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| Author | : Delbert Darling |
| Publisher | : |
| Total Pages | : 258 |
| Release | : 1892 |
| Genre | : Bookkeeping |
| ISBN | : |
| Author | : Delbert Darling |
| Publisher | : Rarebooksclub.com |
| Total Pages | : 52 |
| Release | : 2013-09 |
| Genre | : |
| ISBN | : 9781230091068 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1892 edition. Excerpt: ... for the amount ( 23). Sell George Harris 4 tons of coal at $9.00 per ton, received his check on the First National Bank for the amount ( 23). Feb. 9, I owe Moran Brown $75.00, which I pay, giving him the check and sight draft received the 6th inst. ( 26), and the balance in cash. What is the amount of cash on hand? Balance the account.. Answer: The amount of cash on hand is 6104.70. Merchandise Account. Merchandise is the commodities which a merchant or manufacturer handles, and is usually applied to things bought and sold. 34. The merchandise account is kept for the purpose of determining whether we gain or lose on the commodities handled. 35. In opening the merchandise account, we debit the account for the merchandise we have on hand, then whenever it costs us value we debit it, and whenever it brings us in value we credit it. 36. When we come to close the account we take into consideration the amount of merchandise remaining unsold; this we call the inventory. This inventory is taken by going over the stock and taking the cost price of the items on hand; a deduction is generally made on shelf-worn goods. Any other fluctuation in value is also taken into account. 37. From the above articles we deduce the following rule for debiting and crediting merchandise: We debit the merchandise account for the value of merchandise on hand at the opening of the account. Whenever merchandise costs us value we debit it. Whenever we sell merchandise, orwhen it brings us value, we credit it. Credit merchandise for the amount on hand at the closing of the account; this inventory should be entered in red ink to denote that it has not been disposed of. 38. Example: --Jan. 1, I have merchandise on hand to the...
| Author | : |
| Publisher | : |
| Total Pages | : 430 |
| Release | : 1893 |
| Genre | : Education |
| ISBN | : |
| Author | : Delbert Darling |
| Publisher | : Palala Press |
| Total Pages | : 256 |
| Release | : 2016-04-27 |
| Genre | : |
| ISBN | : 9781354846063 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Ari Herstand |
| Publisher | : Liveright Publishing |
| Total Pages | : 708 |
| Release | : 2016-12-20 |
| Genre | : Performing Arts |
| ISBN | : 1631491512 |
"Ari is at the front of the front. He gets it. I've read a hundred how-to-make-it-in-the-music-biz books, and this one is today's definitive, comprehensive manual." —Jack Conte, 150+ million YouTube views, Pomplamoose, CEO of Patreon Forget everything you think you know about the odds of “making it” in the music industry. Today, odds mean nothing and success is not about lucky breaks. It’s about conquering social media, mastering the art of merchandising and simply working harder and being smarter than everyone else. We are living in the midst of an industry renaissance, one that has left the record companies desperately struggling to maintain their prominence, as a subculture of dedicated, DIY (do-it-yourself) musicians have taken over. These days talent is a given and success has to be earned. In 2008, Ari Herstand boldly turned in his green Starbucks apron to his manager, determined to make a living off his craft as a singer/songwriter. Almost a decade later, he has become a founding member of the new DIY movement and a self-sustaining musician, all without the help of a major label. Now, drawing from years of experience, Herstand has written the definitive guide for other like-minded artists, the ones who want to forge their own path and not follow the traditional markers of success, like record sales, hits on the radio or the amount of your label advance. Incredibly comprehensive and brutally honest throughout, How to Make It in the New Music Business covers every facet of the "new" business, including how to: Build a grass-roots fan base—and understand the modern fan Book a profitable tour, and tips for playing live, such as opening vs. headlining etiquette, and putting on a memorable show Become popular on YouTube, Spotify and SoundCloud Get songs placed in film and television Earn royalties you didn’t know existed and reach your crowdfunding goals Musicians will not only be introduced to all the tools available today but will be shown how to effectively leverage them to actually make money. More important, they will develop the mindset to be aware of new advancements both online and in the real world and always stay in tune with a constantly evolving landscape. There has never been a better time to be an independent musician. Today, fans can communicate with their idols by simply picking up their phones, artists are able to produce studio-worthy content from their basement and albums are funded not by "record men" but by generous, engaged supporters. As result, How to Make It in the New Music Business is a must-have guide for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry.
| Author | : Ari Herstand |
| Publisher | : Liveright Publishing |
| Total Pages | : 416 |
| Release | : 2019-11-05 |
| Genre | : Music |
| ISBN | : 1631496328 |
Hailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in this extensively revised and expanded edition. When How to Make It in the New Music Business hit shelves in 2016, it instantly became the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by music schools everywhere and considered “the best how- to book of its kind” (Music Connection), it inspired thousands to stop waiting around for that “big break.” Now trusted as the leading expert for “do it yourself” artists, Ari Herstand returns with this second edition, maintaining that a stable career can be built by taking advantage of the many tools at our fi ngertips: conquering social media, mastering the art of merchandising, embracing authentic fan connection, and simply learning how to persevere. Comprehensively updated to include the latest online trends and developments, it offers inspiring success stories across media such as Spotify and Instagram. The result is a must- have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry.
| Author | : |
| Publisher | : |
| Total Pages | : 1118 |
| Release | : 1917 |
| Genre | : |
| ISBN | : |
| Author | : John X. Wang |
| Publisher | : CRC Press |
| Total Pages | : 208 |
| Release | : 2008-05-15 |
| Genre | : Technology & Engineering |
| ISBN | : 0849383978 |
Engineers must possess a range of business communication skills that enable them to effectively communicate the purpose and relevance of their idea, process, or technical design. This unique business communication text is packed with practical advice that will improve your ability to- Market ideas Write proposals Generate enthusiasm for research De
| Author | : |
| Publisher | : |
| Total Pages | : 1408 |
| Release | : 1919 |
| Genre | : Business |
| ISBN | : |
| Author | : Josh Kaufman |
| Publisher | : Penguin |
| Total Pages | : 288 |
| Release | : 2013-06-13 |
| Genre | : Self-Help |
| ISBN | : 1101623047 |
Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of practicing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct complex skills, maximize productive practice, and remove common learning barriers. By completing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the methods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard keyboard, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the simple techniques he teaches: Define your target performance level: Figure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcomponents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accurate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chainsaws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.
