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Pacific Art

Pacific Art
Author: Anita Herle
Publisher: University of Hawaii Press
Total Pages: 486
Release: 2002-01-01
Genre: Art
ISBN: 9780824825560

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Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.


Carved Histories

Carved Histories
Author: Roger Neich
Publisher: Auckland University Press
Total Pages: 462
Release: 2001
Genre: Art
ISBN: 9781869402570

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This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.


Index of Conference Proceedings

Index of Conference Proceedings
Author: British Library. Document Supply Centre
Publisher:
Total Pages: 870
Release: 2003
Genre: Conference proceedings
ISBN:

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Academic Anthropology and the Museum

Academic Anthropology and the Museum
Author: Mary Bouquet
Publisher: Berghahn Books
Total Pages: 254
Release: 2001-12-01
Genre: Art
ISBN: 1782386610

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The museum boom, with its accompanying objectification and politicization of culture, finds its counterpart in the growing interest by social scientists in material culture, much of which is to be found in museums. Not surprisingly, anthropologists in particular are turning their attention again to museums, after decades of neglect, during which fieldwork became the hallmark of modern anthropology - so much so that the "social" and the "material" parted company so radically as to produce a kind of knowledge gap between historical collections and the intellectuals who might have benefitted from working on these material representations of culture. Moreover it was forgotten that museums do not only present the "pastness" of things. A great deal of what goes on in contemporary museums is literally about planning the shape of the future: making culture materialize involves mixing things from the past, taking into account current visions, and knowing that the scenes constructed will shape the perspectives of future generations. However, the (re-)invention of museum anthropology presents a series of challenges for academic teaching and research, as well as for the work of cultural production in contemporary museums - issues that are explored in this volume.