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| Author | : Lucie Čepcová |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Theater architecture |
| ISBN | : 9788070082591 |
| Author | : Markéta Fantová |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : |
| ISBN | : 9788070084809 |
| Author | : |
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| ISBN | : 9788070084212 |
| Author | : Arnold Aronson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007 |
| Genre | : Prague Quadrennial |
| ISBN | : 9788070082195 |
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9788070083659 |
| Author | : Serge von Arx |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9788070083505 |
| Author | : Arnold Aronson |
| Publisher | : |
| Total Pages | : 99 |
| Release | : 2012 |
| Genre | : Costume |
| ISBN | : 9788070082836 |
The Disappearing Stage: Reflections on the 2011 Prague Quadrennial is a book of reflections on the recent 12th edition of the Prague Quadrennial of Performance Design and Space. The authors include both domestic and foreign theorists and artists: Marvin Carlson (USA), Christopher Baugh (UK), Thea Brejzek (DE), Beth Weinstein (USA), Guy Gutman (IL) and Barbora Příhodová (CZ). The publication’s editor as well as author of last essay is American theatre theorist Arnold Aronson. The book’s essays look at various projects or aspects of the 2011 Prague Quadrennial, but many of which serve as a starting point for a deeper theoretical evaluation of contemporary theatre and scenography.
| Author | : Una Bauer |
| Publisher | : |
| Total Pages | : 102 |
| Release | : 2015 |
| Genre | : Theaters |
| ISBN | : 9789536778119 |
| Author | : Sofia Pantouvaki |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9788070083840 |
| Author | : Thea Brejzek |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 200 |
| Release | : 2017-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1474271405 |
The Model as Performance investigates the history and development of the scale model from the Renaissance to the present. Employing a scenographic perspective and a performative paradigm, it explores what the model can do and how it is used in theatre and architecture. The volume provides a comprehensive historical context and theoretical framework for theatre scholars, scenographers, artists and architects interested in the model's reality-producing capacity and its recent emergence in contemporary art practice and exhibition. Introducing a typology of the scale model beyond the iterative and the representative model, the authors identify the autonomous model as a provocative construction between past and present, idea and reality, that challenges and redefines the relationship between object, viewer and environment. The Model as Performance was shortlisted for the best Performance Design & Scenography Publication Award at the Prague Quadrennial (PQ) 2019.
