Post's Junior Detective Corps
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1933 |
Genre | : Detectives |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1933 |
Genre | : Detectives |
ISBN | : |
Author | : John Walton |
Publisher | : University of Chicago Press |
Total Pages | : 230 |
Release | : 2015-11-10 |
Genre | : History |
ISBN | : 022630826X |
Private detectives and detective agencies played a major role in American history from 1870 to 1940. Pinkerton, Burns, Thiels, and the smaller independents were a multi-million dollar industry, hired out by many if not most American corporations, who needed services of surveillance, strike breaking, and labor espionage. Not only is John Walton's account the first sustained history of this industry, it is also the first book to trace the ways in which the private detective came to occupy a cherished place in popular imagination. Walton paints lively portraits of these mythical figures from Sherlock Holmes, the brilliant eccentric, to Sam Spade, the hard-boiled hero of Dashiell Hammett's best-selling tales. There's a great question lurking in here: how did pulp magazine editors shape the image of the hard-boiled private eye, and what sorts of interplay obtained between the actual records (agency files, memoirs) of these motley individuals in real life and the legend of the private detective in mass-market fiction? This history of the private eyes and this account of how the detective industry and the culture industry played off of each other is a first. Walton show us, in clean clear outline, the figure of the classical private eye, and he shows us further how the memory of this iconic figure was sustained in fiction, radio, film, literary societies, product promotions, adolescent entertainments, and a subculture of detective enthusiasts.
Author | : Lisa Jacobson |
Publisher | : Columbia University Press |
Total Pages | : 319 |
Release | : 2004 |
Genre | : Business & Economics |
ISBN | : 0231113897 |
In the present electronic torrent of MTV and teen flicks, Nintendo and Air Jordan advertisements, consumer culture is an unmistakably important--and controversial--dimension of modern childhood. Historians and social commentators have typically assumed that the child consumer became significant during the postwar television age. But the child consumer was already an important phenomenon in the early twentieth century. The family, traditionally the primary institution of child socialization, began to face an array of new competitors who sought to put their own imprint on children's acculturation to consumer capitalism. Advertisers, children's magazine publishers, public schools, child experts, and children's peer groups alternately collaborated with, and competed against, the family in their quest to define children's identities. At stake in these conflicts and collaborations was no less than the direction of American consumer society--would children's consumer training rein in hedonistic excesses or contribute to the spread of hollow, commercial values? Not simply a new player in the economy, the child consumer became a lightning rod for broader concerns about the sanctity of the family and the authority of the market in modern capitalist culture. Lisa Jacobson reveals how changing conceptions of masculinity and femininity shaped the ways Americans understood the virtues and vices of boy and girl consumers--and why boys in particular emerged as the heroes of the new consumer age. She also analyzes how children's own behavior, peer culture, and emotional investment in goods influenced the dynamics of the new consumer culture. Raising Consumers is a provocative examination of the social, economic, and cultural forces that produced and ultimately legitimized a distinctive children's consumer culture in the early twentieth century.
Author | : Alex Tresniowski |
Publisher | : ReadHowYouWant.com |
Total Pages | : 626 |
Release | : 2010-05 |
Genre | : Biography & Autobiography |
ISBN | : 1458760235 |
By the end of 1934 Melvin Purvis was, besides President Roosevelt, the most famous man in America. Just thirty one years old, he presided over the neophyte FBI's remarkable sweep of the great Public Enemies of the American Depression - John Dillinger; Pretty Boy Floyd; Baby Face Nelson. America finally had its hero in the War on Crime, and the face of all the conquering G-Men belonged to Melvin Purvis. Yet these triumphs sowed the seeds of his eventual ruin. With each new capture, each new headline touting Purvis as the scourge of gangsters, one man's implacable resentment grew. J. Edgar Hoover, Director of the FBI, was immensely jealous of the agent who had been his friend and protege, and vowed that Melvin Purvis would be brought down. A vendetta began that would not end even with Purvis's death. For more than three decades Hoover trampled Purvis's reputation, questioned his courage and competence, and tried to erase his name from all records of the FBI's greatest triumphs. Alston Purvis is Melvin's only surviving son. With the benefit of a unique family archive of documents, new testimony from colleagues and friends of Melvin Purvis and witnesses to the events of 1934, he has produced a grippingly authentic new telling of the gangster era, seen from the perspective of the pursuers. By finally setting the record straight about his father, he sheds new light on what some might call Hoover's original sin - a personal vendetta that is one of the earliest and clearest examples of Hoover's bitter, destructive paranoia.
