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Producing the Modern Hebrew Canon

Producing the Modern Hebrew Canon
Author: Hannan Hever
Publisher: NYU Press
Total Pages: 259
Release: 2001-12-01
Genre: Literary Criticism
ISBN: 9780814736449

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A people's writings can play a dramatic role in nation building, as the development of modern Hebrew literature powerfully illustrates. Since the end of the nineteenth century, Hebrew writers in Europe and Palestine/Israel have produced texts and consolidated moments in the shaping of national identity. Yet, this process has not always been a unified and continuous one. The processes of canon formation and the suppression of heterodox discourses have been played out publicly and vociferously. Producing the Modern Hebrew Canon offers a sweeping view of the entirety of modern Hebrew literature, from Berdichevski and Agnon to Shammas and Habiby, shedding light on the moments of rupture and reversal which have undermined efforts to construct a hegemonic Zionist narrative. It provides a model for understanding the relations between minority and majority voices in postcolonial situations, showing these processes working and changing over time, from the earliest days of the creation of a labor Zionist sensibility for literature to Israeli state culture and the discourses of Arab otherness. By illuminating both the process of canon formation as well as the voices excluded from the canon, Producing the Modern Hebrew Canon offers a powerful alternative reading of twentieth century Hebrew fiction.


The Formation of the Jewish Canon

The Formation of the Jewish Canon
Author: Timothy H. Lim
Publisher: Yale University Press
Total Pages: 304
Release: 2013-10-22
Genre: Religion
ISBN: 0300164343

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DIVThe discovery of the Dead Sea Scrolls provides unprecedented insight into the nature of the Hebrew Bible or Old Testament before its fixation. Timothy Lim here presents a complete account of the formation of the canon in Ancient Judaism from the emergence of the Torah in the Persian period to the final acceptance of the list of twenty-two/twenty-four books in the Rabbinic period./divDIV /divDIVUsing the Hebrew Bible, the Scrolls, the Apocrypha, the Letter of Aristeas, the writings of Philo, Josephus, the New Testament, and Rabbinic literature as primary evidence he argues that throughout the post-exilic period up to around 100 CE there was not one official “canon” accepted by all Jews; rather, there existed a plurality of collections of scriptures that were authoritative for different communities. Examining the literary sources and historical circumstances that led to the emergence of authoritative scriptures in ancient Judaism, Lim proposes a theory of the majority canon that posits that the Pharisaic canon became the canon of Rabbinic Judaism in the centuries after the destruction of the Jerusalem Temple./div


I. L. Peretz and the Making of Modern Jewish Culture

I. L. Peretz and the Making of Modern Jewish Culture
Author: Ruth R. Wisse
Publisher: University of Washington Press
Total Pages: 147
Release: 2015-07-01
Genre: Social Science
ISBN: 0295805676

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I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.


The Evolution of Modern Hebrew Literature, 1850-1912 (Classic Reprint)

The Evolution of Modern Hebrew Literature, 1850-1912 (Classic Reprint)
Author: A. S. Waldstein
Publisher:
Total Pages: 142
Release: 2015-07-07
Genre: Literary Collections
ISBN: 9781330916131

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Excerpt from The Evolution of Modern Hebrew Literature, 1850-1912 In writing this book, I have had in view not so much the appreciation of the individual authors and their productions per se, as their relation to the period in which they lived, the ideas and emotions by which they were, consciously or unconsciously, actuated, and what they contributed, as individuals or as a class, to the development of Hebrew literature. In short, I purpose to give here the evolution of the latter rather than its history, in the common sense of the term. This mode of treatment has been more and more pursued by literary historians since Taine; and should, in particular, be followed by any one that writes for a reading public to whom the literature treated is entirely foreign. Readers such as these are certainly more interested in the trend of thought, in the flux and flow of ideas, and in the artistic temperament of the period as a whole and in the literature as a whole, than in any particular writer. Hence, some authors, who would otherwise deserve a fuller treatment, have been dealt with rather summarily. For though as individual writers they may be of very high standing, yet their contribution to the development of Hebrew literature may have been less marked than that of other writers of inferior talent, who have, nevertheless, formed links in the chain of this development, and who have consequently been treated more fully. I have selected as my subject the period between the fifties of the last century and our own time, and I did not go back to the middle of the eighteenth century, which is generally considered the terminus a quo of modern Hebrew literature, for the following reason. As I am here dealing mainly with belles-lettres and allied branches, I could have found very little scope in the literature of the hundred years preceding the middle of the nineteenth century. The novel in Hebrew had not yet been produced. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Scribal Culture and the Making of the Hebrew Bible

Scribal Culture and the Making of the Hebrew Bible
Author: Karel van der Toorn
Publisher: Harvard University Press
Total Pages: 414
Release: 2009-04-15
Genre: Religion
ISBN: 0674032543

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We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah. Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.


