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Postmodern Canadian Fiction and the Rhetoric of Authority

Postmodern Canadian Fiction and the Rhetoric of Authority
Author: Glenn Deer
Publisher: McGill-Queen's Press - MQUP
Total Pages: 154
Release: 1994-02-08
Genre: Literary Criticism
ISBN: 0773564527

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Deer illuminates the psychology of family relations and power struggles in Sheila Watson's The Double Hook, the surrealism and spirit of sexual rebellion in Leonard Cohen's Beautiful Losers, the tensions between private psychology and public politics in Dave Godfrey's The New Ancestors, the implied male sympathies in the guise of a feminist persona in Robert Kroetsch's Badlands, the playful yet didactic uses of history in George Bowering's Burning Water, and the paradoxes of power in Margaret Atwood's dystopia, The Handmaid's Tale. Inspired by the philosophies of rhetoric and social discourse in the work of Kenneth Burke, Roger Fowler, Wayne Booth, and George Dillon, Deer forcefully engages the politics of postmodernism in its theoretical and literary dimensions by reading against the grain of canonizing criticism. He provides a detailed discussion of the connections between postmodern literary forms and world views and focuses particularly on how novels are scripted to influence readers and what kinds of world and social views are being promoted. Combining the ethical focus of Wayne Booth and Gerald Graff with elements of deconstruction, Deer's specialized readings of the novels imaginatively construct the addresser-addressee relations of texts and explicate narrative authority. This study will be of particular interest to students of Canadian literature and literary politics as well as scholars of rhetorical theory and criticism.


Postmodern Canadian Fiction and the Rhetoric of Authority

Postmodern Canadian Fiction and the Rhetoric of Authority
Author: Glenn Deer
Publisher: McGill-Queen's Press - MQUP
Total Pages: 168
Release: 1994
Genre: Literary Criticism
ISBN: 9780773511590

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Criticism that takes an ideological approach to Canadian writing is scarce; political-rhetorical studies are even more uncommon. In this original approach to postwar Canadian fiction Glenn Deer presents provocative readings of ideologies as well as experiments with authorial stances.


RE: Reading the Postmodern

RE: Reading the Postmodern
Author: Robert David Stacey
Publisher: University of Ottawa Press
Total Pages: 418
Release: 2011-01-14
Genre: Literary Criticism
ISBN: 0776619233

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It would be difficult to exaggerate the worldwide impact of postmodernism on the fields of cultural production and the social sciences over the last quarter century—even if the concept has been understood in various, even contradictory, ways. An interest in postmodernism and postmodernity has been especially strong in Canada, in part thanks to the country’s non-monolithic approach to history and its multicultural understanding of nationalism, which seems to align with the decentralized, plural, and open-ended pursuit of truth as a multiple possibility as outlined by Jean-François Lyotard. In fact, long before Lyotard published his influential work The Postmodern Condition in 1979, Canadian writers and critics were employing the term to describe a new kind of writing. RE: Reading the Postmodern marks a first cautious step toward a history of Canadian postmodernism, exploring the development of the idea of the postmodern and debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope.


The Routledge Concise History of Canadian Literature

The Routledge Concise History of Canadian Literature
Author: Richard J. Lane
Publisher: Taylor & Francis
Total Pages: 271
Release: 2012-04-27
Genre: Literary Criticism
ISBN: 1136816348

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The Routledge Concise History of Canadian Literature introduces the fiction, poetry and drama of Canada in its historical, political and cultural contexts. In this clear and structured volume, Richard Lane outlines: the history of Canadian literature from colonial times to the present key texts for Canadian First Peoples and the literature of Quebec the impact of English translation, and the Canadian immigrant experience critical themes such as landscape, ethnicity, orality, textuality, war and nationhood contemporary debate on the canon, feminism, postcoloniality, queer theory, and cultural and ethnic diversity the work of canonical and lesser-known writers from Catherine Parr Traill and Susanna Moodie to Robert Service, Maria Campbell and Douglas Coupland. Written in an engaging and accessible style and offering a glossary, maps and further reading sections, this guidebook is a crucial resource for students working in the field of Canadian Literature.