Author | : Norma Odom Pecora |
Publisher | : Guilford Press |
Total Pages | : 204 |
Release | : 2002-03-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781572307742 |
For over 20 years, the development of children's television programming has been subsidized by toy manufacturers. The result has been an increased commercialisation of children's popular culture - the creation of a "material world" of childhood characterized by brand-name toys, games, clothing, and television characters. Drawing on historical background and case studies, this book presents a unique look at the development of children as targets of the media and commercial industries, and examines the economic and social forces that have defined the evolution of children's entertainment. This volume is of interest to professionals and students in media studies, mass communication, and related fields; readers interested in contemporary children's culture and the content of children's programming.
Author | : |
Publisher | : |
Total Pages | : 474 |
Release | : 1988 |
Genre | : Detective and mystery stories |
ISBN | : |
Author | : Robert Turpin |
Publisher | : Syracuse University Press |
Total Pages | : 306 |
Release | : 2018-06-25 |
Genre | : Sports & Recreation |
ISBN | : 0815654391 |
The bicycle has long been a part of American culture but few would describe it as an essential element of American identity in the same way that it is fundamental to European and Asian cultures. Instead, American culture has had a more turbulent relationship with the bicycle. First introduced in the United States in the 1830s, the bicycle reached its height of popularity in the 1890s as it evolved to become a popular form of locomotion for adults. Two decades later, ridership in the United States collapsed. As automobile consumption grew, bicycles were seen as backward and unbecoming—particularly for the white middle class. Turpin chronicles the story of how the bicycle’s image changed dramatically, shedding light on how American consumer patterns are shaped over time. Turpin identifies the creation and development of childhood consumerism as a key factor in the bicycle’s evolution. In an attempt to resurrect dwindling sales, sports marketers reimagined the bicycle as a child’s toy. By the 1950s, it had been firmly established as a symbol of boyhood adolescence, further accelerating the declining number of adult consumers. Tracing the ways in which cycling suffered such a loss in popularity among adults is fundamental to understanding why the United States would be considered a "car" culture from the 1950s to today. As a lens for viewing American history, the story of the bicycle deepens our understanding of our national culture and the forces that influence it.
Author | : |
Publisher | : |
Total Pages | : 248 |
Release | : 1933 |
Genre | : California |
ISBN | : |
Author | : Richard Gid Powers |
Publisher | : Simon and Schuster |
Total Pages | : 624 |
Release | : 2020-02-04 |
Genre | : Biography & Autobiography |
ISBN | : 1982154497 |
A well-researched biography about the public and private life of J. Edgar Hoover—former FBI director and America’s most controversial law enforcer—that draws on previously unknown personal documents, a study of FBI files, and the presidential papers of nine administrations. Secrecy and Power is a full biography of former FBI director, covering all aspects of Hoover’s controversial career from the Red Scare following World War I to the 1960s and his personal vendettas against Martin Luther King and the civil rights and antiwar movements.
Author | : Susan Honeyman |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 235 |
Release | : 2018-12-18 |
Genre | : Literary Criticism |
ISBN | : 1496819926 |
Unrecognized in the United States and resisted in many wealthy, industrialized nations, children’s rights to participation and self-determination are easily disregarded in the name of protection. In literature, the needs of children are often obscured by protectionist narratives, which redirect attention to parents by mythologizing the supposed innocence, victimization, and vulnerability of children rather than potential agency. In Perils of Protection: Shipwrecks, Orphans, and Children's Rights, author Susan Honeyman traces how the best of intentions to protect children can nonetheless hurt them when leaving them unprepared to act on their own behalf. Honeyman utilizes literary parallels and discursive analysis to highlight the unchecked protectionism that has left minors increasingly isolated in dwindling social units and vulnerable to multiple injustices made possible by eroded or unrecognized participatory rights. Each chapter centers on a perilous pattern in a different context: “women and children first” rescue hierarchies, geographic restriction, abandonment, censorship, and illness. Analysis from adventures real and fictionalized will offer the reader high jinx and heroism at sea, the rush of risk, finding new families, resisting censorship through discovering shared political identity, and breaking the pretenses of sentimentality.