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| Author | : Amy Lidster |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2022-03-17 |
| Genre | : Drama |
| ISBN | : 131651725X |
Showing how overlooked publication agents constructed and read early modern history plays, this book fundamentally re-evaluates the genre.
| Author | : Amy Lidster |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2022-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1009050028 |
During the early modern period, the publication process decisively shaped the history play and its reception. Bringing together the methodologies of genre criticism and book history, this study argues that stationers have – through acts of selection and presentation – constructed some remarkably influential expectations and ideas surrounding genre. Amy Lidster boldly challenges the uncritical use of Shakespeare's Folio as a touchstone for the history play, exposing the harmful ways in which this has solidified its parameters as a genre exclusively interested in the lives of English kings. Reframing the Folio as a single example of participation in genre-making, this book illuminates the exciting and diverse range of historical pasts that were available to readers and audiences in the early modern period. Lidster invites us to reappraise the connection between plays on stage and in print, and to reposition playbooks within the historical culture and geopolitics of the book trade.
| Author | : Ari Berk |
| Publisher | : Candlewick Press |
| Total Pages | : 17 |
| Release | : 2010 |
| Genre | : Juvenile Fiction |
| ISBN | : 0763647942 |
Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.
| Author | : Phyllis Rackin |
| Publisher | : Cornell University Press |
| Total Pages | : 273 |
| Release | : 2018-08-06 |
| Genre | : Literary Criticism |
| ISBN | : 150172472X |
Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated—and its representation in subsequent criticism still participates—in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.
| Author | : Andrew Murphy |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-02 |
| Genre | : |
| ISBN | : 9781108936927 |
"Described by the TLS as 'a formidable bibliographical achievement . . . destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded"--
| Author | : Michael Hattaway |
| Publisher | : Cambridge University Press |
| Total Pages | : 463 |
| Release | : 2002-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 113982631X |
Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike.
| Author | : Peter Lake |
| Publisher | : Yale University Press |
| Total Pages | : 683 |
| Release | : 2016-01-01 |
| Genre | : History |
| ISBN | : 0300222718 |
The politics of virtue -- Honour and its enemies: women on top - again -- Anti-popery -- Divided we fall: the politics of faction in time of war -- CHAPTER 6 Richard III: political ends, providential means -- The making of a Machiavel -- Monstrous bodies and providential signs -- Signs and prophecies -- The audience as 'high all- seer' -- Ambiguities of 'evil counsel' -- From providence to predestination: the return of legitimacy -- Richard III as a guide to the past, present and future -- CHAPTER 7 Going Roman: Richard III and Titus Andronicus compared
| Author | : James Shapiro |
| Publisher | : Harper Collins |
| Total Pages | : 620 |
| Release | : 2009-10-13 |
| Genre | : History |
| ISBN | : 0061840904 |
Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe) 1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.
| Author | : David Bevington |
| Publisher | : University of Chicago Press |
| Total Pages | : 256 |
| Release | : 2009-05 |
| Genre | : Drama |
| ISBN | : 0226044793 |
This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
| Author | : Lukas Erne |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2013-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 1107354552 |
Shakespeare and the Book Trade follows on from Lukas Erne's groundbreaking Shakespeare as Literary Dramatist to examine the publication, constitution, dissemination and reception of Shakespeare's printed plays and poems in his own time and to argue that their popularity in the book trade has been greatly underestimated. Erne uses evidence from Shakespeare's publishers and the printed works to show that in the final years of the sixteenth century and the early part of the seventeenth century, 'Shakespeare' became a name from which money could be made, a book trade commodity in which publishers had significant investments and an author who was bought, read, excerpted and collected on a surprising scale. Erne argues that Shakespeare, far from indifferent to his popularity in print, was an interested and complicit witness to his rise as a print-published author. Thanks to the book trade, Shakespeare's authorial ambition started to become bibliographic reality during his lifetime.
