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Conflict Propaganda in Syria

Conflict Propaganda in Syria
Author: Oliver Boyd-Barrett
Publisher: Routledge
Total Pages: 292
Release: 2021-12-28
Genre: Political Science
ISBN: 1000523837

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This book investigates rival narratives about the conflict in Syria from 2011 onwards. It examines the starkly different narratives about the Syrian conflict told by mainly Western mainstream and alternative media, and contrasts these narratives with the equally polarized but more nuanced narratives of mainly Western scholars and long-form journalists. Differences of narrative concerning the conflict include: what is deemed relevant context in trying to explain the war; whether the war is best seen as a civil conflict or as a proxy war fought among external powers; the degree of emphasis given to the alleged crimes of the Syrian regime as opposed to the alleged violence of Salafist militia; the accuracy of the "origin" story of the conflict in Daraa; the extent to which the initial protestors were secular campaigners calling for democracy or whether they were Muslim extremists seeking a sectarian society governed by sharia law. Several case studies of propaganda institutions are examined here, including the journalism of Marie Colvin; the role of government-funded NGOs; the controversies surrounding each of three major instances of alleged regime use of chemical weapons, and the politicization of the Organization for the Prohibition of Chemical Weapons (OPCW). This book will be of much interest to students of media and communication studies, propaganda studies, Middle Eastern politics, and International Relations in general.


Propaganda, the Press and Conflict

Propaganda, the Press and Conflict
Author: David R. Willcox
Publisher: Routledge
Total Pages: 248
Release: 2005-09-19
Genre: History
ISBN: 1134237626

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An incisive analysis of the use of the press for propaganda purposes during conflicts, using the first Gulf War and the intervention in Kosovo as case studies. As the contemporary analysis of propaganda during conflict has tended to focus considerably upon visual and instant media coverage, this book redresses the imbalance and contributes to the growing discourse on the role of the press in modern warfare. Through an innovative comparative analysis of press treatment of the two conflicts it reveals the existence of five consistent propaganda themes: portrayal of the leader figure, portrayal of the enemy, military threat, threat to international stability and technological warfare. As these themes construct a fluid model for the analysis and understanding of propaganda content in the press during conflicts involving British forces, they also provide the background against which the author can discuss general issues regarding propaganda. Amongst the issues which have become increasingly relevant to both recent academic debate and popular culture, the author tackles the role of the journalist in war coverage, the place of the press in a news market dominated by 'instant' visual media and the effectiveness of propaganda in specific cultural and political context. This book will appeal to advanced students and researchers in war studies, media studies/propaganda and psychology.


Propaganda and Conflict

Propaganda and Conflict
Author: Mark Connelly
Publisher: Bloomsbury Publishing
Total Pages: 369
Release: 2020-11-26
Genre: History
ISBN: 135019445X

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Propaganda has always played a key role in shaping attitudes during periods of conflict and the academic study of propaganda, commencing in earnest in 1915, has never really left us. We continue to want to understand propaganda's inner-workings and, in doing so, to control and confine its influence. We remain anxious about pernicious information warfare campaigns, especially those that seemingly endanger liberal democracy or freedom of thought. What are the challenges, then, of studying propaganda studies in the twenty-first century? Much scholarship remains locked into the study of state-led campaigns, however an area of special concern in recent years has been the loss of official control over the basic instruments of mass communication. This has been seen in the rise of 'fake news' and the ability of non-state actors to influence political events. This volume presents the latest research in propaganda studies, featuring contributions from a range of leading scholars and covering the most cutting-edge scholarship in the study of propaganda from World War I to the present.


Comics and Conflict

Comics and Conflict
Author: Cord A Scott
Publisher: Naval Institute Press
Total Pages: 214
Release: 2014-09-15
Genre: History
ISBN: 1612514782

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Illustration has been an integral part of human history. Particularly before the advent of media such as photography, film, television, and now the Internet, illustrations in all their variety had been the primary visual way to convey history. The comic book, which emerged in its modern form in the 1930s, was another form of visual entertainment that gave readers, especially children, a form of escape. As World War II began, however, comic books became a part of propaganda as well, providing information and education for both children and adults. This book looks at how specific comic books of the war genre have been used to display patriotism, adventure through war stories, and eventually to tell of the horrors of combat—from World War II through the current conflicts in Iraq and Afghanistan in the first decade of the twenty-first century. This book also examines how war-and patriotically-themed comics evolved from soldier-drawn reflections of society, eventually developing along with the broader comic book medium into a mirror of American society during times of conflict. These comic books generally reflected patriotic fervor, but sometimes they advanced a specific cause. As war comic books evolved along with American society, many also served as a form of protest against United States foreign and military policy. During the country’s most recent wars, however, patriotism has made a comeback, at the same time that the grim realities of combat are depicted more realistically than ever before. The focus of the book is not only on the development of the comic book medium, but also as a bell-weather of society at the same time. How did they approach the news of the war? Were people in favor or against the fighting? Did the writers of comics promote a perception of combat or did they try to convey the horrors of war? All of these questions were important to the research, and serve as a focal point for what has been researched only in limited form previously. The conclusions of the book show that comic books are more than mere forms of entertainment. Comic books were also a way of political protest against war, or what the writers felt were wider examples of governmental abuse. In the post 9/11 era, the comic books have returned to their propagandistic/patriotic roots.


