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Psychophysical Acting

Psychophysical Acting
Author: Phillip B. Zarrilli
Publisher: Routledge
Total Pages: 272
Release: 2012-10-12
Genre: Performing Arts
ISBN: 1134313357

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Psychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include: an historical overview of a psychophysical approach to acting from Stanislavski to the present acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one practical application of training principles to improvisation exercises. Psychophysical Acting is accompanied by Peter Hulton’s downloadable resources featuring exercises, production documentation, interviews, and reflection.


Beyond Stanislavsky

Beyond Stanislavsky
Author: Bella Merlin
Publisher: Routledge
Total Pages: 285
Release: 2014-01-10
Genre: Performing Arts
ISBN: 1135867372

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Beyond Stanislavsky takes the reader through a course in the new system, complete with exercises. Infused with the author's personal experience this is never a set of dry instructions, but a vital engagement with Stanislavsky's mature ideas on actor training.


Acting

Acting
Author: Phillip Zarrilli
Publisher: Palgrave
Total Pages: 312
Release: 2014-01-07
Genre: Performing Arts
ISBN: 9781403990549

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What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting. Individual chapters explore: • psychophysical acting and the legacy of Stanislavsky • European psychophysical practices of dance and theatre • traditional and contemporary psychophysical approaches to performance in India and Japan • insights from the new sciences on the 'situated bodymind' of the actor • intercultural perspectives on acting This lively study is ideal for students and practitioners alike.


Experiencing Stanislavsky Today

Experiencing Stanislavsky Today
Author: Stephanie Daventry French
Publisher: Routledge
Total Pages: 632
Release: 2016-02-11
Genre: Performing Arts
ISBN: 1136519343

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This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.


A Korean Approach to Actor Training

A Korean Approach to Actor Training
Author: Jeungsook Yoo
Publisher: Routledge
Total Pages: 134
Release: 2017-09-22
Genre: Performing Arts
ISBN: 1317280504

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A Korean Approach to Actor Training develops a vital, intercultural method of performer training, introducing Korean and more broadly East Asian discourses into contemporary training and acting practice. This volume examines the psychophysical nature of a performer’s creative process, applying Dahnhak, a form of Korean meditation, and its central principle of ki-energy, to the processes and dramaturgies of acting. A practitioner as well as a scholar, Jeungsook Yoo draws upon her own experiences of training and performing, addressing productions including Bald Soprano (2004), Water Station (2004) and Playing ‘The Maids’ (2013–2015). A significant contribution to contemporary acting theory, A Korean Approach to Actor Training provides a fresh outlook on performer training which will be invaluable to scholars and practitioners alike.


To the Actor

To the Actor
Author: Michael Chekhov
Publisher: Ravenio Books
Total Pages: 226
Release:
Genre: Performing Arts
ISBN:

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In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.


Actioning and how to Do it

Actioning and how to Do it
Author: Nick Moseley
Publisher:
Total Pages: 0
Release: 2016
Genre: Acting
ISBN: 9781848424234

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The indispensable companion to a vital component in every actor's toolkit.


Twentieth Century Actor Training

Twentieth Century Actor Training
Author: Alison Hodge
Publisher: Psychology Press
Total Pages: 270
Release: 2000
Genre: Performing Arts
ISBN: 0415194520

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Actor training is arguably one of the most unique phenomenons of 20th-century theatre making. This text analyses the theories, training exercises and productions of 14 key directors.