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| Author | : Richard Kearney |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2002-11 |
| Genre | : History |
| ISBN | : 1134821700 |
This work provides a recasting of contemporary Irish politics, culture, literature and philosophy by examining the concept of absolute national sovereignty and asking if it is a luxury we can afford in the new emerging Europe.
| Author | : Estelle Epinoux |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 233 |
| Release | : 2016-12-14 |
| Genre | : History |
| ISBN | : 144385557X |
This collective volume provides the reader with an exploration of various artistic works which grew out of the post Celtic Tiger era in Ireland. The different cultural fields of interest studied in this book include theatre, photography, poetry, painting, and cinema, as well as commemorative spaces. These different cultural voices enable one to explore Ireland, as a country located at a crossroads, in a kind of in-between space, and to wonder about the various political, economic, historical and social forces present in the country. The contributions interrogate Irish society within its present context, which is deeply impregnated by movement and transition but also strongly connected to time, to past and to memory. This collection of essays also presents the way in which these artistic works intertwine with various approaches, artistic, aesthetic, sociologic, cinematographic, historical, and literary, in order to pinpoint the transformations induced by both the Celtic Tiger and its aftermath. The issues of globalisation, identity, place and creativity are all dealt with. In assessing the aftermath of the post Celtic Tiger period, its impact and influences on today’s Irish society, the contributors also allude, incidentally, to its future evolution and trends.
| Author | : Birte Heidemann |
| Publisher | : Springer |
| Total Pages | : 280 |
| Release | : 2016-06-23 |
| Genre | : Literary Criticism |
| ISBN | : 3319289918 |
This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts – fiction, poetry and drama – by Northern Irish writers who grew up during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions.
| Author | : Claire Bracken |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2021-05-09 |
| Genre | : Literary Criticism |
| ISBN | : 1000396274 |
Post-Celtic Tiger Ireland and Contemporary Women’s Writing: Feminist Interventions and Imaginings analyzes and explores women’s writing of the post-Tiger period and reflects on the social, cultural, and economic conditions of this writing’s production. The Post-Celtic Tiger period (2008–) in Ireland marks an important moment in the history of women’s writing. It is a time of increased visibility and publication, dynamic feminist activism, and collective projects, as well as a significant garnering of public recognition to a degree that has never been seen before. The collection is framed by interviews with Claire Kilroy and Melatu Uche Okorie—two leading figures in the field—and closes with Okorie’s landmark short story on Direct Provision, “This Hostel Life.” The book features the work of leading scholars in the field of contemporary literature, with essays on Anu Productions, Emma Donoghue, Grace Dyas, Anne Enright, Rita Ann Higgins, Marian Keyes, Claire Kilroy, Eimear McBride, Rosaleen McDonagh, Belinda McKeon, Melatu Uche Okorie, Louise O’Neill, and Waking The Feminists. Reflecting on all the successes and achievements of women’s writing in the contemporary period, this book also considers marginalization and exclusions in the field, especially considering the politics of race, class, gender, sexuality, ethnicity, nationality, and ability. The chapters in this book were originally published in the journal LIT: Literature Interpretation Theory.
| Author | : Kieran Keohane |
| Publisher | : Manchester University Press |
| Total Pages | : 276 |
| Release | : 2015-11-01 |
| Genre | : History |
| ISBN | : 152610220X |
This book provides an analysis of neo-liberal political economics implemented in Ireland and the deleterious consequences of that model in terms of polarised social inequalities, impoverished public services and fiscal vulnerability as they appear in central social policy domains – health, housing and education in particular. Tracing the argument into the domains where the institutions are sustained and reproduced, this book examines the movement of modern economics away from its original concern with the household and anthropologically universal deep human needs to care for the vulnerable – the sick, children and the elderly – and to maintain inter-generational solidarity. The authors argue that the financialisation of social relations undermines the foundations of civilisation and opens up a marketised barbarism. Civic catastrophes of violent conflict and authoritarian liberalism are here illustrated as aspects of the 'rough beast' that slouches in when things are falling apart and people become prey to new forms of domination.
| Author | : Irene Gilsenan Nordin |
| Publisher | : Peter Lang |
| Total Pages | : 318 |
| Release | : 2010 |
| Genre | : English fiction |
| ISBN | : 9783039115587 |
This collection of essays aims to provide new insights into the debate on postnationalism in Ireland from the perspective of narrative writing.
| Author | : Lance Pettitt |
| Publisher | : Manchester University Press |
| Total Pages | : 342 |
| Release | : 2000 |
| Genre | : Ireland |
| ISBN | : 9780719052705 |
Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.
| Author | : Peter Gratton |
| Publisher | : Northwestern University Press |
| Total Pages | : 240 |
| Release | : 2007-05-14 |
| Genre | : Philosophy |
| ISBN | : 0810123789 |
In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated—and long overdue—study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time—Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum—as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher,
| Author | : Edward Brennan |
| Publisher | : Springer |
| Total Pages | : 235 |
| Release | : 2019-01-25 |
| Genre | : Performing Arts |
| ISBN | : 3319968602 |
This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.
| Author | : Michael Parker |
| Publisher | : Manchester University Press |
| Total Pages | : 462 |
| Release | : 2013-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 1847795056 |
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is a distinctive book that examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and also emerging writers who have received relatively little critical attention. Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The book examines the impact of Mary Robinson’s Presidency; growing cultural confidence ‘back home’; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the ‘Celtic Tiger’ myth); Ireland’s increasingly prominent role in Europe; and changing reputation. In its breadth and critical currency, this book will be of particular interest to academics and students working in the fields of literature, drama and cultural studies.
