genre | : Art |
| ISBN | : 9814722367 |
Indonesian art entered the global contemporary art world of independent curators, art fairs, and biennales in the 1990s. By the mid-2000s, Indonesian works were well-established on the Asian secondary art market, achieving record-breaking prices at auction houses in Singapore and Hong Kong. This comprehensive overview introduces Indonesian contemporary art in a fresh and stimulating manner, demonstrating how contemporary art breaks from colonial and post-colonial power structures, and grapples with issues of identity and nation-building in Indonesia. Across different media, in performance and installation, it amalgamates ethnic, cultural, and religious references in its visuals, and confidently brings together the traditional (batik, woodcut, dance, Javanese shadow puppet theater) with the contemporary (comics and manga, graffiti, advertising, pop culture). Spielmann's Contemporary Indonesian Art surveys the key artists, curators, institutions, and collectors in the local art scene and looks at the significance of Indonesian art in the Asian context. Through this book, originally published in German, Spielmann stakes a claim for the global relevance of Indonesian art.
| Author | : Walter Angst |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 2007 |
| Genre | : Puppet theater |
| ISBN | : |
| Author | : Dassia N. Posner |
| Publisher | : Routledge |
| Total Pages | : 377 |
| Release | : 2014-07-17 |
| Genre | : Performing Arts |
| ISBN | : 1317911725 |
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition, material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which span 15 countries over five continents, encompasses: • visual dramaturgy • theatrical juxtapositions of robots and humans • contemporary transformations of Indonesian wayang kulit • Japanese ritual body substitutes • recent European productions featuring toys, clay, and food. The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company’s Basil Jones, Redmoon’s Jim Lasko, and Bread and Puppet’s Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date.
| Author | : Marlite Halbertsma |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 255 |
| Release | : 2011-05-25 |
| Genre | : Art |
| ISBN | : 144383078X |
The Heritage Theatre is a book about cultural heritage and globalisation. Cultural heritage is the stage on which the global community, smaller communities and individuals play out their similarities and differences, their identities and singularities. Cultural heritage forms an implicit cultural code governing the relationship between parts and the whole, individuals and communities, communities and outsiders, as well as the relationship between communities and the world as a whole. Cultural heritage, by way of its producers, its products and its audience, presents an image of the world and its inner coherence. The subjects in this book range from places as distant from each other as Dar-es-Salaam, Jakarta, Amsterdam, Le Creusot, Trinidad, Brazzaville, Bremerhaven, New York and Prague, and deal with themes such as wayang, Kylie Minogue, airports and heritage, modernist architecture in Africa and the impact of DNA research on the concept of roots. The volume is based on papers presented at a conference organised by the Erasmus School of History, Culture and Communication of Erasmus University Rotterdam. The authors have backgrounds in cultural studies, art history, anthropology, museum studies, sociology, tourist studies and history.
| Author | : Jun Xing |
| Publisher | : Springer |
| Total Pages | : 290 |
| Release | : 2015-10-23 |
| Genre | : Religion |
| ISBN | : 3662481596 |
The book explores the growing tension between indigenous education, the teaching and learning of native knowledge, cultural heritage and traditions and the dynamics of globalization from the Asian perspective. It brings together a distinguished and multidisciplinary group of Asian scholars and practitioners from Nepal, Korea, India, Japan, Thailand, Indonesia, the Philippines, Hong Kong, Taiwan, mainland China, and the United States. After showcasing six in-depth case studies of local cultural traditions from East, South and Southeast Asia, the book examines a variety of pedagogical strategies in the teaching and learning of indigenous knowledge and culture in the region, reflecting both international trends and the distinctive local and regional characteristics resulting from the tremendous diversity within Asian societies.
