Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Public Broadcasting PDF full book. Access full book title Public Broadcasting.
| Author | : Ralph Engelman |
| Publisher | : SAGE |
| Total Pages | : 355 |
| Release | : 1996-04-22 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0803954077 |
Overview of public radio and television in the United States
| Author | : Laurie Oullette |
| Publisher | : Columbia University Press |
| Total Pages | : 299 |
| Release | : 2012-07-24 |
| Genre | : Performing Arts |
| ISBN | : 0231529317 |
How "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
| Author | : United States. Congress. Senate. Committee on Commerce. Subcommittee on Communications |
| Publisher | : |
| Total Pages | : 508 |
| Release | : 1973 |
| Genre | : Government publications |
| ISBN | : |
| Author | : L. R. Ickes |
| Publisher | : Nova Publishers |
| Total Pages | : 100 |
| Release | : 2006 |
| Genre | : Business & Economics |
| ISBN | : 9781594546495 |
The Corporation for Public Broadcasting (CPB) was created out of the Public Broadcasting Act of 1967 (P.L. 90-129). The CPB was intended to provide a funding mechanism for individual public broadcasting stations, but not subject these stations to political influence or favouritism. Therefore, the CPB receives an annual appropriation, and then uses this money, in addition to foundation, corporate, individual memberships, and other funding sources, to provide grants to individual public television and radio broadcast entities. The Public Broadcasting System (PBS), National Public Radio (NPR), and Public Radio International (PRI) do not receive any direct appropriations from CPB; all of the appropriated money goes directly to member stations of these organisations. The number of radio and television public broadcasting stations supported by the CPB increased from 270 in 1969 to approximately 1,100 as of August 2003, of which 356 are television stations. Public broadcasting stations are mostly run by universities, non-profit community associations, and state government agencies. Public broadcasting is regarded as a public service. To serve most Americans, public television reaches approximately 99% of the population and public radio, 91%. With regard to programming, the public broadcasting system observes the principle of local autonomy. That is, public broadcasting stations make decisions independently of the CPB as to what programming will be available to their viewing or listening audience as well as on their programming schedule. The CPB serves as an umbrella organisation for public television and radio Broadcasting. The CPB's principal function is to receive and distribute government contributions (or federal appropriations) to fund national programs and to support qualified member radio and television stations based on legislatively mandated formulas. The bulk of these funds are to provide Community Service Grants (or CSGs) to member stations that have matching funds. By law, the CPB is authorised to exercise minimum control of "program content or other activities" of local member stations. The CPB is prohibited from owning or operating any of the primary facilities used in broadcasting. In addition, it may not produce, disseminate, or schedule programs. This new book presents the issues dealing with this 'hot' topic.
| Author | : Allison Perlman |
| Publisher | : Rutgers University Press |
| Total Pages | : 257 |
| Release | : 2016-05 |
| Genre | : History |
| ISBN | : 0813572320 |
Winner of the 2017 Outstanding Book Award from the Popular Communication Division of the International Communication Association (ICA) Nearly as soon as television began to enter American homes in the late 1940s, social activists recognized that it was a powerful tool for shaping the nation’s views. By targeting broadcast regulations and laws, both liberal and conservative activist groups have sought to influence what America sees on the small screen. Public Interests describes the impressive battles that these media activists fought and charts how they tried to change the face of American television. Allison Perlman looks behind the scenes to track the strategies employed by several key groups of media reformers, from civil rights organizations like the NAACP to conservative groups like the Parents Television Council. While some of these campaigns were designed to improve the representation of certain marginalized groups in television programming, as Perlman reveals, they all strove for more systemic reforms, from early efforts to create educational channels to more recent attempts to preserve a space for Spanish-language broadcasting. Public Interests fills in a key piece of the history of American social reform movements, revealing pressure groups’ deep investments in influencing both television programming and broadcasting policy. Vividly illustrating the resilience, flexibility, and diversity of media activist campaigns from the 1950s onward, the book offers valuable lessons that can be applied to current battles over the airwaves.
| Author | : James Ledbetter |
| Publisher | : Verso |
| Total Pages | : 292 |
| Release | : 1998-11-17 |
| Genre | : Business & Economics |
| ISBN | : 9781859840290 |
A critique of American public broadcasting explores how its mission has been eroded from public-supported educational and cultural programming to corporate sponsorship of mainstream entertainment.
| Author | : Michael P. McCauley |
| Publisher | : Routledge |
| Total Pages | : 360 |
| Release | : 2016-09-16 |
| Genre | : History |
| ISBN | : 1315290677 |
As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting's role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering everything from globalization and the rise of the Internet, to key issues such as race and class, to specific subjects such as advertising, public access, and grassroots radio, Public Broadcasting and the Public Interest provides a fresh and original look at a vital component of our mass media.
| Author | : B. J. Bullert |
| Publisher | : Rutgers University Press |
| Total Pages | : 270 |
| Release | : 1997 |
| Genre | : Documentary films |
| ISBN | : 9780813524702 |
Public television's original mandate required it to address issues of controversy and facilitate the inclusion of voices and perspectives from outside the established consensus. Through detailed chronology, the author of this text traces how far this obligation has been met.
| Author | : Heather Hendershot |
| Publisher | : University of Chicago Press |
| Total Pages | : 271 |
| Release | : 2011-07-15 |
| Genre | : History |
| ISBN | : 0226326764 |
The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster. A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
| Author | : United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Civil Liberties, and the Administration of Justice |
| Publisher | : |
| Total Pages | : 122 |
| Release | : 1980 |
| Genre | : Copyright |
| ISBN | : |
