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| Author | : Jonathan Boulter |
| Publisher | : Edinburgh University Press |
| Total Pages | : 232 |
| Release | : 2018-12-19 |
| Genre | : Human beings in literature |
| ISBN | : 1474430279 |
Jonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose.
| Author | : Boulter Jonathan Boulter |
| Publisher | : Edinburgh University Press |
| Total Pages | : 245 |
| Release | : 2018-12-19 |
| Genre | : Human beings in literature |
| ISBN | : 1474430287 |
A reading of the philosophical idea of world as it relates to the posthuman subject in Beckett's short proseJonathan Boulter offers the reader a way of understanding Beckett's presentation of the human, more precisely, posthuman, subject in his short prose. These texts are notoriously difficult yet utterly compelling. This compelling difficulty arises from Beckett's radical dismantling of the idea of the human. His short texts offer instead an image of a being who may be posthumous, or ultimately beyond categories of life and death. And yet, despite this dismantling, the narrators of these texts still find themselves placed within material, recognisable, spaces. This book explores what the idea of 'world' can mean to a subject who appears to have moved into a material, even ecological, space that is beyond categories of life and death, being and world.Key Features:Provides a philosophical reading of Samuel BeckettRethinks Beckett in relation to the posthumanContributes to a relatively ignored aspect of Samuel Beckett's writing, the short prose
| Author | : Samuel Beckett |
| Publisher | : Grove Press |
| Total Pages | : 346 |
| Release | : 1995 |
| Genre | : Fiction |
| ISBN | : 9780802134905 |
Gathers the Nobel Prize winning poet and dramatist's short prose into one volume that affords the reader a view of Beckett's development as an artist.
| Author | : Samuel Beckett |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 336 |
| Release | : 2007-12-01 |
| Genre | : Fiction |
| ISBN | : 0802198430 |
Nobel Prize winner Samuel Beckett was one of the most profoundly original writers of the 20th century. He gave expression to the anguish and isolation of the individual consciousness with a purity and minimalism that have altered the shape of world literature. A tremendously influential poet and dramatist, Beckett spoke of his prose fiction as the "important writing," the medium in which he distilled his ideas most powerfully. Here, for the first time, his short prose is gathered in a definitive, complete volume by leading Beckett scholar S. E. Gontarski.
| Author | : Stanley E. Gontarski |
| Publisher | : |
| Total Pages | : 294 |
| Release | : 1995 |
| Genre | : |
| ISBN | : |
| Author | : Samuel Beckett |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 98 |
| Release | : 2014-11-11 |
| Genre | : Fiction |
| ISBN | : 0802198341 |
The three pieces that comprise this volume are among the most delicate and disquieting of Samuel Beckett’s later prose. Each confined to a single consciousness in a closed space, these stories are a testament to the mind’s boundless expanse. In Company, a man—"one on his back in the dark"—hears a voice speak to him, describing significant moments from his lifetime, and yet these memories may be merely fables and figments invented for the sake of companionship. Ill Seen Ill Said tells of a solitary old woman who paces around a cabin, burdened by existence itself. And Worstword Ho explores a world devoid of rationality and purpose, containing the famous directive: "Try again. Fail Again. Fail Better." The quintessential distillation of Beckett’s philosophy on human existence and the ultimate example of his minimalist approach to fiction, Nohow On is a vital collection, concerned with conception and perception, memory and imagination.
| Author | : Anthony Cordingley |
| Publisher | : Edinburgh University Press |
| Total Pages | : 305 |
| Release | : 2018-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 1474440622 |
A critical guide to the philosophy of Giorgio Agamben, organised around the philosophers and thinkers he draws on and critiques.
| Author | : Samuel Beckett |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 160 |
| Release | : 2007-12-01 |
| Genre | : Fiction |
| ISBN | : 0802198317 |
This volume brings together three of Nobel Prize winner Samuel Beckett’s major short stories and thirteen shorter pieces of fiction that he calls “texts for nothing.” Here, as in all his work, Beckett relentlessly strips away all but the essential to arrive at a core of truth. His prose reveals the same mastery that marks his work from Waiting for Godot and Endgame to Molloy and Malone Dies. In each of the three stories, old men displaced or expelled from the modest corners where they have been living bestir themselves in search of new corners. Told, “You can’t stay here,” they somehow, doggedly, inevitably, go on. Includes: “The Expelled” “The Calmative” “The End” Texts for Nothing (1-10)
| Author | : Samuel Beckett |
| Publisher | : John Calder Pub Limited |
| Total Pages | : |
| Release | : 1991-01-01 |
| Genre | : |
| ISBN | : 9780714542003 |
| Author | : Samuel Beckett |
| Publisher | : Faber & Faber |
| Total Pages | : 144 |
| Release | : 2012-10-04 |
| Genre | : Literary Collections |
| ISBN | : 0571266908 |
This is the last of three volumes of collected shorter prose to be published in the Faber edition of the works of Samuel Beckett - which already includes a volume of early stories ( The Expelled/The Calmative/The End/First Love) and of late stories ( Company/ Ill Seen Ill Said/Worstward Ho/Stirrings Still). The present volume contains all of the short fictions - some of them no longer than a page - written and published by Beckett between 1950 and the early 1970s. Most were written in French, and they mostly belong within three loose sequences: Texts for Nothing, Fizzles and Residua. The edition also includes two remarkable independent narratives: From an Abandoned Work and As The Story Was Told. All of these texts, whose unsleeping subject is themselves, demonstrate that the short story is one of the recurrent modes of Beckett's imagination, and occasions some of his greatest works. ... he would like it to be my fault that words fail him, of course words fail him. He tells his story every five minuts, saying it is not his, there's cleverness for you. He would like ti to be my fault that he has no story, of course he has no story, that's no reason for trying to foist one on me...