Canada : Images D'une Société Post/nationale

Canada : Images D'une Société Post/nationale
Author: Nordic Association for Canadian Studies. International Conference
Publisher: Peter Lang
Total Pages: 392
Release: 2009
Genre: Business & Economics
ISBN: 9789052014852

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Has Canada moved beyond the nation state into the world of the post-national? To what extent have fixed notions of Canadian nationhood been replaced by a more global, decentralized sense of identification? Is nationhood (or post-nationhood) best expressed by statelessness and exile or by belonging? Or can Canadian national identity in fact fruitfully coexist with the post-national consciousness? These are some of the issues covered by this volume, issues seen from a range of perspectives - literary, cultural, political and economic. In the literary sphere the national/post-national debate is explored both through canonical writers, such as L. M. Montgomery, Stephen Leacock, and Marie-Claire Blais, and through recent First Nations, Asian-Canadian, African-Canadian, Ukrainian-Canadian and Quebec writing. The political and economic range is equally diverse, covering such topics as immigration policy, multiculturalism, Canadian-American relations, tourist imaginings of the Canadian North, the Canadian city, and Quebec nationalism. The book brings together 27 original articles from international scholars and creative writers, offering both European and Canadian perspectives. Six articles in French focus specifically on the francophone sphere.


Contemporary Women’s Post-Apocalyptic Fiction

Contemporary Women’s Post-Apocalyptic Fiction
Author: Susan Watkins
Publisher: Springer Nature
Total Pages: 226
Release: 2020-02-29
Genre: Literary Criticism
ISBN: 1137486503

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This book examines how contemporary women novelists have successfully transformed and rewritten the conventions of post-apocalyptic fiction. Since the dawn of the new millennium, there has been an outpouring of writing that depicts the end of the world as we know it, and women writers are no exception to this trend. However, the book argues that their fiction is distinctive. Contemporary women’s work in this genre avoids conservatism, a nostalgic mourning for the past, and the focus on restoring what has been lost, aspects key to much male authored apocalyptic fiction. Instead, contemporary women writers show readers the ways in which patriarchy and neo-colonialism are intrinsically implicated in the disasters they envision, and offer qualified hope for a new beginning for society, culture and literature after an imagined apocalyptic event. Exploring science, nature and matter, the posthuman body, the maternal imaginary, time, narrative and history, literature and the word, and the post-secular, the book covers a wide variety of writers and addresses issues of nationality, race and ethnicity, as well as gender and sexuality.


Adjacencies

Adjacencies
Author: Domenic A. Beneventi
Publisher: Guernica Editions
Total Pages: 257
Release: 2004
Genre: Literary Collections
ISBN: 1550711679

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This collection of essays provides a forum in which Canadian ethnicity and literature are explored from a broad range of perspectives. It reveals the many ways in which minority writers not only create a sense of community and ethnic specificity but also open avenues of discourse to adjacent communities.


A Postmodern Cinema

A Postmodern Cinema
Author: Mary Alemany-Galway
Publisher: Scarecrow Press
Total Pages: 288
Release: 2002
Genre: Performing Arts
ISBN: 9780810840980

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Alemany-Galway (media studies, Massey University, New Zealand) engages with a trend in Canadian cinema that speaks for those who are marginalized by society. She develops a rationale for a postmodern film theory to explore this trend and then focuses closely on four films: Jesus of Montreal, I've Heard the Mermaids Singing, Family Viewing, Life Classes. Annotation copyrighted by Book News, Inc., Portland, OR


Contemporary Fiction

Contemporary Fiction
Author: Jago Morrison
Publisher: Psychology Press
Total Pages: 280
Release: 2003
Genre: American fiction
ISBN: 9780415194556

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A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.


New World Myth

New World Myth
Author: Marie Vautier
Publisher: McGill-Queen's Press - MQUP
Total Pages: 364
Release: 1998-01-06
Genre: Literary Criticism
ISBN: 0773566880

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There is an emphasis on de-constructing, de-centring, de-stabilizing, and especially de-mythologizing in the study that illustrates New World myth narrators questioning the past in the present and carrying out their original investigations of myth, place, and identity. Underlining the fact that political realities are encoded in the language and narrative of the works, Vautier argues that the reworkings of literary, religious, and historical myths and political ideologies in these novels are grounded in their shared situation of being in and of the New World.