Propaganda

Propaganda
Author: Tony Husband
Publisher: Arcturus Publishing
Total Pages: 246
Release: 2014-03-02
Genre: History
ISBN: 1784043389

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The best propaganda is made by the best artists. Posters have to be sharp, attractive and to the point, as well as exploiting ancient prejudices using techniques that sway opinion. They are designed to be understood in the blink of an eye from a distance of at least six feet and, if they don't appeal directly to the emotions, they should immediately be torn up and thrown away. This book features propaganda posters and cartoons by some of the world's greatest artists, including portraits of Napoleon by Gillray and Ingrès, Edward VII by Jean Veber, the drooling gorilla of German militarism by H R Hopps, Uncle Sam by James Montgomery Flagg, Hitler in several guises, and so much more. Within these pages, you'll find extraordinary art with a job to do. And from these ingenious images, you'll gain unique insight into the cultures that produced them.


Enemy Images in War Propaganda

Enemy Images in War Propaganda
Author: Marja Vuorinen
Publisher: Cambridge Scholars Publishing
Total Pages: 170
Release: 2012-01-17
Genre: Political Science
ISBN: 1443837024

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In the post 9/11 world, the emotionally charged concepts of identity and ideology, enmity and political violence have once again become household words. Contrary to the serene assumptions of the early 1990s, history did not end. Civilisations are busy clashing against one another, and the self-proclaimed pacified humanity is once again showing its barbaric roots. Religion mixes with politics to produce governments that abuse even their own citizens, and victorious insurgents too often fail to carry out the promised reforms. Terrorists blow up unsuspecting pedestrians, and allegedly democratic nations threaten to bomb allegedly less democratic ones back to the Stone Age. Mass demonstrations materialise like flash mobs out of nowhere, prepared to hold their ground until the bitter end. Where does all this passionate intensity come from? To better understand how the ideological enmity of today is moulded, spread and managed, this book investigates the propaganda operations of the past. Its topics range from the ruthless portrayal of female enemy soldiers in an early-20th-century civil war setting to the multiple enemy images cherished by Adolf Hitler, and onwards, to the WWII Soviet Russians as a subtype of a more ancient notion of the Eastern Hordes. Of more recent events, the book covers the Rwandan genocide of 1994 and the still ongoing Israel-Palestine conflict. The closing chapter on cyber warfare introduces the reader to the invisible enemies of the future.


Western Mainstream Media and the Ukraine Crisis

Western Mainstream Media and the Ukraine Crisis
Author: Oliver Boyd-Barrett
Publisher: Routledge
Total Pages: 338
Release: 2016-10-04
Genre: Political Science
ISBN: 131719599X

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This book explores contemporary propaganda and mainstream Western news media, with reference to the Ukraine crisis. It examines Western media narratives of the immediate causes of the crisis, the respective roles of those who participated in or otherwise supported the demonstrations of 2013–2014 – including US-backed NGOs and rightist militia – and the legitimacy, or otherwise, of the destabilization of the democratically elected Yanukovych government. It considers how the crisis was contextualized with reference to broader themes of competition for power over Eurasia and the Washington Consensus. It assesses accounts of the role of Russia and of ethnic Russian Ukrainians in Crimea, Odessa and the Donbass and traces how Western mainstream media went out of their way to demonize Vladimir Putin. The book deconstructs prevailing Western narratives as to the reasons for the shooting down of Malaysian Airways flight MH17 in July 2014, and counters Western media concentration on the issue of culpability for the attack with an alternative narrative of egregious failure to close down civilian air space over war zones. From analysis of these discourses, the book identifies principles of post-2001 Western conflict propaganda as these appeared to play out in Ukraine. This book will be of much interest to students of propaganda, media and communication studies, Russian and Eastern European politics, security studies and IR.


Radio Propaganda and the Broadcasting of Hatred

Radio Propaganda and the Broadcasting of Hatred
Author: K. Somerville
Publisher: Springer
Total Pages: 448
Release: 2012-08-31
Genre: Political Science
ISBN: 1137284153

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An exposition and analysis of the development of propaganda, focusing on how the development of radio transformed the delivery and impact of propaganda and led to the use of radio to incite hatred and violence.


War and Words

War and Words
Author: Wojciech Drąg
Publisher: Cambridge Scholars Publishing
Total Pages: 160
Release: 2016-05-11
Genre: Fiction
ISBN: 1443894249

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Despite the vast body of texts inspired by warfare – from The Iliad to Maus – war writing is perpetually haunted by the notions of unrepresentability and inadequacy. War and Words examines the methods, conventions and pitfalls of constructing verbal accounts of military conflict in literature and the media. This multifocal study draws on a wide array of theoretical perspectives, including feminism, posthumanism, masculinity, trauma, spatiality and media studies, and brings together such diverse material as canonical literature, war veterans’ testimonies, imaginative fiction, computer games, English curricula, and Al-Qaeda’s propaganda pieces. In five consecutive sections – “Spreading War Propaganda”, “Reconstructing War Spaces”, “Envisioning War”, “Gendering War”, and “Teaching War” – the contributors consider war in its manifold aspects: as an ideological tool used for propaganda purposes, as a spatial reconstruction performed for the critical reassessment of past conflicts, as a projection (or extrapolation) of possible future conflicts and their social repercussions, as a political statement to deconstruct the oppressive nature of violence, and, finally, as a didactic tool to foster empathy. This collection will appeal primarily to academics specialising in English and American literature, but also to those researching media, gender, and game studies.


Digital and Media Literacy

Digital and Media Literacy
Author: Renee Hobbs
Publisher: Corwin Press
Total Pages: 233
Release: 2011-07-12
Genre: Education
ISBN: 1412981581

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Leading authority on media literacy education shows secondary teachers how to incorporate media literacy into the curriculum, teach 21st-century skills, and select meaningful texts.