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Public Painting and Visual Culture in Early Republican Florence

Public Painting and Visual Culture in Early Republican Florence
Author: George R. Bent
Publisher:
Total Pages: 334
Release: 2016
Genre:
ISBN: 9781316505243

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Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.


Public Painting and Visual Culture in Early Republican Florence

Public Painting and Visual Culture in Early Republican Florence
Author: George Bent
Publisher: Cambridge University Press
Total Pages: 353
Release: 2017-01-16
Genre: Art
ISBN: 1316810720

Download Public Painting and Visual Culture in Early Republican Florence Book in PDF, ePub and Kindle

Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.


A Short History of Florence and the Florentine Republic

A Short History of Florence and the Florentine Republic
Author: Brian Jeffrey Maxson
Publisher: Bloomsbury Publishing
Total Pages: 289
Release: 2023-02-23
Genre: History
ISBN: 0755640128

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The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state – the walled commune which became the chief driver of European commerce, culture, banking and art – that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.


Venus and the Arts of Love in Renaissance Florence

Venus and the Arts of Love in Renaissance Florence
Author: Rebekah Compton
Publisher: Cambridge University Press
Total Pages: 637
Release: 2021-03-11
Genre: Art
ISBN: 1108916058

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In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.


Florentine Painting and Its Social Background

Florentine Painting and Its Social Background
Author: Frederick Antal
Publisher: Belknap Press
Total Pages: 596
Release: 1986
Genre: Art
ISBN:

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An eminent art historian gives us here a full account of the history of Florentine art in the fourteenth and early fifteenth centuries as well as a stimulating exploration of questions about the social content of art. Frederick Antal sketches a portrait of Florence in this richly productive period—the economic and social conditions as well as religious tenets and intellectual controversies. He traces the course of painting and sculpture from Giotto to Brunelleschi and Masaccio, and shows how major stylistic developments are related to changing economic and social structures. His analysis is fully illustrated by 210 halftones.


Art and the Relic Cult of St. Antoninus in Renaissance Florence

Art and the Relic Cult of St. Antoninus in Renaissance Florence
Author: Sally J. Cornelison
Publisher: Ashgate Publishing, Ltd.
Total Pages: 390
Release: 2012
Genre: Art
ISBN: 9780754667148

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Sally Cornelison draws upon contemporary visual, literary, and archival sources and diverse methodologies to interpret how the persona of St. Antoninus and the intercessory effectiveness of his relic cult were advertised to a broad audience of viewers and devotees during the Renaissance. Tracing the history of St. Antoninus' burial sites from 1459 until 1589, this interdisciplinary study demonstrates that the saint's cult was a key element of Florence's sacred cityscape.


Florence and Baghdad

Florence and Baghdad
Author: Hans Belting
Publisher: Belknap Press
Total Pages: 303
Release: 2011
Genre: Art
ISBN: 9780674050044

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In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?


Florence in the Nineteenth Century

Florence in the Nineteenth Century
Author: Alyson Price
Publisher: Centro Di
Total Pages: 71
Release: 2011
Genre: History
ISBN: 9788870384437

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Third volume in the series that catalogues Dutch and Flemish painting in Italian public collections, published in cooperation with the Dutch Institute for Art History in Florence.


Italian Renaissance Courts

Italian Renaissance Courts
Author: Alison Cole
Publisher: Laurence King Publishing
Total Pages: 256
Release: 2016-02-02
Genre: Art
ISBN: 9781780677408

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In this fascinating study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua, and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint, and sculpt, but also to oversee the court's building projects and entertainments. The courtly styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles, and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.