Proportions in Music
Author | : Hugo Norden |
Publisher | : |
Total Pages | : 4 |
Release | : 1964 |
Genre | : |
ISBN | : |
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Author | : Hugo Norden |
Publisher | : |
Total Pages | : 4 |
Release | : 1964 |
Genre | : |
ISBN | : |
Author | : James Austin Rothwell |
Publisher | : |
Total Pages | : 378 |
Release | : 1977 |
Genre | : Musical form |
ISBN | : |
Author | : Karlheinz Schüffler |
Publisher | : Springer Nature |
Total Pages | : 293 |
Release | : |
Genre | : |
ISBN | : 3662653362 |
Author | : Roy Howat |
Publisher | : Cambridge University Press |
Total Pages | : 264 |
Release | : 1983 |
Genre | : Music |
ISBN | : 9780521311458 |
An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.
Author | : Johannes Tinctoris |
Publisher | : |
Total Pages | : 66 |
Release | : 1979 |
Genre | : Music theory |
ISBN | : |
Author | : Glenn Spring |
Publisher | : Waveland Press |
Total Pages | : 416 |
Release | : 2013-08-29 |
Genre | : Music |
ISBN | : 1478611731 |
Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.
Author | : Johannes Tinctoris |
Publisher | : |
Total Pages | : |
Release | : 1979 |
Genre | : |
ISBN | : |
Author | : George A. Articolo |
Publisher | : Rensselaer Press |
Total Pages | : 318 |
Release | : 2013-06 |
Genre | : Composition (Music) |
ISBN | : 9780615834092 |
"The title "Mathematical Concepts in Music -- Scales, Harmony and Ratios" is an effort to present a comprehensive overview of the mathematical underpinnings of music -- in particular, we focus on scales, harmony, and the ratios that characterize these musical objects." -- preface.
Author | : Charles B. Madden |
Publisher | : |
Total Pages | : 366 |
Release | : 2005 |
Genre | : Music |
ISBN | : 9780967172767 |
This study of the use of the golden proportion in classical music shows that 53 of the 70 composers studied used it to structure their works, some of them knowingly. Since this is seldom discussed in courses in music theory, this book should be a major contribution to our understanding of musical structure.
Author | : Maria Renold |
Publisher | : Temple Lodge Publishing |
Total Pages | : 210 |
Release | : 2015 |
Genre | : Music |
ISBN | : 1906999732 |
Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: - The octave has two sizes (a 'genuine' sounding octave is bigger than the "perfect octave") - There are three sizes of "perfect fifths" - An underlying "form principle" for all scales can be found - Equal temperament is not the most satisfactory method of tuning a piano - She provides a basis for some of Steiner's statements, such as, "C is always prime" and "C = 128 Hz = Sun." Intervals, Scales, Tones is a valuable resource for those who wish to understand the deeper, spiritual aspects of music.