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| Author | : Allen Staley |
| Publisher | : Tate |
| Total Pages | : 264 |
| Release | : 2004-12 |
| Genre | : Art |
| ISBN | : |
Published to accompany exhibition held at Tate Britain, London, 12 February - 3 May 2004, the Altes Nationalgalerie, Berlin, 12 June - 19 September 2004, and the Fundacio 'la Caixa', Madrid, 6 October 2004 - 9 January 2005.
| Author | : Katharine Aileen Lochnan |
| Publisher | : Art Gallery of Ontario |
| Total Pages | : 228 |
| Release | : 2008 |
| Genre | : Pre-Raphaelitism |
| ISBN | : |
"This abundantly illustrated book accompanies a major exhibition of William Holman Hunt's work. It explores the artist's vision and its relevance to contemporary audiences. Despite the great interest in Pre-Raphaelitism, it has been nearly forty years since the last exhibition devoted to Holman Hunt, one of the founders of the movement. His vision, which inspired the Pre-Raphaelite Brotherhood, has lost neither its timeliness or significance." "The book illustrates paintings by Hunt and his associates, John Everett Millais, Dante Gabriel Rossetti and Arthur Hughes, and also includes drawings, prints, photographs and textiles. It examines Hunt's work in the context of the Brotherhood, and his ideas in relation to the artistic, spiritual, intellectual, emotional and social issues of his age."--Jacket.
| Author | : John Holmes |
| Publisher | : Paul Mellon Centre |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9780300232066 |
This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse. Published in association with the Paul Mellon Centre for Studies in British Art
| Author | : Tim Barringer |
| Publisher | : Yale University Press |
| Total Pages | : 182 |
| Release | : 1999-01-01 |
| Genre | : Art |
| ISBN | : 9780300077872 |
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1994 |
| Genre | : Pre-Raphaelitism |
| ISBN | : |
| Author | : Elizabeth Prettejohn |
| Publisher | : Princeton Univ Department of Art & |
| Total Pages | : 304 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780691070575 |
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
| Author | : Elizabeth Prettejohn |
| Publisher | : Cambridge University Press |
| Total Pages | : 527 |
| Release | : 2012-07-23 |
| Genre | : Literary Criticism |
| ISBN | : 1107495512 |
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
| Author | : Martin Ellis |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2018-10-11 |
| Genre | : |
| ISBN | : 9781885444479 |
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
| Author | : T. J. Barringer |
| Publisher | : Tate Publishing(UK) |
| Total Pages | : 258 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : |
Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Featuring painting, photography, sculpture and applied arts, this book examines both well-known masterpieces and lesser-known works.
| Author | : Sophia Andres |
| Publisher | : Ohio State University Press |
| Total Pages | : 236 |
| Release | : 2005 |
| Genre | : Aesthetics, British |
| ISBN | : 0814209742 |
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
