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Prepared Guitar Techniques

Prepared Guitar Techniques
Author: Peter Yates
Publisher:
Total Pages: 46
Release: 1990
Genre: Guitar
ISBN:

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The Techniques of Guitar Playing

The Techniques of Guitar Playing
Author: Seth F. Josel
Publisher: Bärenreiter-Verlag
Total Pages: 233
Release: 2021-03-09
Genre: Music
ISBN: 3761872399

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Der Gitarrist Seth F. Josel und der Komponist Ming Tsao geben in ihrem gemeinsam geschriebenen Buch einen umfassenden Überblick über zeitgenössische Spieltechniken der klassischen Gitarre. Prägend war hierbei eine neue Generation von Gitarren-Solisten, die durch ihre außerordentlichen technischen und virtuosen Fähigkeiten einem neuen Verständnis von instrumentaler Aufführungspraxis den Weg geebnet haben. Detallierte Erklärungen über das, was technisch auf dem Instrument möglich ist, werden präsentiert und im Hinblick auf die traditionelle Gitarrentechnik in einen historischen Zusammenhang gestellt. Für Komponisten interessant sind die ausführlichen Analysen von zeitgenössischer Gitarrenliteratur, die viele Beispiele aus Kammer- und Ensemblemusik mit einbeziehen. Vier Hauptkapitel beschreiben - Techniken der rechten und der linken Hand - Besondere Harmonien und perkussive Techniken - Die Hauptinstrumente der Gitarrenfamilie und ihre Möglichkeiten - Notationsmöglichkeiten für zeitgenössische Gitarrenliteratur Detaillierte Grafiken zu Multiphonics-, Bitones- und Perkussions-Techniken sowie Audio-Tracks, auf die aus dem Buch heraus verlinkt wird, ergänzen die im Buch beschriebenen Beispiele.


Nice Noise

Nice Noise
Author: Bart Hopkin
Publisher:
Total Pages: 72
Release: 2012
Genre: Guitar
ISBN: 9780972731362

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The book describes how to amplify and modify acoustic guitars.


The Contemporary Guitar

The Contemporary Guitar
Author: John Schneider
Publisher: Rowman & Littlefield
Total Pages: 352
Release: 2015-08-20
Genre: Music
ISBN: 1442237902

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The Contemporary Guitar traces the extraordinary rise of the instrument in concert music over the past century. Though recognized worldwide as a popular music icon, the all-to-recent time when the guitar was looked down upon as a second-class citizen in the world of “serious” music is finally past, and it can now be found in the scores of the most important composers. The guitar’s rightful place in chamber music, orchestral music, or as a solo instrument is now without question, whether in the classic acoustic form or the more recent electric version. While the guitar has stood in the vanguard of musical experimentation, its many new techniques and notations remain a mystery for many composers and players. In The Contemporary Guitar, musician and scholar, John Schneider explains each class of technique and illustrates them with examples. Moreover, because the guitar is easily refretted, it has also become a leading instrument in the exploration of the relatively new musical language of microtonality. In this revised and enlarged edition from the original work of three decades ago, Schneider adds a broad-ranging, entirely new chapter on the instruments, notation and repertoire with insights into the interpretation of historical works through the application of accurate contemporary tunings and temperaments. The guitar’s unique timbre—its tone color—is one of the most versatile among modern instruments, both acoustic and electric. Most players who intuitively explore the subtleties of tone color will find outlined in The Contemporary Guitar the specific principles of physics that determine these subtleties which, once mastered, permit guitarists to control more completely the expressive palette of their instrument. Designated the Rational Method of Tone Production by its author, Schneider defines in great detail the timbral characteristics of acoustic and electric instruments from theoretical, physical, and musical viewpoints. Players in search of new repertoire will find an historical survey of the literature, an exhaustive list of new music, and a multitude of techniques for bringing such music to life. The Contemporary Guitar provides audio examples online for those seeking to discover new sounds and includes the notation to perform them.


A GUITARIST’S GRIMOIRE

A GUITARIST’S GRIMOIRE
Author: University Scholastic Press
Publisher: University Scholastic Press
Total Pages: 294
Release: 2024-05-13
Genre: Music
ISBN:

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In A GUITARIST’S GRIMOIRE: UNLOCKING THE SECRETS OF CREATING A MUSICAL DIARY TO MASTER GUITAR COMPOSITION, the renowned publisher University Scholastic Press delves into the profound art of musical diary-keeping, transforming it into a powerful tool for guitarists. This comprehensive 333-page book, structured across key chapters, and fully indexed, serves as an authoritative blueprint to unleash the full potential of your musical creativity. Embark on a journey of self-discovery as the book guides you through the meticulous process of Creating a Musical Diary, establishing a foundation for your artistic expressions. With a focus on Approaches and Best Practices For Your Musical Diary, you'll uncover the methods and techniques to hone your craft and elevate your guitar composition skills. Delve into the heart of your creativity with insights into crafting Your Musical Diary Entries, where the book provides a roadmap for translating emotions and experiences into musical expressions. Sources of Inspiration and Ideas explores the myriad channels that feed your creativity, ensuring a constant flow of innovative concepts. A Guitarist’s Grimoire goes beyond the audible, encouraging you to explore the depths of your subconscious by Documenting Dreams and Aspirations. The book emphasizes the importance of integrating Visual Elements into your musical diary, turning it into a rich tapestry of inspiration and a feast for the senses. Discover the invaluable role of your musical diary as a wellspring for composition in the final chapter, Using the Diary as a Source for Your Composition. Learn how to harness the raw material within your diary entries to create captivating and unique guitar compositions that resonate with your personal narrative. Whether you're a seasoned guitarist seeking new avenues of expression or a novice eager to embark on a transformative musical journey, A Guitarist’s Grimoire is the authoritative guide that unlocks the secrets to masterful guitar composition through the artful curation of your own musical diary.


Mastering Guitar Technique: Process and Essence

Mastering Guitar Technique: Process and Essence
Author: CHRISTOPHER BERG
Publisher: Mel Bay Publications
Total Pages: 144
Release: 2011-02-25
Genre: Music
ISBN: 1610650581

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This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.


Classical Guitar Pedagogy

Classical Guitar Pedagogy
Author: ANTHONY L GLISE
Publisher: Mel Bay Publications
Total Pages: 297
Release: 2014-04-29
Genre: Music
ISBN: 1609740947

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This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychologicalunderpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitarteacher/performer you owe it to yourself and your students to get this book.


The Tangible in Music

The Tangible in Music
Author: Marko Aho
Publisher: Routledge
Total Pages: 182
Release: 2016-05-26
Genre: Music
ISBN: 1315527006

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In the age of digital music it seems striking that so many of us still want to produce music concretely with our bodies, through the movement of our limbs, lungs and fingers, in contact with those materials and objects which are capable of producing sounds. The huge sales figures of musical instruments in the global market, and the amount of time and effort people of all ages invest in mastering the tools of music, make it clear that playing musical instruments is an important phenomenon in human life. By combining the findings made in music psychology and performative ethnomusicology, Marko Aho shows how playing a musical instrument, and the pleasure musicians get from it, emerges from an intimate dialogue between the personally felt body and the sounding instrument. An introduction to the general aspects of the tactile resources of musical instruments, musical style and the musician is followed by an analysis of the learning process of the regional kantele style of the Perho river valley in Finnish Central Ostrobothnia.


The Unorthodox Guitar

The Unorthodox Guitar
Author: Mike Frengel
Publisher: Oxford University Press
Total Pages: 265
Release: 2017
Genre: Music
ISBN: 0199381852

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The Unorthodox Guitar is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses on unconventional approaches to the guitar, including alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues pertaining to performing and recording with a computer.


Music at Hand

Music at Hand
Author: Jonathan De Souza
Publisher: Oxford University Press
Total Pages: 240
Release: 2017-03-06
Genre: Music
ISBN: 0190271132

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From prehistoric bone flutes to pipe organs to digital synthesizers, instruments have been important to musical cultures around the world. Yet, how do instruments affect musical organization? And how might they influence players' bodies and minds? Music at Hand explores these questions with a distinctive blend of music theory, psychology, and philosophy. Practicing an instrument, of course, builds bodily habits and skills. But it also develops connections between auditory and motor regions in a player's brain. These multi-sensory links are grounded in particular instrumental interfaces. They reflect the ways that an instrument converts action into sound, and the ways that it coordinates physical and tonal space. Ultimately, these connections can shape listening, improvisation, or composition. This means that pianos, guitars, horns, and bells are not simply tools for making notes. Such technologies, as creative prostheses, also open up possibilities for musical action, perception, and cognition. Throughout the book, author Jonathan De Souza examines diverse musical case studies-from Beethoven to blues harmonica, from Bach to electronic music-introducing novel methods for the analysis of body-instrument interaction. A companion website supports these analytical discussions with audiovisual examples, including motion-capture videos and performances by the author. Written in lucid prose, Music at Hand offers substantive insights for music scholars, while remaining accessible to non-specialist readers. This wide-ranging book will engage music theorists and historians, ethnomusicologists, organologists, composers, and performers-but also psychologists, philosophers, media theorists, and anyone who is curious about how musical experience is embodied and conditioned by technology.