The Modern Jewish Canon

The Modern Jewish Canon
Author: Ruth R. Wisse
Publisher: University of Chicago Press
Total Pages: 420
Release: 2003-04-15
Genre: Literary Criticism
ISBN: 9780226903187

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What makes a great Jewish book? In fact, what makes a book "Jewish" in the first place? Ruth R. Wisse eloquently fields these questions in The Modern Jewish Canon, her compassionate, insightful guide to the finest Jewish literature of the twentieth century. From Isaac Babel to Isaac Bashevis Singer, Elie Wiesel to Cynthia Ozick, Wisse's The Modern Jewish Canon is a book that every student of Jewish literature, and every reader of great fiction, will enjoy.


The Politics of Canonicity

The Politics of Canonicity
Author: Michael Gluzman
Publisher: Stanford University Press
Total Pages: 268
Release: 2002-12-30
Genre: Literary Criticism
ISBN: 9780804729840

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This book explores the complex relations among the hegemonic triad of territory, nation, and national literature that have characterized the modern European nation-state. In the case of Hebrew literature, this triad was unattainable and its components fiercely contested, hence the literary field itself was responsible for shaping the nation, preceding the nation-state itself. ---------- Michael Gluzman is Assistant Professor of Comparative Literature at Tel Aviv University. ---------- The Politics of Canonicity sheds new light on the dynamics of canon formation in modern Hebrew literature. It explores the ways in which literary culture--as site and as tool--participates in the production of national identity. The aesthetic paradigms, political ideologies, and social interests that privilege certain texts and literary modes are reexamined within the framework of the conscious and deliberate practices of Zionism to formulate a national discourse. As the author shows, the suppressed, the marginal, the undesired "others" of the nation demonstrate the limits of both the literary canon and society's own self-understanding. The book combines the specific questions of Hebrew literature with a critical inquiry of the theoretical debates surrounding the notion of canon. It begins by examining the formative debate in both Hebrew letters and European discourses of modernity at the end of the nineteenth century which address the tension between writing the nation and writing the self. It moves on to the equally constitutive question within Jewish nationalism of the relation between diaspora and homeland in literary writing. While international modernism tends to glorify exile, Hebrew modernism demonstrated a fierce antagonism toward a "diaspora mentality." In his analysis of the suppressed margins of the Hebrew literary canon, the author outlines the specific aesthetic fault lines of the new national community. In chapters devoted to the poets David Fogel and Avot Yeshurun, and the poetics of a feminine voice in Rachel Bluvstein, Esther Raab, and Anda Pinkerfeld, he analyzes the historical tensions between margin and canon, highlighting the ways in which these marginalized poets were able to speak within a discursive system that suppressed their voices. We are grateful for support from the Koret Jewish Studies Publication Program. ---------- "An outstanding book that is certain to provoke wide discussion, Lines of Resistance will be essential for any future discussion of modernist Hebrew poetry. Well written--clear, fresh, and engaging--it will be invaluable to scholars in the field. Insofar as it engages in a dialogue with contemporary theories of nation building and canon formation, it is bound to appeal to literary critics in other fields as well."--Ilana Pardes, Hebrew University of Jerusalem "This book is highly recommended to anyone interested in Modern Hebrew liberature."--Association of Jewish Libraries


Arabic in Modern Hebrew Texts

Arabic in Modern Hebrew Texts
Author: Mohamed A.H. Ahmed
Publisher: Edinburgh University Press
Total Pages: 200
Release: 2019-09-27
Genre: Language Arts & Disciplines
ISBN: 1474444458

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In the late 1950s, Iraqi Jews were either forced or chose to leave Iraq for Israel. Finding it impossible to continue writing in Arabic in Israel, many Iraqi Jewish novelists faced the literary challenge of switching to Hebrew. Focusing on the literary works of the writers Shimon Ballas, Sami Michael and Eli Amir, this book examines their use of their native Iraqi Arabic in their Hebrew works. It examines the influence of Arabic language and culture and explores questions of language, place and belonging from the perspective of sociolinguistics and multilingualism.In addition Ahmed applies stylistics as a framework to investigate the range of linguistic phenomena that can be found in these exophonic texts, such as code-switching, borrowing, language and translation strategies. This new stylistic framework for analysing exophonic texts offers a future model for the study of other languages.The social and political implications of this dilemma, as it finds expression in creative writing, are also manifold. In an age of mass migration and population displacement, the conflicted loyalties explored in this book through the prism of Arabic and Hebrew are relevant in a range of linguistic contexts.


Suddenly, the Sight of War

Suddenly, the Sight of War
Author: Hannan Hever
Publisher: Stanford University Press
Total Pages: 284
Release: 2016-02-24
Genre: Literary Criticism
ISBN: 0804797188

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Suddenly, the Sight of War is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews. In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence.