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| Author | : Kurt Lancaster |
| Publisher | : CRC Press |
| Total Pages | : 222 |
| Release | : 2016-05-05 |
| Genre | : Performing Arts |
| ISBN | : 1135040362 |
Download Production House Cinema Book in PDF, ePub and Kindle
In Production House Cinema: Starting and Running Your Own Cinematic Storytelling Business, renowned video storyteller Kurt Lancaster offers both students and professionals a practical guide to starting their own video production company and creating cinematic, client-based video content. Utilizing practical know-how along with in-depth analysis and interviews with successful independent production houses like Stillmotion and Zandrak, Lancaster follows the logistics and inspiration of creating production house cinema from the initial client pitch all the way through financing and distribution. The book includes: An examination of the cinematic and narrative style and how to create it; A discussion of the legal procedures and documents necessary for starting and operating a production house; Advice on crafting a portfolio, reel, and website that both demonstrates your unique style and vision and attracts clients; A guide to the financial business of running an independent production house, including invoicing, accounting, and taxes—and how much you should charge clients; Tips for how to better communicate with clients, and how to develop and shape a client’s story; A breakdown of how to select the right gear and equipment for a shoot, on budget; Cinematic case studies that offer detailed coverage of several short films made for clients.
| Author | : Ted Hope |
| Publisher | : Catapult |
| Total Pages | : 256 |
| Release | : 2014-05-19 |
| Genre | : Social Science |
| ISBN | : 1619023954 |
Download Hope for Film Book in PDF, ePub and Kindle
“Essential for the aspiring filmmaker,” this is an inspiring, tell-all look at the independent film business from one of the industry’s most passionate supporters (Todd Solondz, director of Welcome to the Dollhouse) Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City and its collapse two decades later to its technology-fueled regeneration and continuing streaming-based evolution. Ted Hope, whose films have garnered 12 Oscar nominations, draws from his own personal experiences working on the early films of Ang Lee, Eddie Burns, Alan Ball, Todd Field, Hal Hartley, Michel Gondry, Nicole Holofcener, and Todd Solondz, as well as his tenures at the San Francisco Film Society, Fandor, and Amazon Studios, taking readers through the decision-making process that brought him the occasional failure as well as much success. Whether navigating negotiations with studio executives over final cuts or clashing with high-powered CAA agents over their clients, Hope offers behind-the-scenes stories from the wild and often heated world of “specialized” cinema--where art and commerce collide. As mediator between these two opposing interests, Hope offers his unique perspective on how to make movies while keeping your integrity intact and how to create a sustainable business enterprise out of that art while staying true to yourself. Against a backdrop of seismic changes in the independent film industry, from corporate co-option to the rise of social media and the streaming giants, Hope for Film provides not only an entertaining and intimate ride through the business of arthouse movies over the last decades, but also hope for its future. “There is nobody in the independent film world quite like Ted Hope. His wisdom and heart shine through every page.” —Ang Lee, Academy Award winning director of Brokeback Mountain
| Author | : Vinzenz Hediger |
| Publisher | : Amsterdam University Press |
| Total Pages | : 496 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 9089640134 |
Download Films that Work Book in PDF, ePub and Kindle
Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.
| Author | : Jeff Menne |
| Publisher | : Columbia University Press |
| Total Pages | : 273 |
| Release | : 2019-02-26 |
| Genre | : Performing Arts |
| ISBN | : 0231545088 |
Download Post-Fordist Cinema Book in PDF, ePub and Kindle
The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project. Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”
| Author | : Barbara Wilinsky |
| Publisher | : U of Minnesota Press |
| Total Pages | : 196 |
| Release | : 2001-01-01 |
| Genre | : Performing Arts |
| ISBN | : 9780816635634 |
Download Sure Seaters Book in PDF, ePub and Kindle
By the end of the Second World War, a growing segment of the American filmgoing public was wearying of mainstream Hollywood films and began to seek out something different. In major cities and college towns across the country, art film theaters provided a venue for alternatives to the films playing in main-street movie palaces: British, foreign-language, and independent American films, as well as documentaries and revivals of Hollywood classics. A skeptical film industry dubbed such cinemas "sure seaters," convinced that patrons would have no trouble finding seats there. However, with the success of art films like Rossellini's Open City and Mackendrick's Tight Little Island, the meaning of the term "sure seater" changed and, by the end of the 1940s, reflected the frequency with which art house cinemas filled all their seats. Wilinsky examines the development of the theaters that introduced such challenging, personal, and artistic films as The Bicycle Thief and The Red Shoes to American audiences, and offers a more complete understanding of postwar popular culture and the often complicated relationship between art cinema and the commercial film industry that ultimately shaped both and resulted in today's vibrant film culture. -- from back cover.
| Author | : Ashley Scott Meyers |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Motion picture authorship |
| ISBN | : 9781601451484 |
Download Selling Your Screenplay Book in PDF, ePub and Kindle
Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie.
| Author | : John Reich |
| Publisher | : Open SUNY Textbooks |
| Total Pages | : |
| Release | : 2017-07-10 |
| Genre | : |
| ISBN | : 9781942341475 |
Download Exploring Movie Construction and Production Book in PDF, ePub and Kindle
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
| Author | : Bernard Mendiburu |
| Publisher | : Taylor & Francis |
| Total Pages | : 233 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 0240811372 |
Download 3D Movie Making Book in PDF, ePub and Kindle
Hollywood is going 3D, readers learn how to adapt their production skills to this hot new medium so they can be part of the movement.
| Author | : Eve Light Honthaner |
| Publisher | : Taylor & Francis |
| Total Pages | : 532 |
| Release | : 2013-09-23 |
| Genre | : Performing Arts |
| ISBN | : 1136053050 |
Download The Complete Film Production Handbook Book in PDF, ePub and Kindle
This book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up and run a production--from finding a production office to turning over delivery elements. Even if you know what you're doing, you will be thrilled to find everything you need in one place. If you're not already working in film production, but think you'd like to be, read the book -- and then decide. If you choose to pursue this career path, you'll know what to expect, you'll be prepared, and you'll be ten steps ahead of everyone else just starting out. New topics and information in the fourth edition include: * Low-budget independent films, including documentaries and shorts * Information specific to television production and commercials * The industry's commitment to go green and how to do it * Coverage of new travel and shipping regulations * Updated information on scheduling, budgeting, deal memos, music clearances, communications, digital production, and new forms throughout
| Author | : George Alexander |
| Publisher | : Crown |
| Total Pages | : 546 |
| Release | : 2007-12-18 |
| Genre | : Performing Arts |
| ISBN | : 0307419592 |
Download Why We Make Movies Book in PDF, ePub and Kindle
A sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander’s cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike, Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today’s silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES • MICHAEL SCHULTZ • CHARLES BURNETT • SPIKE LEE • ROBERT TOWNSEND • FRED WILLIAMSON • ERNEST DICKERSON • KEENEN IVORY WAYANS • ANTOINE FUQUA • BILL DUKE • FORREST WHITAKER • JULIE DASH • KASI LEMMONS • GINA PRINC-BLYTHEWOOD • JOHN SINGLETON • GEORGE TILLMAN Jr. • REGINALD HUDLIN • WARRINGTON HUDLIN • MALCOLM LEE • EUZHAN PALCY • DOUG McHENRY • DEBRA MARTIN CHASE • St. CLAIR BOURNE • STANLEY NELSON • WILLIAM GREAVES • KATHE SANDLER • CAMILLE BILLOPS • HAILE GERIMA • GORDON PARKS
