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| Author | : David Pan |
| Publisher | : U of Nebraska Press |
| Total Pages | : 262 |
| Release | : 2001-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780803237278 |
Modernity became one of a number of equally plausible cultural strategies for organizing life in the contemporary world."--BOOK JACKET.
| Author | : Richard J. Powell |
| Publisher | : Univ of California Press |
| Total Pages | : 212 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780520212633 |
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
| Author | : Richard Halpern |
| Publisher | : Cornell University Press |
| Total Pages | : 340 |
| Release | : 1991 |
| Genre | : Capitalism and literature |
| ISBN | : 9780801497728 |
| Author | : State University of New York at Binghamton. Center for Medieval and Early Renaissance Studies |
| Publisher | : Albany : State University of New York Press |
| Total Pages | : 232 |
| Release | : 1972 |
| Genre | : History |
| ISBN | : |
| Author | : Stephen Farthing |
| Publisher | : Rizzoli Universe Promotional Books |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art, Renaissance |
| ISBN | : 9780789324597 |
A never-before-seen presentation of art and architecture from the Renaissance era, in elegant, informative, and engaging three-dimensional form. Accompanied by stunning art and ingenious pop engineering, Renaissance Art Pop-Up Book presents the talent and imagination of some of the most influential artists in history. Ranging from the influences of Gothic art on the early Renaissance to the culmination of High Renaissance, this book follows the appearance of new forms in religious and secular painting and the burgeoning use of groundbreaking techniques, such as perspective and narrative in painting; new innovations in architecture; and the unique genius of artists from all over Europe. The book features the most outstanding artists, art, and architecture of the period, including the frescoes of Giotto, Michelangelo’s Sistine Chapel, and the works of Caravaggio, Botticelli, Titian, D�rer, and Massacio, to name only a few. Innovative pop-ups include a working camera obscura; da Vinci’s "flying machine"; Piero della Francesca’s View of the Ideal City, with removable perspective lines; Brunelleschi’s majestic Duomo in Florence; and a fold-out timeline of the Renaissance. Showcasing the artistic innovations of the era in interactive format, this book gives the reader a fresh perspective, thereby teaching the principles and history of the Renaissance in a new and unique way. Renaissance Art Pop-Up Book is a superb tour of the greatest achievements of the world’s early masters, and is the perfect educational gift for art lovers of all ages.
| Author | : Paul Maurice Clogan |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 244 |
| Release | : 1987 |
| Genre | : Civilization, Medieval |
| ISBN | : 9780847675821 |
| Author | : Library of Congress. Office for Subject Cataloging Policy |
| Publisher | : |
| Total Pages | : 1548 |
| Release | : 1990 |
| Genre | : Subject headings, Library of Congress |
| ISBN | : |
| Author | : Elizabeth Ketner |
| Publisher | : Routledge |
| Total Pages | : 272 |
| Release | : 2016-07-15 |
| Genre | : Literary Criticism |
| ISBN | : 1134803974 |
Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.
| Author | : Library of Congress |
| Publisher | : |
| Total Pages | : 1278 |
| Release | : 1992 |
| Genre | : Subject headings, Library of Congress |
| ISBN | : |
| Author | : Sarita Echavez See |
| Publisher | : NYU Press |
| Total Pages | : 246 |
| Release | : 2017-11-14 |
| Genre | : Art |
| ISBN | : 1479825050 |
Nowhere can we appreciate so easily the intertwined nature of the triple forces of knowledge accumulation--capital, colonial, and racial--than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. Sarita See maintains that it is this material collection of artifacts associated with the racial, colonial primitive that forms the foundation of American knowledge production. The Filipino Primitive takes Karl Marx's concept of "primitive accumulation," usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation subtending imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the development of an American accumulative drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of an accumulative epistemology, even as they articulate powerful alternative, anti-accumulative social ecologies.
